Hostname: page-component-78c5997874-t5tsf Total loading time: 0 Render date: 2024-11-08T08:22:47.146Z Has data issue: false hasContentIssue false
  • English
  • Français

Anglo-Saxon Vine-scroll Ornament

Part of: Anglo-Saxon archaeology

Published online by Cambridge University Press:  02 January 2015

Ernst Kitzinger
Get access Rights & Permissions [Opens in a new window]

Extract

The principal questions concerning the origin and chronology of Anglo-Saxon sculpture are still awaiting their final settlement. As there is so little external evidence for dating the monuments, it seems probable that only such a method as that so successfully adopted by Mlle. Henry in her book on Irish sculpture can offer a useful approach to the problems they raise. This method implies a separate analysis of each decorative element, research as to its origin, and a comparison wherever possible of its various evolutionary stages with better dated examples in other arts or other countries. The arrangement of the different motives in series can be collated by the evidence offered when they occur on the same monument, and by this means at least approximate dates for single monuments can be obtained.

Type
Research Article
Information
Antiquity , Volume 10 , Issue 37 , March 1936 , pp. 61 - 71
Copyright
Copyright © Antiquity Publications Ltd 1936

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

References

1 John, xv, i ff.

2 Le Blant, E. Les Sarcophages chrétiens de la Gaule, 1886 Google Scholar

3 Bulletin of the Metropolitan Museum of Art, New York 1922, p.41 Google Scholar

4 Clapham, A.W. English Romanesque Architecture before the Conquest, 1930 p.14 Google Scholar

5 Cf., for example, Le Blant, pis. xxiv, xxxvin, XLVI.

6 Dütschke, H. Ravennatische Studien, 1909 p.14 figs. 4b, 29c, 35, 36d ; Google Scholar Haseloff, A. Pre-romanesque Sculpture in Italy 1930pi. 36.Google Scholar

7 Toesca, Cf. Storia dell’Arte Italiana, 1, 1927 p.260 Google Scholar

8 Toesca, ibid. fig. 213 ; Haseloff, ibid. pi. 44 ; Serra, L’Arte nelle Marche, 1929 p. 34 ; Haseloff, pi. 53. A late example of a more classical scroll (7th-8th century) is to be found on the wooden door of S. Alessandro in Parma, if the date given by Bröndsted (p. 29) is right.

9 Haseloff, Cf. ibid. p. 34.Google Scholar

10 Burlington Mag, 1912, p.195 Google Scholar

11 Cf. the dates given by Duthuit, G., L’Art Copte 1931 Google Scholar

12 Cf. Berchem, M.v., in Creswell, K.A.C. Early Muslim Architecture 1, 1932, p.152. Google ScholarThe scrolls are part of the mosaics which bear the dated inscription.

13 Creswell ibid. p.230 and pi.36 ff.Google Scholar

14 Creswell, Cf. ibid. p.390ff.Google Scholar

15 Bröndsted, Cf. ibid. fig. 20390(Hexham slab) with fig. 4 (Jerusalem, mosaic) or with Peirce and Tyler, L'Art byzantin, 11, 1934, pi. 115 ff. (Sabratha).Google Scholar