Published online by Cambridge University Press: 02 January 2015
In a well-known passage Plutarch (quoting Dikairchos) tells us that when Theseus landed in Delos with Ariadne, daughter of Nlinos, on his return from Crete, he and his young companions danced a dance which was called ‘The Crane’. This dance, as I hope to show, was an integral part of a cultural pattern of sacrificial and funerary ritual which was widespread throughout Europe and Asia and extended in modified form at least as far as Malekula in the New Hebrides. Unquestionably it was associated with the Labyrinth. Its winding figures represented the hero's wanderings in the Labyrinth on Crete.