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Images in opposition: polarity, ambivalence and liminality in cult representation

Published online by Cambridge University Press:  02 January 2015

Miranda J. Green*
Affiliation:
SCARAB Research Centre, University of Wales College Newport, Caerleon Campus, P.O. Box 179, Newport NP6 1YG, Wales. [email protected]

Abstract

The concept of ‘Celtic’ is fittingly ambiguous, ambivalent and disputed in its archaeological definition: ‘fittingly’ because later prehistoric and Roman iconography in temperate Europe is ambiguous and ambivalent. And ambiguous and ambivalent things are hard to understand unambiguously!

Type
Papers
Copyright
Copyright © Antiquity Publications Ltd. 1997

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