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‘A gallery worthy of the British people’:
James Pennethorne’s designs for the National Gallery, 1845–1867
Published online by Cambridge University Press: 11 April 2016
Extract
Few of Britain’s public buildings have aroused so much public discussion over so many years as the National Gallery. Ever since the building was opened in 1838 it has been criticized for its inconvenient layout and for its failure to measure up to what Sir Robert Peel called ‘the finest site in Europe’. William IV, in one of his last recorded utterances, called it ‘a nasty little pokey hole’, and since then there have always been complaints about the lack of space both for pictures and for visitors. Yet successive proposals for rebuilding or replacement have foundered again and again. The still unwritten history of the building is littered with the debris of grandiose projects abandoned and piecemeal additions and alterations adopted in their place. With yet another extension under construction it is an appropriate time to re-examine the early history of this strangely unsatisfactory yet much-loved edifice.
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References
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10 PRO, T 5282/19832; Holmes and Baker, p. 55.
11 PP (1850), xv, pp. iii, 77–87.
12 Hansard, cix, 25 March 1850, pp. 1368–69.
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21 Ibid., pp. 625–27.
22 I have been unable to trace the original, but there is a contemporary photograph in V & A Guard Book 2506, and there are variants in the same book (2512–13).
23 Hansard, CXLII, 12 June 1856, pp. 1393–94; The Times, 21, 27 and 28 June 1856.
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39 Ibid., 529. There is a perspective drawing of the façade in the RIBA Drawings Collection, XO5/D/14.
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