Hostname: page-component-cd9895bd7-hc48f Total loading time: 0 Render date: 2024-12-26T21:34:58.475Z Has data issue: false hasContentIssue false
  • English
  • Français

Repainting Australian rock art

Published online by Cambridge University Press:  02 January 2015

Sandra Bowdler
Sandra Bowdler*
Affiliation:
Centre for Prehistory, University of Western Australia, Nedlands, Western Australia 6009, Australia
Get access Rights & Permissions [Opens in a new window]

Extract

Where and when does a living culture cease, where and when does archaeology begin? The issue has been raised again, this time concerning the repainting of Australian rock pictures.

Type
Notes
Information
Antiquity , Volume 62 , Issue 236 , September 1988 , pp. 517 - 523
Copyright
Copyright © Antiquity Publications Ltd 1988

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

References

Bowdler, S. 1987. Who owns the what? Paper read at the Conference of Museum Anthropologists, Maritime Museum, Fremantle, November 1987.Google Scholar
Crawford, I. 1968. The art of the Wandjina. Melbourne: Oxford University Press.Google Scholar
Crawford, I. 1977. The relationship of Bradshaw and Wandjina art in north-west Kimberley, in Ucko, P.J. (ed.), Form in indigenous art: schematisation in the art of Aboriginal Australia and prehistoric Europe: 357–69. Canberra: Australian Institute of Aboriginal Studies.Google Scholar
Elkin, A.P. 1931. Rock paintings of north west Australia, Oceania 1: 257–79.Google Scholar
Grey, G. 1841. Journals of two expeditions of discovery in northwest and western Australia during the years 1837, 38 and 39. London: Boone.Google Scholar
Lommel, A. 1959. Die Kunst des Fünften Erdteils. Munich: Staatliches Museum für Völkerkunde.Google Scholar
Love, A.J.B. 1930. Rock paintings of the Worora and their mythological interpretation, Journal of the Royal Society of Western Australia 16: 1–17.Google Scholar
Mccarthy, F.D. 1962. Australian Aboriginal rock art. Sydney: Australian Museum.Google Scholar
Maynard, L. 1979. The archaeology of Australian Aboriginal art, in Mead, S.M. (ed.), Exploring the visual art of Oceania: 83–110. Honolulu: University Press of Hawaii.Google Scholar
Morwood, M.J. 1980. Time, space and prehistoric art: a principal components analysis, Archaeology and Physical Anthropology in Oceania 15: 98–109.Google Scholar
Mowljarlai, D. & Peck, C.. 1987. Ngarinyin cultural continuity: a project to teach the young people the culture, including the re-painting of Wandjina art sites, Australian Aboriginal Studies 2: 71–8.Google Scholar
Randolph, P. & Clarke, J.. 1987. Wanang Ngari CEP project assessment: investigation of complaint that re-painting of Ngarinyin rock art sites is an act of desecration. Report for the Aboriginal Sites Department, Western Australian Museum, Perth.Google Scholar
Schulz, A. 1956. North-west Australian rock paintings, Memoir of the National Museum of Victoria 20: 7–56.CrossRefGoogle Scholar
Webb, S. 1987. Reburying Australian skeletons, Antiquity 61: 292–6.CrossRefGoogle Scholar
White, P. 1974. The past is human. Sydney: Angus and Robertson.Google Scholar