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THE STUCCOED AND PAINTED BENCHES OF XOCHICALCO, MORELOS, MEXICO

Published online by Cambridge University Press:  16 June 2020

Jesper Nielsen Open the ORCID record for Jesper Nielsen [Opens in a new window] ,
Claudia Alvarado León  and
Christophe Helmke Open the ORCID record for Christophe Helmke [Opens in a new window]
Jesper Nielsen*
Affiliation:
Institute of Cross-cultural and Regional Studies, University of Copenhagen, Karen Blixens Plads 8, DK-2300, Copenhagen S, Denmark
Claudia Alvarado León
Affiliation:
Instituto Nacional de Antropología e Historia, Centro INAH Morelos. Matamoros 14, Col. Acapantzingo, C.P. 64440, Cuernavaca, Morelos, Mexico
Christophe Helmke
Affiliation:
Institute of Cross-cultural and Regional Studies, University of Copenhagen, Karen Blixens Plads 8, DK-2300, Copenhagen S, Denmark
*
E-mail correspondence to: [email protected]
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Abstract

The cultural tradition of stuccoed and polychromatic murals in central Mexico dates back to Early Classic Teotihuacan and continued into the subsequent Epiclassic period, with the stunning murals from Cacaxtla as the most famous and well-studied example. In this paper, we present three examples of stuccoed and richly painted benches or thrones from the mayor Epiclassic site of Xochicalco in the Mexican state of Morelos. A careful iconographic and epigraphic analysis of the imagery, as well as the associated hieroglyphic signs from one of the benches, leads us to suggest that these benches played a pivotal role in displaying the religious, mythological, and historical underpinnings of hierarchical power at Xochicalco. Based on comparisons with benches and seats from Classic Maya culture and, in particular, the contemporaneous Terminal Classic city of Chichen Itza, which was deeply involved in interregional relations with central Mexico, we also suggest that the Xochicalco benches may even have served as royal seats or thrones.

Type
Research Article
Information
Ancient Mesoamerica , Volume 32 , Issue 2 , Summer 2021 , pp. 249 - 268
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Copyright © The Author(s) 2020. Published by Cambridge University Press

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References

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