Hostname: page-component-586b7cd67f-r5fsc Total loading time: 0 Render date: 2024-12-05T02:50:53.445Z Has data issue: false hasContentIssue false
  • English
  • Français

Laurence Terrier Aliferis L'imitation de l'Antiquité dans l'art médiéval (1180-1230) Turnhout, Brepols, 2016, 343 p.

Published online by Cambridge University Press:  30 August 2018

Mathieu Beaud
Get access Rights & Permissions [Opens in a new window]

Abstract

An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content.
Image of the first page of this content. For PDF version, please use the ‘Save PDF’ preceeding this image.'
Type
Arts et lettres (comptes rendus)
Information
Annales. Histoire, Sciences Sociales , Volume 72 , Issue 3 , September 2017 , pp. 824 - 827
Copyright
Copyright © Éditions de l'EHESS 

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

References

1 Konrad Hoffmann et Florens Deuchler, The Year 1200: A Centennial Exhibition at The Metropolitan Museum of Art, 2 vol., New York, Metropolitan Museum of Art/New York Graphic Society, 1970 et The Year 1200: A Symposium, New York, Metropolitan Museum of Art, 1975 ; Émile Espérandieu, puis Raymond Lantier, Recueil général des bas-reliefs de la Gaule romaine, 16 vol., Paris, Imprimerie nationale/Puf, 1907-1981 ; Id., Recueil général des bas-reliefs, statues et bustes de la Germanie romaine, Paris/Bruxelles, Éd. Van Oest, 1931 ; Lexicon iconographicum mythologiae classicae, Zürich/Munich, Éd. Artemis, 1981-2009.

2 Jacques Dubois, Jean-Marie Guilloüet et Benoît Van Den Bossche (dir.), Les transferts artistiques dans l'Europe gothique. Repenser la circulation des artistes, des œuvres, des thèmes et des savoir-faire (xiie-xvie siècle) , Paris, Picard, 2014.