Hostname: page-component-586b7cd67f-t7fkt Total loading time: 0 Render date: 2024-11-30T20:45:28.370Z Has data issue: false hasContentIssue false
  • English
  • Français

Spatial Distribution of Rock Art Sites in Didima Gorge, South Africa

Published online by Cambridge University Press:  20 January 2017

Sam Challis ,
J. David Lewis-Williams ,
Johannes H.N. Loubser  and
David G. Pearce
Sam Challis
Affiliation:
Rock Art Research Institute, GAES, University of the Witwatersrand, Johannesburg 2050, South Africa
J. David Lewis-Williams
Affiliation:
Rock Art Research Institute, GAES, University of the Witwatersrand, Johannesburg 2050, South Africa
Johannes H.N. Loubser
Affiliation:
Stratum Unlimited LLC, 10011 Carrington Lane, Alpharetta, Georgia 30022 ([email protected])
David G. Pearce
Affiliation:
Rock Art Research Institute, GAES, University of the Witwatersrand, Johannesburg 2050, South Africa
Get access Rights & Permissions [Opens in a new window]

Abstract

McCall (2010) uses data collected by Pager (1971) to argue for geographically controlled differences in the uses of painted rock art sites in the Didima Gorge, South Africa. We point out fundamental errors in the ascription of sites to particular categories that undermine the conclusions he reached. We conclude that there is no evidence to suggest different uses of painted rock shelters in the Didima Gorge.

Resumen

Resumen

McCall (2010) utiliza datos recopilados por Pager (1971) para argumentar gue existen diferencias en el control geográfico sobre el uso de sitios con pintura rupestre en la quebrada de Didima, Sudafrica. Nosotros señalamos que existen errores fundamentales en la adscripción de los sitios a categorías particulares, las cuales socavan las conclusiones a las que McCall ha llegado. Concluimos que no hay pruebas que indiquen diferentes usos de los abrigos con pintura rupestre en la quebrada de Didima.

Type
Comments
Information
American Antiquity , Volume 77 , Issue 4 , October 2012 , pp. 808 - 812
Copyright
Copyright © The Society for American Archaeology 2012

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

References

References Cited

Bonneau, Adelphine, Brock, Fiona, Higham, Tom, Pearce, David G., and Mark Pollard, A. 2011 An Improved Pre-treatment Protocol for Radiocarbon Dating Black Pigments in San Rock Art. Radiocarbon 53:419–128.CrossRefGoogle Scholar
Katz, Richard 1982 Boiling Energy: Community Healing among the Kalahari Kung. Harvard University Press, Cambridge, Massachusetts.Google Scholar
Lewis-Williams, J. David 1992a Vision, Power and Dance: The Genesis of a Southern African Rock Art Panel. Fourteenth Kroon Lecture. Stichting Nederlands Museum voor Anthropologie en Praehistorie, Amsterdam.Google Scholar
Lewis-Williams, J. David 1992b Ethnographic Evidence Relating to ‘Trance’ and ‘Shamans’ among Northern and Southern Bushmen. South African Archaeological Bulletin 47:56–60.Google Scholar
Lewis-Williams, J. David, and Pearce, David G. 2004a San Spirituality: Roots, Expressions, and Social Consequences. AltaMira Press, Walnut Creek, California.Google Scholar
Lewis-Williams, J. David, and Pearce, David G. 2004b Southern African San Rock Painting as Social Intervention: A Study of Rain-Control Images. African Archaeological Review 21:199–228.Google Scholar
Lewis-Williams, J. David, and Pearce, David G. 2012 The Southern San and the Trance Dance: A Pivotal Debate in the Interpretation of San Rock Paintings. Antiquity 86:696–706.Google Scholar
McCall, Grant 2010 Changing Views of Drakensberg San Rock Art: Examining Landscape Use, Ritual Activity, and Contact through Multivariate Content-Based Spatial Analysis. American Antiquity 75:773–791.Google Scholar
Marshall, Lorna 1999 Nyae Nyae !Kung: Beliefs and Rites. Peabody Museum of Archaeology and Ethnology, Harvard University, Cambridge, Massachusetts.Google Scholar
Mazel, Aron 2009 Images in Time: Advances in the Dating of Maloti-Drakensberg Rock Art Since the 1970s. In The Eland’s People: New Perspectives in the Rock Art of the Maloti-Drakensberg Bushmen, edited by Peter Mitchell and Benjamin Smith, pp. 81–97. Witwatersrand University Press, Johannesburg.Google Scholar
Pager, Harald 1971 Ndedema. Akademische Druk, Graz.Google Scholar
Stow, George W. 1905 The Native Races of South Africa. Swan Sonnenschein, London.Google Scholar