We use cookies to distinguish you from other users and to provide you with a better experience on our websites. Close this message to accept cookies or find out how to manage your cookie settings.
BEYOND VIOLENCE IN ABDERRAHMANE SISSAKO’S TIMBUKTU - Abderrahmane Sissako, director. Timbuktu. Original title: Timbuktu, le chagrin des oiseaux. 2014. 97 minutes. In French, Bambara, Songhay, Tamashek, Arabic, and English. France/Mauritania. Worso Films.
Review products
Abderrahmane Sissako, director. Timbuktu. Original title: Timbuktu, le chagrin des oiseaux. 2014. 97 minutes. In French, Bambara, Songhay, Tamashek, Arabic, and English. France/Mauritania. Worso Films.
Published online by Cambridge University Press:
19 December 2016
An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content.
Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)
Article purchase
Temporarily unavailable
References
References
Bamako. 2006. Directed by Abderrrahmane Sissako. Mali/France: Archipel 33.Google Scholar
Blue Is the Warmest Color. 2013. Directed by Abdellatif Kechiche. France: Quat’sous Films.Google Scholar
Heremakono. 2002. Directed by Abderrrahmane Sissako. Mauritania: Duo Films.Google Scholar
Horses of God. Directed by Nabil Ayouch. Morocco/France: Ali’n Productions.Google Scholar
La Vie sur terre. 1998 Directed by Abderrrahmane Sissako. Mauritania/Mali/France Centre National de la Cinématographie (CNC).Google Scholar
Rashida. 2002. Directed by Yamina Bachir. Algeria: Arte France Cinéma.Google Scholar
The Repentant. 2012. Directed by Merzak Allouache. Algeria/France: JBA Production.Google Scholar
Aguilar, Carlos. 2015“Promoting Tolerance: Abderrahmane Sissako on ‘Timbuktu’ and a Different Kind of Islam.”IndieWire, February 19. http://www.indiewire.com.Google Scholar
Diawara, Manthia. 2015“Frames of Resistance: Manthia Diawara on the Films of Abderrahmane Sissako.”Artforum International53 (5).Google Scholar
Doostdar, Alireza. 2014. “How Not to Understand Isis.” Martin Marty Center for the Advanced Study of Religion, University of Chicago Divinity School. October 2. https://divinity.uchicago.edu.Google Scholar
Leigh, Danny. 2015“Timbuktu’s Director: Why I Dared to Show Hostage-Taking Jihadis in a New Light.”The Guardian, May 28.Google Scholar
Maheshwari, Laya. 2015. “Meet the Filmmaker Who Got a Ten-Minute Standing Ovation at Cannes.” Vice Media, January 7. http://www.vice.com.Google Scholar
Mbembe, Achille. 2015. “Achille Mbembe: The Value of Africa’s Aesthetics.”Mail and Guardian, May 15. http://mg.co.za.Google Scholar
Silverman, Rena. 2015. “Director of Oscar-Nommed ‘Timbuktu’ Found a Star in a Refugee Camp.”Goats and Soda, National Public Radio, February 22. http://www.npr.org.Google Scholar
Woodson, Alex. 2015. “Ethics on Film: Discussion of ‘Timbuktu.’” Carnegie Council for Ethics on International Affairs, February 25. http://www.carnegiecouncil.org.Google Scholar
Bamako. 2006. Directed by Abderrrahmane Sissako. Mali/France: Archipel 33.Google Scholar
Blue Is the Warmest Color. 2013. Directed by Abdellatif Kechiche. France: Quat’sous Films.Google Scholar
Heremakono. 2002. Directed by Abderrrahmane Sissako. Mauritania: Duo Films.Google Scholar
Horses of God. Directed by Nabil Ayouch. Morocco/France: Ali’n Productions.Google Scholar
La Vie sur terre. 1998 Directed by Abderrrahmane Sissako. Mauritania/Mali/France Centre National de la Cinématographie (CNC).Google Scholar
Rashida. 2002. Directed by Yamina Bachir. Algeria: Arte France Cinéma.Google Scholar
The Repentant. 2012. Directed by Merzak Allouache. Algeria/France: JBA Production.Google Scholar
Aguilar, Carlos. 2015“Promoting Tolerance: Abderrahmane Sissako on ‘Timbuktu’ and a Different Kind of Islam.”IndieWire, February 19. http://www.indiewire.com.Google Scholar
Diawara, Manthia. 2015“Frames of Resistance: Manthia Diawara on the Films of Abderrahmane Sissako.”Artforum International53 (5).Google Scholar
Doostdar, Alireza. 2014. “How Not to Understand Isis.” Martin Marty Center for the Advanced Study of Religion, University of Chicago Divinity School. October 2. https://divinity.uchicago.edu.Google Scholar
Leigh, Danny. 2015“Timbuktu’s Director: Why I Dared to Show Hostage-Taking Jihadis in a New Light.”The Guardian, May 28.Google Scholar
Maheshwari, Laya. 2015. “Meet the Filmmaker Who Got a Ten-Minute Standing Ovation at Cannes.” Vice Media, January 7. http://www.vice.com.Google Scholar
Mbembe, Achille. 2015. “Achille Mbembe: The Value of Africa’s Aesthetics.”Mail and Guardian, May 15. http://mg.co.za.Google Scholar
Silverman, Rena. 2015. “Director of Oscar-Nommed ‘Timbuktu’ Found a Star in a Refugee Camp.”Goats and Soda, National Public Radio, February 22. http://www.npr.org.Google Scholar
Woodson, Alex. 2015. “Ethics on Film: Discussion of ‘Timbuktu.’” Carnegie Council for Ethics on International Affairs, February 25. http://www.carnegiecouncil.org.Google Scholar