Hostname: page-component-586b7cd67f-rdxmf Total loading time: 0 Render date: 2024-12-05T03:08:40.931Z Has data issue: false hasContentIssue false
  • English
  • Français

Anna Zayaruznaya The Monstruous New Art: Divided Forms in the Late Medieval Motet Cambridge, Cambridge University Press, 2015, 320 p.

Published online by Cambridge University Press:  30 August 2018

Étienne Anheim
Get access Rights & Permissions [Opens in a new window]

Abstract

An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content.
Image of the first page of this content. For PDF version, please use the ‘Save PDF’ preceeding this image.'
Type
Arts et lettres (comptes rendus)
Information
Annales. Histoire, Sciences Sociales , Volume 72 , Issue 3 , September 2017 , pp. 827 - 829
Copyright
Copyright © Éditions de l'EHESS 

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

References

1 L’ars nova. Recueil d’études sur la musique du xive siècle, Paris, Les Belles Lettres, 1959.

2 Jacqueline Cerquiglini, « Un engin si soutil ». Guillaume de Machaut et l’écriture au xive siècle, Paris, Honoré Champion, 1985.