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Planet of camps: border assemblages and their challenges

Review products

‘Lande: The Calais “Jungle” and Beyond’. Temporary exhibition at the Pitt Rivers Museum, Oxford, 27 April–29 November 2019.
DanHicks & SarahMallet. 2019. Lande: the Calais ‘jungle’ and beyond. Bristol: Bristol University Press; 978-1-5292-0618-0 £45 & freely available online at https://bristoluniversitypress.co.uk/lande-the-calais-jungle-and-beyond (accessed 16 September 2019).

Published online by Cambridge University Press:  15 October 2019

Yannis Hamilakis
Yannis Hamilakis*
Affiliation:
Joukowsky Institute for Archaeology and the Ancient World, Brown University, Box 1837, Rhode Island Hall, 60 George Street, Providence, RI 02912, USA (Email: [email protected])
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Extract

In his 2017 masterful film Happy End, the European auteur Michael Haneke returns to some of his favourite themes by portraying the life of a contemporary dysfunctional, white bourgeoisie family in Calais, France, struggling to deal with the skeletons in their cupboard. They are also mostly oblivious to the thousands of migrants from the Global South attempting to negotiate yet another borderland and cross into Britain. In the final scene, a group of them bursts uninvited into the family's engagement party. This classic Hanekean tense moment reminds us that contemporary global migration, rather than being a novel and unexpected ‘crisis’, amounts to an unavoidable return, a return of the oppressed and the colonised; it is a moment in the unfinished histories of white European global domination. In that sense, rather than being a ‘migration crisis’, it can be better described as a reception crisis (cf. Christopoulos 2016), a crisis of the contemporary nation states in the Global North who find it impossible to come to terms with their own histories.

Type
Review Article
Information
Antiquity , Volume 93 , Issue 371 , October 2019 , pp. 1371 - 1377
Copyright
Copyright © Antiquity Publications Ltd, 2019 

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