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Published online by Cambridge University Press: 19 August 2008
This paper challenges the predominant reading of Dublin's architectural history whereby the eighteenth century is a golden age of rational urbanism and the nineteenth century represents a collapse into confusion and stasis. It emphasises the different ways in which the city continued to change in the nineteenth century. An examination of James Joyce's changing representation of Dublin - from the ‘scrupulous meanness’ of Dubliners to the exuberance of Ulysses - suggests how an equivalent shift in architectural strategies, from a nostalgia for the formal certainties of Georgian Dublin towards an appreciation of the heterogeneous nineteenth-century city, might produce a new kind of urbanism.