Hostname: page-component-cd9895bd7-dk4vv Total loading time: 0 Render date: 2024-12-25T16:53:05.879Z Has data issue: false hasContentIssue false

Reading Signs of Identity and Alterity—History, Semiotics and a Nigerian Case

Published online by Cambridge University Press:  23 May 2014

Extract

The Efik inhabit Calabar which is the capital of the Cross River State of Nigeria. They constitute a people of about 200,000 for whom well-documented archives and bibliographies exist mainly in Nigeria and in Great Britain (Ekpiken, 1970). The Ekpe Society (Bassey n.d.), a Leopard-Spirit group of initiates, is their regulatory institution which makes use of the ukara cloth and possesses an ideographic system of writing named nsibidi.

From 1979 to 1983, teaching structuralist-synchronic linguistics and semiotics at the University of Calabar in Nigeria created some degree of student hostility. In this paper it is attempted to reply to them. To do so, the so-called semiotic square had to be misused while still defining categorial terms. This square has been framed within the evolutionary process of a regional history (Aye, 1967). Then a transformational analysis of culture which needs to be tested elsewhere is proposed. It is hoped that this model may help to structure the amorphous field of interdisciplinary research in African studies. An attempt to describe Efik self-perception and how most of them see the development of their consciousness in time follows.

Two of the most obvious objectives were: 1) to understand how change in the course of Efik history affected an African people located at the crossroads of many cultures and what could constitute the real challenge to them of building a modern society in an environment which may be characterized today by two major criteria: “non-identity” and “non-alterity;” and 2) to examine how for the Efik themselves historical events persuaded them of having lost their past or even their recently adopted identity and why this nihilist ideology left them with no desire for what seemed to be an unpromising future.

Type
Articles
Copyright
Copyright © African Studies Association 1991

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

References

Akak, E.O. 1982 Culture and Superstitions, vol. 3: Efiks of Old Calabar Calabar: Akak and Sons.Google Scholar
Attali, J. 1985 Noise: The Political Economy of Music. Translated by Massumi, B. Minneapolis: University of Minnesota Press.Google Scholar
Aye, E.U. 1967 Old Calabar through the Centuries. Calabar: Hope Waddell Press.Google Scholar
Barber, K. 1982Popular Reactions to the Petro-Naira.” Journal of Modern African History 20: 431–50.Google Scholar
Bassey, E.O. n.d. “Ekpe Society.” Heritage 1: 3637.Google Scholar
Bataille, G. 1985 Visions of Excess: Selected Writings, 1927-1939. Ed. and Intro, by Stoekl, Allan, trans, by Lovitt, Stoekl and Lestic, Jr. Minneapolis: University of Minnesota Press.Google Scholar
Battestini, S.P.X. 1984Sémiotique de l'adiré.” Semiotica 49/1-2: 7393.Google Scholar
Battestini, S.P.X. 1986Muslim Influences on West African Literature and Culture.” Journal of the Institute of Muslim Minority Affairs 7/2: 476502.Google Scholar
Battestini, S.P.X. 1988/1989Decolonizing the Self and Deconstruction.” The American Journal of Semiotics, Special Issue, edited by Battestini, S.P.X., “African Semiotics in the United States,” 6/1: 117131.CrossRefGoogle Scholar
Battestini, S.P.X. 1988Systèmes africains d'écriture: Inventaire et problématique.” In Pour une théorie de l'écriture, 149–55. Paris: Editions du Centre National de la Recherche Scientifique.Google Scholar
Battestini, S.P.X. 1988 forthcoming Bibliographie analytique des systèmes africains d'écriture. Paris: Centre National de la Recherche Scientifique.Google Scholar
Blier, S.P. 1980 Africa's Cross River: Art of the Nigerian Cameroon Border Redefined. New York: L. Kahan Gallery.Google Scholar
Cole, H.M. and Aniakor, C.C. 1984 Igbo Arts, Community and Cosmos. Los Angeles: Museum of Cultural History and UCLA.Google Scholar
Ekpe Systems in South Eastern State. 1975 Calabar: Information Division. Mimeo.Google Scholar
Ekpiken, A.N. 1970 A Bibliography of the Efik-Ibibio Speaking Peoples of the Old Calabar Province of Nigeria: 1668-1964. Ibadan: Ibadan University Press.Google Scholar
Ekpo, A.I. 1978Ekpe Costume of the Cross River.” African Arts 12/1: 7275.Google Scholar
Fortes, M. and Horton, R. 1983 Oedipus and Job in West African Religion. Cambridge: Cambridge University Press.Google Scholar
Hackett, R.I.J. 1988 Religion in Calabar: The Religious Life and History of a Nigerian Town. Berlin/New York: Mouton de Gruyter.CrossRefGoogle Scholar
Haidu, Peter. 1982Semiotics and History.” Semiotica 40/34: 187228.CrossRefGoogle Scholar
Kalu, O.U. 1978 Christianity in West Africa: the Nigerian Story. Ibadan: Daystar Press.Google Scholar
Kalu, O.U. 1978Writing in Pre-Colonial Africa: A Case Study of Nsibidi.” In African Cultural Development, edited by Kalu, Ogbu U., 7685. Nsukka, Nigeria: Fourth Dimension Publishers.Google Scholar
Latham, A.J.H. 1973 Old Calabar, 1600-1891: The Impact of the International Economy upon a Traditional Society. Oxford: Clarendon Press.Google Scholar
Leib, E. and Romano, R. 1984Reign of the Leopard: Ngbe Ritual.” African Arts 18/1: 4857.CrossRefGoogle Scholar
Nicklin, K. 1977 Guide to the National Museum, Oron. Lagos: The National Museum.Google Scholar
Nigeria Magazine. 1956 52 Google Scholar
Nigeria Magazine. 1978 83, 86, 93, 94,126–7,Google Scholar
Northern, T. 1984 The Art of Cameroon. Washington, DC: Smithsonian Institution Traveling Exhibition Service (SITES).Google Scholar
Nwaka, G.I. 1978Secret Societies and Colonial Change: A Nigerian Example.” Cahiers d'Etudes Africaines 18/1-2: 187200.Google Scholar
Picton, J. and Mack, J. 1979 African Textiles. London: British Museum Publications.Google Scholar
Polakoff, C. 1971The Art of Tie and Dye in Africa.” African Arts 4/3: 2833.Google Scholar
Simmons, D.C. 1959An Analysis of the Reflection of Culture in Efik Folktales.” Ph.D.diss., Yale University.Google Scholar
Talbot, P.A. 1912 In the Shadow of the Bush. London: Heinemann.Google Scholar
Thompson, R.F. 1974 African Art in Motion. Berkeley and Los Angeles: University of California Press.Google Scholar
Thompson, R.F. 1983 The Flash of the Spirit: African and Afro-American Art and Philosophy. New York: Random House.Google Scholar
Ume, Kalu E. 1980 The Rise of British Colonialism in Southern Nigeria, 1700-1900: A Study of the Bights of Benin and Bonny. Smithtown, NY: Exposition Press.Google Scholar
West Africa. 1987 30 November:2365 Google Scholar
Williams, Brooke. 1985What has history to do with semiotics?Semiotica 54/34: 267333 (see bibliography pages 227-233).Google Scholar
Williams, Brooke. 1987Introducing Semiotic to Historians.” Paper presented at the 102nd Annual Meeting of the American Historical Association, December 27-30, 1987, Washington, D.C. Google Scholar