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Rituals of Illumination and Elective Affinity in Idrissa Ouedraogo’s Cinematic Legacy

Published online by Cambridge University Press:  29 August 2018

Olivier-Jean Tchouaffe
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Type
Forum in Celebration of Idrissa Ouedraogo
Information
African Studies Review , Volume 61 , Issue 3 , September 2018 , pp. 194 - 201
Copyright
Copyright © African Studies Association 2018 

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References

References

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Ouedraogo, Idrissa, dir. 1989. Yaaba. Arcadia Films, Les Films de l’Avenir, Thelma Films AG, Burkina-Faso, Switzerland, France.Google Scholar
Tchouaffe, Olivier-Jean. 2017. The Poetics of Radical Hope in Abderrahmane Sissako’s Film Experience. Lexington Books.Google Scholar
Tchouaffe, Olivier-Jean. 2015. Passion of the Reel: Cinematic Versus Modernist Political Fictions in Cameroon. Intellect Books.Google Scholar
Teno, Jean-Marie, dir. 2009. Lieux Saints (Sacred Places). Les Films du Raphia, France, Cameroon.Google Scholar
Benjamin, Walter. 1935. “Paris, the capital of the nineteenth century.” Perspecta 12: 163–72.CrossRefGoogle Scholar
Benjamin, Walter. 1997. Charles Baudelaire: A lyric poet in the era of high capitalism. London: Verso.Google Scholar
Cohen, Margaret. 1995. Profane illumination: Walter Benjamin and the Paris of surrealist revolution. Berkeley: University of California Press.Google Scholar
Compagnon, Antoine. 2017. Les chiffonniers de Paris. Paris: Gallimard.Google Scholar
Garritano, . 2013. African video movies and global desires: A Ghanaian history. Athens, Ohio: Ohio University Press.CrossRefGoogle Scholar
Harrow, Kenneth W. 2013. Trash: African cinema from below. Bloomington: Indiana University Press.Google Scholar
Mello, Marie-Hélène. 2005. “Cinéma, médiation et transmission chamaniques, d’après Poétique du cinéma de Raoul Ruiz.” Intermédialités: Histoire et théorie des arts, des lettres et des techniques/Intermediality: History and Theory of the Arts, Literature and Technologies 5: 99–117.CrossRefGoogle Scholar
Ouedraogo, Idrissa, dir. 1989. Yaaba. Arcadia Films, Les Films de l’Avenir, Thelma Films AG, Burkina-Faso, Switzerland, France.Google Scholar
Tchouaffe, Olivier-Jean. 2017. The Poetics of Radical Hope in Abderrahmane Sissako’s Film Experience. Lexington Books.Google Scholar
Tchouaffe, Olivier-Jean. 2015. Passion of the Reel: Cinematic Versus Modernist Political Fictions in Cameroon. Intellect Books.Google Scholar
Teno, Jean-Marie, dir. 2009. Lieux Saints (Sacred Places). Les Films du Raphia, France, Cameroon.Google Scholar