Hostname: page-component-586b7cd67f-r5fsc Total loading time: 0 Render date: 2024-11-30T23:31:28.427Z Has data issue: false hasContentIssue false
  • English
  • Français

Noémie Étienne, La restauration des peintures à Paris (1750- 1815). Pratiques et discours sur la matérialité des oeuvres d’art. Rennes, Pur, 2012, 354 p. - Pierre-Yves Kairis, Béatrice Sarrazin et François Trémolières, (dir.) La restauration des peintures et des sculptures. Connaissance et reconnaissance de l’oeuvre. Paris, Armand Colin, 2012, 464 p.

Published online by Cambridge University Press:  20 January 2017

Charlotte Guichard
Get access Rights & Permissions [Opens in a new window]

Abstract

An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content.
Image of the first page of this content. For PDF version, please use the ‘Save PDF’ preceeding this image.'
Type
Histoire culturelle (comptes rendus)
Information
Annales. Histoire, Sciences Sociales , Volume 68 , Issue 3 , September 2013 , pp. 902 - 905
Copyright
Copyright © Les Éditions de l’EHESS 2013

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

References

1 - Voir Massing, egalement Ann, Painting Restoration before La Restauration: The Origins of the Profession in France, Turnhout, Brepols, 2012.Google Scholar

2 - Selon Antoine Hennion, « La restauration, un atelier de l’histoire », in Etienne, N. et Henaut, L. (dir.), L’histoire à l’atelier. Restaurer les oeuvres d’art, Xviiie-Xxie siècles, Lyon, Presses universitaires de Lyon, 2012, p. 399-412Google Scholar, citation p. 399. Sur ce point, voir Burlot, Delphine, Fabriquer l’Antique. Contrefaçons de peintures romaines antiques au Xviiie siècle, Rome, Ecole francaise de Rome, 2013.Google Scholar