Hostname: page-component-586b7cd67f-vdxz6 Total loading time: 0 Render date: 2024-11-30T23:32:40.130Z Has data issue: false hasContentIssue false

Marking resistance? Change and continuity in the recent rock art of the southern Kimberley, Australia

Published online by Cambridge University Press:  02 January 2015

Sue O'Connor
Affiliation:
1Archaeology and Natural History, College of Asia and the Pacific, The Australian National University, ACT 0200, Australia (Email: [email protected])
Jane Balme
Affiliation:
2Archaeology M405, School of Social Sciences, University of Western Australia, 35 Stirling Highway, Crawley, WA 6009, Australia (Email: [email protected]; [email protected])
Jane Fyfe
Affiliation:
2Archaeology M405, School of Social Sciences, University of Western Australia, 35 Stirling Highway, Crawley, WA 6009, Australia (Email: [email protected]; [email protected])
June Oscar
Affiliation:
3PO Box 43, Fitzroy Crossing, WA 6765, Australia (Email: [email protected])
Mona Oscar
Affiliation:
3PO Box 43, Fitzroy Crossing, WA 6765, Australia (Email: [email protected])
June Davis
Affiliation:
4Muludja Community, PO Box 322, Fitzroy Crossing, WA 6765, Australia
Helen Malo
Affiliation:
4Muludja Community, PO Box 322, Fitzroy Crossing, WA 6765, Australia
Rosemary Nuggett
Affiliation:
5Mimbi Community, PO Box 75, Fitzroy Crossing, WA 6765, Australia
Dorothy Surprise
Affiliation:
5Mimbi Community, PO Box 75, Fitzroy Crossing, WA 6765, Australia

Abstract

Enhanced by recent survey, the authors define new kinds of rock art along the Lennard and Fitzroy rivers in Western Australia—black pigment and scratch-work images featuring anthropomorphic figures with elaborate head-dresses. These are shown to belong to the Contact period and represent the response of Indigenous artists to European land-taking by recalling and restating traditional themes from earlier times.

Type
Research article
Copyright
Copyright © Antiquity Publications Ltd 2013

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

References

Akerman, K. 2009. Wandjinas—a synopsis of knowledge to date. A Kimberley Foundation scoping paper. Unpublished report for the Kimberley Foundation of Australia.Google Scholar
Blundell, V. 1974. The Wandjina cave paintings of northwest Australia. Arctic Anthropology 11 (supplement: festschrift issue in honor of Chester S. Chard): 213-23.Google Scholar
Blundell, V. & Woolagoodja, D.. 2005. Keeping the Wandjinas fresh. Fremantle: Fremantle Press.Google Scholar
Bolton, G.C. 1954. The Kimberley pastoral industry. University Studies in History and Economics 2(2): 753.Google Scholar
Bolton, G.C. & Pedersen, H.. 1980. The Emanuels of Nookanbah and GoGo. Early Days: Journal of the Royal Western Australian Historical Society 8(4): 521.Google Scholar
Capell, A. 1939. Mythology in northern Kimberley, north-west Australia. Oceania 9(4): 382404.Google Scholar
Clement, C. 2010. National Museum of Australia review of exhibitions and public programs submission. Report prepared for the National Museum of Australia, Canberra. Available at www.nma.gov.au/data/assets/pdffile0015/2409/DrClement.pdf Google Scholar
Crawford, I.M. 1968. The art of the Wandjina. Melbourne: Oxford.Google Scholar
Crawford, I.M. 1972. Function and change in Aboriginal rock art, Western Australia. World Archaeology 3(3): 301-12.Google Scholar
Elkin, A.P. 1948. Grey’s northern Kimberley cave-paintings re-found. Oceania 19(1): 115.Google Scholar
Frederick, U. 1999. At the centre of it all: constructing contact through the rock art of Watarrka National Park, central Australia. Archaeology in Oceania 34: 13244.Google Scholar
Frederick, U. & O’connor, S.. 2009. Wandjina, graffiti and heritage: the power and politics of enduring imagery. Humanities Research 15(2): 153-83.Google Scholar
Gill, A. 1977. Aborigines, settlers and the police 1887-1905. Studies in Western Australian History 1: 128.Google Scholar
Grey, G. 1841. Journals of two expeditions of discovery in north-west and western Australia during the years 1837, 1838 and 1839. London: T. & W. Boone.Google Scholar
Kimberley Language Resource Centre. 1996. Moola Bulla, in the shadow of the mountain: oral histories from the people of the East Kimberley. Broome: Magabala.Google Scholar
Layton, R. 1992. Australian rock art: a new synthesis. Cambridge: Cambridge University Press.Google Scholar
May, S.K., Taçon, P.S.C., Wesley, D. & Travers, M.. 2010. Painting history: indigenous observations and depictions of the ‘other’ in northwestern Arnhem Land, Australia. Australian Archaeology 71: 5765.Google Scholar
Mcnickle, H.P. 1991. A survey of rock art in the Victoria River district, Northern Territory. Rock Art Research 8: 3646.Google Scholar
Mcniven, I. 2011. The Bradshaw debate: lessons learned from critiquing colonialist interpretations of Gwion Gwion rock paintings of the Kimberley, Western Australia. Australian Archaeology 72: 3544.Google Scholar
Morwood, M.J., Walsh, G.L. & Watchman, A.L.. 2010. AMS radiocarbon ages for beeswax and charcoal pigments in north Kimberley rock art. Rock Art Research 27(1): 38.Google Scholar
Mowaljarlai, D., Vinnicombe, P., Ward, G.K. & Chippindale, C.. 1988. Repainting of images on rock in Australia and the maintenance of Aboriginal culture. Antiquity 62: 690-96.Google Scholar
Owen, C. 2003. ‘The police appear to be a useless lot up there’: law and order in the east Kimberley. Aboriginal History 27: 105-30.Google Scholar
Paterson, A. & Wilson, A.. 2009. Indigenous perceptions of contact at Inthanoona, northwest Western Australia. Archaeology in Oceania 44 (supplement): 99111.Google Scholar
Pedersen, H. & Woorunmurra, B.. 1995. Jandamarra and the Bunuba resistance. Broome: Magabala.Google Scholar
Playford, P.E. 2007. Aboriginal rock art in the limestone ranges of the west Kimberley, in Donaldson, M.J. & Kenneally, K.F. (ed.) Rock art of the Kimberley: 127-58. Perth: Kimberley Society.Google Scholar
Rosenfeld, A. 1997. Archaeological signatures of the social production of rock art, in Conkey, M., Soffer, O., Stratmann, D. & Jablonski, N.G. (ed.) Beyond art: Pleistocene image and symbol: 289300. San Francisco: University of California Press.Google Scholar
Ross, H. (ed.). 1989. Impact stories of the east Kimberley (East Kimberley Working Paper No. 28). Canberra: CRES, ANU.Google Scholar
Rowse, T. 1987. ‘Were you ever savages?’: Aboriginal insiders and pastoralists’ patronage. Oceania 58(2): 8199.Google Scholar
Ryan, J. & Akerman, K. (ed.). 1993. Images of power, Aboriginal art of the Kimberley. Melbourne: National Gallery of Victoria.Google Scholar
Schulz, A.S. 1956. North-west Australian rock paintings. Memoirs of the National Museum of Victoria 20: 757.Google Scholar
Smith, M.A. & Rosenfeld, A. 1992. Archaeological sites in Watarrka National Park: the northern sector of the plateau. Report prepared for the Conservation Commission of the Northern Territory, Darwin.Google Scholar
Taçon, P., Mulvaney, K., Ouzman, S., Fullagar, R., Head, L.M. & Carlton, P.. 2003. Changing ecological concerns in rock-art subject matter of north Australia’s Keep River region. Before Farming 3(4): 114.Google Scholar
Taçon, P., May, S., Fallon, S.J., Travers, M., Wesley, D. & Lamilami, R.. 2010. A minimum age for early depictions of southeast Asian praus in the rock art of Arnhem Land, Northern Territory. Australian Archaeology 71: 110.Google Scholar
Taylor, P. 1984. Pastoral properties of Australia. Sydney: George, Allen & Unwin.Google Scholar
Watchman, A. 1992. Repainting or periodic-painting at Australian Aboriginal sites: evidence from rock surface crusts, in Ward, G. (ed.) Retouch: maintenance of Aboriginal rock imagery. Proceedings of Symposium O—Retouch. First Congress of the Australian Rock Art Research Association, Darwin 1988 (Occasional AURA Publication 5): 2630. Melbourne: Australian Rock Art Research Association.Google Scholar
Welch, D. 1993. Stylistic change in Kimberley rock art, Australia, in Bahn, P.G. & Lorblanchet, M. (ed.) Rock art studies: the post-stylistic era or where do we go from here?: 99113. Oxford: Oxbow.Google Scholar
Woolagoodja, D. 2007. Rock art as inspiration for contemporary Aboriginal painting, in Donaldson, M.J. & Kenneally, K.F. (ed.) Rock art of the Kimberley: 2538. Perth: Kimberley Society.Google Scholar