Published online by Cambridge University Press: 02 January 2015
In 1929, commenting on southern Africa’s rock art, Leo Frobenius remarked: ‘… oddities occur which are completely outside our understanding. There are large forms, shaped like galls or livers, into which human figures are painted …’ (1929: 333). He coined the term‘formling’ to ‘denote this composite type of forms and yet not easily explained’ (Goodall 1959: 62, my emphasis). These motifs (FIGURE 1) still remain poorly understood. In 1998, I began research into their form and meaning. In this note I set out the history of the formling debate and introduce some of my new findings.