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Seafaring Practice and Narratives in Homer's Odyssey
Published online by Cambridge University Press: 12 December 2019
Abstract
It is intrinsically plausible that the Odyssey, which freely uses realistic details of many aspects of life on and beside the sea, was informed by real seafaring experience. This paper corroborates that hypothesis. The first part catalogues parallels between details of Odyssean and real-world seafaring. Odyssean type-scenes in particular echo real practice. The second part argues that three larger episodes have real-world parallels—the visit to the Lotos Eaters anticipates incidents of sailors deserting in friendly ports; the escape from Skylla and Charybdis demonstrates a safe course through a turbulent strait, and the encounter with Ino / Leukothea foreshadows the contemporary phenomenon of a sensed presence during a crisis. The pattern of coincidence between the Odyssey and the real world of seafaring constitutes a cumulative argument that suggests that those episodes in particular, and the poem as a whole, was informed by that world—a conclusion with consequences both for our understanding of the poem, and for our knowledge of the early Mediterranean maritime.
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References
1 Lesser voyages: Telemachos’ journeys from Ithaka to Pylos and back (2.413–3.11; 15.284–300, 495–500); other heroes’ returns from Troy (Nestor: 3.157–184; Menelaos: 3.276–312; 4.351–587: Aias: 4.499–511); the suitor's ambush (4.842–47); the various voyages described in the Cretan tales (13.272–86; 14.245–58, 295–315, 339–59), Eumaios’ arrival on Ithaka (15.474–82). Brief mentions of quotidian trading, travel, and transport, by boat: 1.182–86, 260, 292–93; 3.72; 4.634; 5.249–50; 8.161–64; 9.128–29; 13.272–74; 14.296, 334–35; 19.291–92; 21.18; 24.418–19.
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46 Currents through Mediterranean coastal straits: Morton, Physical Environment (n. 6) 42–45, 85–90. Corryvreckan's situation is conveniently shown in Fleet et al., Scotland (n. 10) 217, fig. 9.8.
47 Haswell-Smith, H., The Scottish Islands, rev. ed. (Edinburgh 2004) 51Google Scholar.
48 Morton suggests Skylla is a ‘generic term for the monsters that symbolised the dangers of rocky coasts, and the dread mariners felt when sailing in their vicinity’ (Physical Environment (n. 6) 70).
49 Mark, S., ‘Odyssey 5.234–53 and Homeric Ship Construction: A Reappraisal’, AJA 95 (1991) 441–45CrossRefGoogle Scholar; Mark, Seafaring (n. 2) 70–96, with McGrail's review (n. 2) and McGrail, S., ‘Sea Transport, Part 1: Ships and Navigation’, in Oleson, J. P. (ed.), The Oxford Handbook of Engineering and Technology in the Classical World (Oxford 2009) 608–37Google Scholar, at 617–21.
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51 Divine helper giving hero a talisman: Thompson, Stith, A Motif-Index of Folk Literature (Bloomington 1955–58)Google Scholar F340–8 (fairies); N810. Why a κρήδɛμνον? See Kardulias, D. R., ‘Odysseus in Ino's Veil: Feminine Headdress and the Heron in Odyssey 5’, TAPhA 131 (2001) 23–51Google Scholar.
52 Suedfeld, P. and Mocellin, J., ‘The “Sensed Presence” in Unusual Environments’, Environment and Behavior 19.1 (1967) 33–52CrossRefGoogle Scholar; Geiger, J., The Third Man Factor (Edinburgh 2009)Google Scholar, catalogues many examples from testimonies by sailors, mountaineers, polar explorers, and other adventurers.
53 Geiger, Third Man Factor (n. 52) 222; 223; 50–51.
54 Suedfeld and Mocellin, ‘Sensed Presence’ (n. 52) 38–39, 40–41; Geiger, Third Man Factor (n. 52) chapters 4, 5.
55 Geiger, Third Man Factor (n. 52) chapters 10, 11; 248.
56 The Apologue is of course a first-person narrative, the voice of experience. Beck, D., ‘Odysseus: Narrator, Storyteller, Poet?’ CPh 100 (2015) 213–227Google Scholar argues that Odysseus's narrative techniques are those of the storyteller, not the poet.
57 I would like to thank John Geiger, whose research on the sensed presence was the seed of this paper, and the anonymous readers for this journal; this is a better, shorter, and more readable paper as a result of their generous comments and suggestions.
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