Hostname: page-component-cd9895bd7-q99xh Total loading time: 0 Render date: 2024-12-26T06:58:03.923Z Has data issue: false hasContentIssue false

Who painted that? The authorship of Schematic rock art at the Los Machos rockshelter in southern Iberia

Published online by Cambridge University Press:  01 September 2020

Francisco Martínez-Sevilla*
Affiliation:
Department of Prehistory and Archaeology, University of Granada, Spain Department of Archaeology, Durham University, UK
Meritxell Arqués
Affiliation:
Department of Animal Biology, Plant Biology and Ecology, Autonomous University of Barcelona, Spain
Xavier Jordana
Affiliation:
Department of Animal Biology, Plant Biology and Ecology, Autonomous University of Barcelona, Spain
Assumpció Malgosa
Affiliation:
Department of Animal Biology, Plant Biology and Ecology, Autonomous University of Barcelona, Spain
José Antonio Lozano Rodríguez
Affiliation:
Department of Prehistory and Archaeology, University of Granada, Spain
Margarita Sánchez Romero
Affiliation:
Department of Prehistory and Archaeology, University of Granada, Spain
Kate Sharpe
Affiliation:
Department of Archaeology, Durham University, UK
Javier Carrasco Rus
Affiliation:
Department of Prehistory and Archaeology, University of Granada, Spain
*
*Author for correspondence: ✉ [email protected]

Abstract

Globally, rock art is one of the most widely distributed manifestations of past human activity. Previous research, however, has tended to focus on the art rather than artists. Understanding which members of society participated in creating such art is crucial to interpreting its social implications and that of the sites at which it is found. This article presents the first application of a method—palaeodermatoglyphics—for the estimation of the sex and age of two later prehistoric individuals who left their fingerprints at the Los Machos rockshelter in southern Iberia. The method has the potential to illuminate the complex socio-cultural dimensions of rock art sites worldwide.

Type
Research Article
Copyright
Copyright © Antiquity Publications Ltd, 2020

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

References

Acosta, P. 1968. La pintura esquemática en España. Salamanca: Universidad de Salamanca.Google Scholar
Acree, M.A. 1999. Is there a gender difference in fingerprint ridge density? Forensic Science International 102: 3544. https://doi.org/10.1016/S0379-0738(99)00037-7CrossRefGoogle Scholar
Arqués Planas, M. 2017. The use of fingerprints in physical anthropology. Unpublished MA dissertation, Universitat Autònoma de Barcelona.Google Scholar
Aubert, M. et al. 2018. Palaeolithic cave art in Borneo. Nature 564: 254–57. https://doi.org/10.1038/s41586-018-0679-9CrossRefGoogle ScholarPubMed
Blundell, G., Chippindale, C. & Smith, B.. 2016. Seeing and knowing: understanding rock art with and without ethnography. Oxford: Routledge.CrossRefGoogle Scholar
Ramírez, Bueno, R, P.. Behrmann, Balbín & Barroso, R.. 2013. Símbolos para los vivos, símbolos para los muertos: arte megalítico en Andalucía, in Martínez García, J. & Hernández Pérez, M.S. (ed.) Actas del II Congreso de Los Vélez (Vélez 2010): 2547. Vélez-Blanco: Ayuntamiento de Vélez-Blanco.Google Scholar
Caballero Cobos, A. 2014. Vías de comunicación en las comarcas de Baza y Huéscar: una aproximación histórico-arqueológica desde la Prehistoria Reciente a la Edad Media. Unpublished PhD dissertation, Universidad de Granada. Available at: http://hdl.handle.net/10481/38469 (accessed 25 June 2020).Google Scholar
Carrasco Rus, J., Navarrete Enciso, M.S. & Pachón Romero, J.A.. 2006. Las manifestaciones rupestres esquemáticas y los soportes muebles en Andalucía, in Martínez, J. & Hernández, M. (ed.) Actas del Congreso de Arte Rupestre Esquemático en la Península Ibérica: Comarca de Los Vélez, 5–7 de Mayo 2004 : 85119. Vélez-Blanco: Ayuntamiento de Vélez-Blanco.Google Scholar
Carrasco Rus, J., Martínez-Sevilla, F., Pachón Romero, J.A. & Gámiz, J.. 2015. Nuevas aportaciones para el conocimiento del arte rupestre esquemático y los soportes muebles en la cuenca alta del Guadalquivir: las pinturas del Cerro de Jabalcón (Zújar, Granada) y sus relaciones con las de Tajo de Lillo (Loja, Granada). Antiqvitas 27: 729.Google Scholar
Cruz-Berrocal, M. & Vicent-García, J.M.. 2007. Rock art as an archaeological and social indicator: the Neolithization of the Iberian Peninsula. Journal of Anthropological Archaeology 26: 676–97. https://doi.org/10.1016/j.jaa.2007.02.003CrossRefGoogle Scholar
David, T. 1981. Distribution, age and sex variation of the mean epidermal ridge breadth. Human Heredity 31: 279–82. https://doi.org/10.1159/000153222CrossRefGoogle ScholarPubMed
Díaz-Andreu, M. & Matioli, T.. 2017. Rock art and prehistoric soundscapes: some results from Italy, France, and Spain. Journal of the Acoustical Society of America 141: 3999. http://doi.org/10.1121/1.4989166CrossRefGoogle Scholar
Escoriza Mateu, T. 2002. Representations of women in Spanish Levantine rock art: an intentional fragmentation. Journal of Social Archaeology 2: 81108. https://doi.org/10.1177/1469605302002001598CrossRefGoogle Scholar
Eshak, G.A., Zaher, J.F., Hasan, E.I. & Ewis, A.A.E.A.. 2013. Sex identification from fingerprint features in Egyptian population. Journal of Forensic and Legal Medicine 20: 4650. https://doi.org/10.1016/j.jflm.2012.04.038CrossRefGoogle ScholarPubMed
Fernández Martín, S., Martínez-Sevilla, F. & Lozano Rodríguez, J.A.. 2017. Primer hallazgo de arte rupestre en la cabecera del valle del Genil, Sierra Nevada: las pinturas del Cerro del Castillejo (Güéjar Sierra, Granada). Antiqvitas 29: 716.Google Scholar
García, C. 2018. Estimation of age and sex from epidermal ridge breadth. Unpublished MA dissertation, Universitat Autònoma de Barcelona.Google Scholar
Gutierrez-Redomero, E. & Alonso-Rodriguez, C.. 2013. Sexual and topological differences in palmprint and ridge density in the Caucasian Spanish population. Forensic Science International 229: 159.e1159.e10. https://doi.org/10.1016/j.forsciint.2013.03.014CrossRefGoogle ScholarPubMed
Gutiérrez-Redomero, E., Alonso, C., Romero, E. & Galera, V.. 2008. Variability of fingerprint ridge density in a sample of Spanish Caucasians and its application to sex determination. Forensic Science International 180: 1722. https://doi.org/10.1016/j.forsciint.2008.06.014CrossRefGoogle Scholar
Gutiérrez-Redomero, E., Alonso-Rodríguez, C., Hernández-Hurtado, L.E. & Rodríguez-Villalba, J.L.. 2011. Distribution of the minutiae in the fingerprints of a sample of the Spanish population. Forensic Science International 208: 7990. https://doi.org/10.1016/j.forsciint.2010.11.006CrossRefGoogle ScholarPubMed
Hoffmann, D.L. et al. 2018. U-Th dating of carbonate crusts reveals Neandertal origin of Iberian cave art. Science 359: 912–15. https://doi.org/10.1126/science.aap7778CrossRefGoogle ScholarPubMed
Hunt, A., Thomas, P., James, D., David, B., Geneste, J.M., Delannoy, J.J. & Stuart, B.. 2016. The characterisation of pigments used in X-ray rock art at Dalakngalarr 1, central-western Arnhem Land. Microchemical Journal 126: 524–29. https://doi.org/10.1016/j.microc.2016.01.016CrossRefGoogle Scholar
Jones, A.M. 2012. Living rocks: animacy, performance and the rock art of the Kilmartin region, Argyll, Scotland, in Cochrane, A. & Jones, A.M. (ed.) Visualising the Neolithic: abstraction, figuration, performance, representation (Neolithic Studies Group Seminar Papers 13): 7988. Oxford: Oxbow.CrossRefGoogle Scholar
Jürgens, H.W. 2004. Erhebung anthropometrischer Maße zur Aktualisierung der DIN 33 402: Teil 2. Dortmund: Bundesanstalt für Arbeitsschutz und Arbeitsmedizin.Google Scholar
Kamp, K.A., Timmerman, N., Lind, G., Graybill, J. & Natowsky, I.. 1999. Discovering childhood: using fingerprints to find children in the archaeological record. American Antiquity 64: 309–15. https://doi.org/10.2307/2694281CrossRefGoogle Scholar
Kantner, J., Mckinney, D., Pierson, M. & Wester, S.. 2019. Reconstructing sexual divisions of labor from fingerprints on Ancestral Puebloan pottery. Proceedings of the National Academy of Sciences of the USA 116: 12220–25. https://doi.org/10.1073/pnas.1901367116CrossRefGoogle ScholarPubMed
Králík, M. & Nejman, L.. 2007. Fingerprints on artifacts and historical items: examples and comments. Journal of Ancient Fingerprints 1: 413.Google Scholar
Králík, M. & Novotný, V.. 2003. Epidermal ridge breadth: an indicator of age and sex in paleodermatoglyphics. Variability and Evolution 11: 530.Google Scholar
Králík, M., Novotna, V. & Oliva, M.. 2003. Fingerprint on the Venus of Dolní Věstonice I. L'anthropologie 40: 107–13.Google Scholar
Krishan, K., Kanchan, T. & Ngangom, C.. 2013. A study of sex differences in fingerprint ridge density in a north Indian young adult population. Journal of Forensic and Legal Medicine 20: 217–22. https://doi.org/10.1016/j.jflm.2012.09.008CrossRefGoogle Scholar
Lycett, S.J. & Keyser, J.D.. 2017. Assessing the chronology of post-contact rock art on the northern plains via multivariate statistical comparison with Blackfoot biographic art. Journal of Anthropological Archaeology 45: 6980. https://doi.org/10.1016/j.jaa.2016.11.005CrossRefGoogle Scholar
Martinez García, J. 2006. La pintura rupestre esquemática en el proceso de transición y consolidación de las sociedades productoras, in Martínez, J. & Hernández, M. (ed.) Actas del Congreso de Arte Rupestre Esquemático en la Península Ibérica: comarca de Los Vélez, 5–7 de Mayo 2004: 3356. Vélez-Blanco: Ayuntamiento de Vélez-Blanco.Google Scholar
Míguez, V., Ibanez-Gimeno, P., Carreras, J., Liria, J. & Malgosa, A.. 2016. El artesano de La Canal dels Avellaners (Edad de Bronce, Barcelona): análisis de huellas dactilares. Trabajos de Prehistoria 73: 147–59. https://doi.org/10.3989/tp.2016.12168CrossRefGoogle Scholar
Morgado, A., García-Alfonso, E., García Del Moral, L.F., Benavides, J.A., Rodríguez-Tovar, F.J. & Esquivel, J.A.. 2018. Embarcaciones prehistóricas y representaciones rupestres. Nuevos datos del abrigo de Laja Alta (Jimena de la Frontera, Cádiz). Complutum 29: 239–65. https://doi.org/10.5209/CMPL.62580CrossRefGoogle Scholar
Mundorff, A.Z., Bartelink, E.J. & Murad, T.A.. 2014. Sexual dimorphism in finger ridge breadth measurements: a tool for sex estimation from fingerprints. Journal of Forensic Sciences 59: 891–97. https://doi.org/10.1111/1556-4029.12449CrossRefGoogle ScholarPubMed
Nash, G. & Troncoso, A.. 2017. The socio-ritual organisation of the upper Limarí Valley: two rock art traditions, one landscape. Journal of Arid Environments 143: 1521. https://doi.org/10.1016/j.jaridenv.2016.11.014CrossRefGoogle Scholar
Nayak, V.C., Rastogi, P., Kanchan, T., Lobo, S.W., Yoganarasimha, K., Nayak, S. & Menezes, R.G.. 2010. Sex differences from fingerprint ridge density in the Indian population. Journal of Forensic and Legal Medicine 17: 8486. https://doi.org/10.1016/j.jflm.2009.09.002CrossRefGoogle ScholarPubMed
Nelson, E., Hall, J., Randolph-Quinnery, P. & Sinclair, A.. 2017. Beyond size: the potential of geometric morphometric analysis of shape and form for the assessment of sex in hand stencils in rock art. Journal of Archaeological Science 78: 202–13. https://doi.org/10.1016/j.jas.2016.11.001CrossRefGoogle Scholar
Pettitt, P., Castillejo, A.M., Arias, P., Pedro, R.O. & Harrison, R.. 2014. New views on old hands: the context of stencils in El Castillo and La Garma caves (Cantabria, Spain). Antiquity 88: 4763. https://doi.org/10.1017/S0003598X00050213CrossRefGoogle Scholar
Rabazo-Rodríguez, A.M., Modesto-Mata, M., Bermejo, L. & García-Díez, M.. 2017. New data on the sexual dimorphism of the hand stencils in El Castillo Cave (Cantabria, Spain). Journal of Archaeological Science: Reports 14: 374–81. https://doi.org/10.1016/j.jasrep.2017.06.022Google Scholar
Riemer, H., Kröpelin, S. & Zboray, A.. 2017. Climate, styles and archaeology: an integral approach towards an absolute chronology of the rock art in the Libyan Desert (Eastern Sahara). Antiquity 91: 723. https://doi.org/10.15184/aqy.2016.252CrossRefGoogle Scholar
Rivaldería, N., Sanchez-Andres, A., Alonso-Rodriguez, C., Dipierri, J.E. & Gutierrez-Redomero, E.. 2016. Fingerprint ridge density in the Argentinean population and its application to sex inference: a comparative study. HOMO: Journal of Comparative Human Biology 67: 6584. https://doi.org/10.1016/j.jchb.2015.09.004CrossRefGoogle ScholarPubMed
Rogerio-Candelera, M.Á. et al. 2018. Landmark of the past in the Antequera megalithic landscape: a multi-disciplinary approach to the Matacabras rock art shelter. Journal of Archaeological Science 95: 7693. https://doi.org/10.1016/j.jas.2018.05.005CrossRefGoogle Scholar
Rojo-Guerra, M.A., García-Martínez de Lagrán, I. & Royo-Guillén, J.I.. 2018. The beginning of the Neolithic in the mid-Ebro Valley and in Iberia's inland (northern and southern submeseta), Spain. Quaternary International 470: 398438. https://doi.org/10.1016/j.quaint.2017.12.037CrossRefGoogle Scholar
Rouillon, A. 2006. Au Gravettien, dans la grotte Cosquer (Marseille, Bouches-du-Rhône), l'Homme a-t-il compté sur ses doigts? L'anthropologie 110: 500509. https://doi.org/10.1016/j.anthro.2006.07.003CrossRefGoogle Scholar
Ruiz-López, J.F., Rowe, M.W., Hernanz, A., Gavira, J.M., Viñas-Valverdú, R. & Rubio, A.. 2009. Cronología del arte rupestre postpaleolítico y datación absoluta de pátinas de oxalato cálcico: primeras experiencias en Castilla-La Mancha (2004–2007), in López, J.A., Valle, R. Martínez & Matamoros de Villa, C. (ed.) El arte rupestre del Arco Mediterráneo de la Península Ibérica: 10 años en la lista del Patrimonio Mundial de la UNESCO: 303–16. Valencia: Generalitat Valenciana.Google Scholar
Ruiz-López, J.F., Hernanz, A., Armitage, R.A., Rowe, M.W., Viñas, R., Gavira-Vallejo, J.A. & Rubio, A.. 2012. Calcium oxalata AMS 14C dating and chronology of post-Paleolithic rock paintings in the Iberian Peninsula: two dates from Abrigo de los Oculados (Henarejos, Cuenca, Spain). Journal of Archaeological Science 39: 2655–67. https://doi.org/10.1016/j.jas.2012.02.038CrossRefGoogle Scholar
Sahly, A. 1966. Les mains mutilées dans l'art préhistorique. Toulouse: s.n.Google Scholar
Sharpe, K. & van Gelder, L.. 2006. The study of finger flutings. Cambridge Archaeological Journal 16: 281–95. https://doi.org/10.1017/S0959774306000175CrossRefGoogle Scholar
Snow, R. 2006. Sexual dimorphism in Upper Palaeolithic hand stencils. Antiquity 80: 390404. https://doi.org/10.1017/S0003598X00093704CrossRefGoogle Scholar
Steelman, K.L., Carrera, F., Fabregas, R., Guiderson, T. & Rowe, M.W.. 2005. Direct radiocarbon dating of megalithic paints from north-west Iberia. Antiquity 79: 379–89. https://doi.org/10.1017/S0003598X00114164CrossRefGoogle Scholar
Walker, J.W.P., Clinnick, D.T.G. & Pedersen, J.B.W.. 2018. Profiled hands in Palaeolithic art: the first universally recognized symbol of the human form. World Art 8: 119. https://doi.org/10.1080/21500894.2016.1243573CrossRefGoogle Scholar
Wang, J.Z., Ge, W., Snow, D.R., Mitra, P. & Giles, C.L.. 2010. Determining the sexual identities of prehistoric cave artists using digitized handprints: a machine learning approach. Proceedings of the 18th International Conference on Multimedia, MM 10: 1325–32. https://doi.org/10.1145/1873951.1874214CrossRefGoogle Scholar