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African Music in the International Music Collection at the British Library National Sound Archive

Published online by Cambridge University Press:  25 April 2022

Janet Topp Fargion*
Affiliation:
Curator, International, Music Collection
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Extract

It is widely accepted that the development of recording technology played an important role in the development of ethnomusicology as a discipline. For the first time, from late last century, music could be recorded for use in scientific comparison and analysis. Jaap Kunst once wrote that ‘ethnomusicology could never have grown into an independent science if the gramophone had not been invented’ (quoted in Seeger 1986:261). But the significance of recorded performance - the most objective way of capturing oral tradition - for the understanding of all aspects of culture must not be underestimated, particularly, but not exclusively, for non-literate societies. ‘Oral tradition should be central to students of culture, of ideology, of society, of psychology, of art, and…of history’ (Vansina 1985:xi). And sound archives should be perceived as essential to research, ‘equivalent to libraries in other disciplines insofar as their importance in research is concerned’ (Nettl in Seeger 1986:262).

Type
Articles
Copyright
Copyright © African Research & Documentation 1998

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References

Durán, Lucy. African music at the National Sound Archive, ARD 35,1984, 26-31Google Scholar
Manigrand, Marie-Laure. International Music Collection- an historical perspective. International music connection; newsletter of the British Library International Music Collection, 1,1995Google Scholar
Seeger, Anthony, The role of sound archives in ethnomusicology today, Ethnomusicology, 30,1986, 262-27610.2307/851997CrossRefGoogle Scholar
Vansina, Jan. Oral tradition as history. London, James Currey, 1985.Google Scholar