The performance of Yoruba hunters' funeral dirges is of great human interest. As an indispensable rite at all the major crises that may affect members of the hunters' guild, it is evidently a means of emotional outlet. These dirges are known as irèmòjé, a name which Yoruba mythology claims was coined by Ifá, the god of wisdom and of divination, to denote this type of lament. These songs are credited with a divine origin, and are demanded by the god Ogun to be performed by his followers as part of a rite of passage for deceased hunters from earth to heaven. Ogun himself was said to have set the model of the performance of irèmòjé for his followers to emulate. The observance of the ritual is seen by Ogun devotees as an act of worship, of propitiating their god, of communicating with the departed hunters, and of making a thorough appraisal of the successes and failures of deceased hunters in their professional career on earth. The task of making an oral evaluation of a man's career is always difficult. The device of artists who are vested in Yoruba history and folklore use, however, is to dwell on the lineage salutes — salutes which normally embody significant historical points relating to ancestors of the deceased. It is to be observed, however, that these singers of irèmòjé laments, as is the case with rárà chanters, usually emphasize the victories and heroic deeds of the deceased and carefully gloss over his failures; this is only to be expected since it is his fame that artists are gathered to celebrate. Thus they praise his fine character, his kind heart, his professional skills and techniques, commend his memorable deeds as a hunter, or at least the courage with which he faced ordeals in life.
