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Marie-Josèphe Bonnet, Liberté, égalité, exclusion. Femmes peintres en révolution, 1770-1804. Paris, Editions Vendemiaire, 2012, 220 p.

Published online by Cambridge University Press:  20 January 2017

Noémie Étienne
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Type
Histoire culturelle (comptes rendus)
Information
Annales. Histoire, Sciences Sociales , Volume 68 , Issue 3 , September 2013 , pp. 908 - 909
Copyright
Copyright © Les Éditions de l’EHESS 2013

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References

1 - Sheriff, Mary D., The Exceptional Woman: Élisabeth Vigée-Lebrun and the Cultural Politics of Art, Chicago/Londres, The University of Chicago Press, 1996 Google Scholar; Id., Moved by Love: Inspired Artists and Deviant Women in Eighteenth-Century France, Chicago/Londres, University of Chicago Press, 2004; Auricchio, Laura, Adélaïde Labille-Guiard: Artist in the Age of Revolution, Los Angeles, J. Paul Getty Museum, 2009 Google Scholar; Id., « Self-Promotion in Adelaide Labille-Guiard's 1785 Self-Portrait with Two Students», The Art Bulletin, 89-1, 2007, p. 45-62.

2 - Doy, Gen, Women and Visual Culture in Nineteenth-Century France, 1800-1852, Londres/New York, Leicester University Press, 1998.Google Scholar