Hostname: page-component-586b7cd67f-2brh9 Total loading time: 0 Render date: 2024-11-24T03:32:40.576Z Has data issue: false hasContentIssue false
  • English
  • Français

A Visual Sonata at Teotihuacan

Published online by Cambridge University Press:  10 October 2008

Alisa LaGamma
Alisa LaGamma
Affiliation:
Department of the Arts of Africa, Oceania and the Americas, The Metropolitan Museum of Art, Fifth Avenue at 82nd Street, New York, NY, 10028, USA
Get access Rights & Permissions [Opens in a new window]

Abstract

This article is concerned with an analysis of the structure of mural paintings at Teotihuacan. It describes the preeminent role of borders that circumscribe Teotihuacan murals and breaks down the corpus of these borders into several different categories. Finally, it suggests how content and form may be combined to make a symbolic statement.

Type
Special Section: Imagery and Notation at Teotihuacan
Information
Ancient Mesoamerica , Volume 2 , Issue 2 , Fall 1991 , pp. 275 - 284
Copyright
Copyright © Cambridge University Press 1991

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

References

REFERENCES

Kathleen, Berrin (editor) 1988 Feathered Serpents and Flowering Trees: Reconstructing the Murals of Teotihuacan. Fine Arts Museums of San Francisco, and the University of Washington Press, Seattle.Google Scholar
Hagen, Margaret 1986 Varieties of Realism: Geometries of Representational Art. Cambridge University Press, Cambridge.Google Scholar
Kubler, George 1973 Iconographic Aspects of Architectural Profiles at Teotihuacan and in Mesoamerica. The Iconography of Middle American Sculpture, pp. 24–39. The Metropolitan Museum of Art, New York.Google Scholar
Kubler, George 1985 The Iconography of the Art of Teotihuacan. Studies in Ancient American and European Art: The Collected Essays of George Kubler, edited by Reese, Thomas, pp. 275–279. Yale University Press, New Haven.Google Scholar
Langley, James 1986 Symbolic Notation of Teotihuacan: Elements of Writing in a Mesoamerican Culture of the Classic Period. British Archaeological Report International Series 313. Oxford.CrossRefGoogle Scholar
Miller, Arthur G. 1973 The Mural Painting of Teotihuacan. Dumbarton Oaks Research Library and Collection, Washington, DC.Google Scholar
Pasztory, Esther 1988 A Reinterpretation of Teotihuacan and its Mural Painting Tradition. Feathered Serpents and Flowering Trees: Reconstructing the Murals of Teotihuacan, edited by Berrin, K., pp. 45–77. Fine Arts Museums of San Francisco, and the University of Washington Press, Seattle.Google Scholar
Pasztory, Esther 1991 The Natural World as Civic Metaphor at Teotihuacan. In Nuevo Mundo, an exhibition catalogue. Art Institute of Chicago, in press.Google Scholar
Séjourné, Laurette 1959 Arquitectura y pintura en Teotihuacan. Siglo Veintiuno Editores, Mexico.Google Scholar