Skip to main content Accessibility help
×
Hostname: page-component-cd9895bd7-dk4vv Total loading time: 0 Render date: 2024-12-28T09:25:28.805Z Has data issue: false hasContentIssue false

White Literary Taste Production in Contemporary Book Culture

Published online by Cambridge University Press:  09 February 2023

Alexandra Dane
Affiliation:
University of Melbourne

Summary

Despite initiatives to 'diversify' the publishing sector, there has been almost no transformation to the historic racial inequality that defines the field. This Element argues that contemporary book culture is structured by practice that operates according to a White taste logic. By applying the notion of this logic to an analysis of both traditional and new media tastemaking practices, White Literary Taste Production in Contemporary Book Culture examines the influence of Whiteness on the cultural practice, and how the long-standing racial inequities that characterize Anglophone book publishing are supported by systems, institutions and platforms. These themes will be explored through two distinct but interrelated case studies-women's literary prizes and anti-racist reading lists on Instagram-which demonstrate the dominance of Whiteness, and in particular White feminism, in the contemporary literary discourse.
Get access
Type
Element
Information
Online ISBN: 9781009234276
Publisher: Cambridge University Press
Print publication: 23 February 2023

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

References

Adler, M. and Harper, L. M. (2018). Race and Ethnicity in Classification Systems: Teaching Knowledge Organization from a Social Justice Perspective. Library Trends 67 (1), 5273.CrossRefGoogle Scholar
Ahmed, S. (2012). On Being Included: Racism and Diversity in Institutional Life. Chapel Hill: Duke University Press.Google Scholar
Allington, P. (2011). What is Australia Anyway? The Glorious Limitations of the Miles Franklin Literary Award. Australian Book Review.Google Scholar
Anand, N. and Jones, B. C. (2008). Tournament Rituals, Category Dynamics, and Field Configuration: The Case of the Booker Prize. Journal of Management Studies 45 (6), 1036–60.Google Scholar
Anderson, P. (2020). US Publishers, Authors, Booksellers Call Out Amazon’s ‘Concentrated Power’ in the Market. Publishing Perspectives, 17 August. https://publishingperspectives.com/2020/08/us-publishers-authors-booksellers-call-out-amazons-concentrated-power-in-the-book-market/ (accessed 17 June 2022).Google Scholar
Angelou, M. (1969). I Know Why the Caged Bird Sings. New York: Random House.Google Scholar
APA Style (2022). Racial and Ethnic Identity. American Psychological Association. https://apastyle.apa.org/style-grammar-guidelines/bias-free-language/racial-ethnic-minorities(accessed 17 June 2022).Google Scholar
Appiah, A. K. (2020). The Case for Capitalising the B in Black. The Atlantic, 18 June. www.theatlantic.com/ideas/archive/2020/06/time-to-capitalize-blackand-white/613159/ (accessed 17 June 2022).Google Scholar
Baldwin, J. (1955). Notes of a Native Son. Boston: Beacon Press.Google Scholar
Bourdieu, P. (1977). Outline of a Theory of Practice. Cambridge: Cambridge University Press.Google Scholar
Bourdieu, P. (1984). Distinction: A Social Critique of the Judgement of Taste. Cambridge: Harvard University Press.Google Scholar
Bourdieu, P. (1993). The Field of Cultural Production: Essays on Art and Literature. New York: Columbia University Press.Google Scholar
Butterfield, S. (1974). Black Autobiography in America. Amherst: University of Massachusetts Press.Google Scholar
Caro, J. (2015). Why the Bias against Female Authors? Sydney Morning Herald, 19 August. www.smh.com.au/opinion/we-havent-come-that-far-since-19th-century-women-writers-used-male-pen-names-20150818-gj1jf6.html (accessed 19 December 2022).Google Scholar
Cattani, G., Ferriani, S. and Allison, P. D. (2014). Insiders, Outsiders, and the Struggle for Consecration in Cultural Fields: A Core-Periphery Perspective. American Sociological Review 79 (2), 258–81.Google Scholar
Childress, C., Rawlings, C. M. and Moeran, B. (2017). Publishers, Authors, and Texts: The Process of Cultural Consecration in Prize Evaluation. Poetics 60, 4861.Google Scholar
Chowdhury, R. (2021). It’s Hard to Be What You Can’t See: Diversity within Australian Publishing. 2019–2020 Beatrice Davis Editorial Fellowship Report. www.publishers.asn.au/common/Uploaded%20files/APA%20Resources/Research/BDEF/BDEF%202019-2020%20Report%20-%20Radhiah%20Chowdhury.pdf (accessed 19 December 2022)Google Scholar
Clement, M., Proppe, D. and Rott, A. (2007). Do Critics Make Bestsellers? Opinion Leaders and the Success of Books. Journal of Media Economics 20(2), 77105.Google Scholar
Cooter, M. (1987). Reviewing the Reviews: A Woman’s Place on the Page. Ann Arbor: University of Michigan Press.Google Scholar
Crenshaw, K. (1989). Demarginalizing the Intersection of Sex and Race: A Black Feminist Critique of Antidiscrimination Doctrine. University of Chicago Legal Forum 1 (8). www.australianbookreview.com.au/abr-online/archive/2011/55-june-2011/395-what-is-australia-anyway (accessed 12 January 2022).Google Scholar
Cunningham, S. (2011). A Prize of One’s Own: Flares, Cock-Forests and Dreams of a Common Language. Kill Your Darlings, 1 October. www.killyourdarlings.com.au/article/a-prize-of-ones-own-flares-cock-forests-and-dreams-of-a-common-language/ (accessed 19 December 2022).Google Scholar
Dane, A. (2020a). Cultural Capital as Performance: Tote Bags and Contemporary Literary Festivals. Memoires du Livre/Studies in Book Culture 11 (2), 130.Google Scholar
Dane, A. (2020b). Eligibility, Access and the Laws of Literary Prizes. Australian Humanities Review 66 (May), 122–36.Google Scholar
Dane, A. (2020c). Gender and Prestige in Literature: Contemporary Australian Book Culture. London: Palgrave Macmillan.Google Scholar
Decety, J. (2014). The Complex Relation between Morality and Empathy. Trends in Cognitive Sciences 18 (7), 337–9.Google Scholar
DiAngelo, R. (2018). White Fragility. Boston: Beacon Press.Google Scholar
Doll, J. (2012). The Ongoing Problem of Race in Y.A. The Atlantic, 27 April. www.theatlantic.com/culture/archive/2012/04/ongoing-problem-race-y/328841/ (accessed 17 June 2022).Google Scholar
Driscoll, B. (2014). New Literary Middlebrow: Reading and Tastemaking in the Twentyfirst Century. London: Palgrave Macmillan.Google Scholar
DuBois, W. E. B. (1935). Black Reconstruction in Americaa, 1860–1880. New York: Harcourt Brace.Google Scholar
Eddo-Lodge, R. (2017). Why I’m No Longer Talking to White People About Race. London: Bloomsbury.Google Scholar
English, J. (2005). The Economy of Prestige: Prizes, Awards, and the Circulation of Cultural Value. Cambridge: Harvard University Press.CrossRefGoogle Scholar
Faber, (2020). In Solidarity with the #BlackLivesMatterMovement …. Tweet Thread, 3 June. https://twitter.com/FaberBooks/status/1267828761258409990 (accessed 17 June 2022).Google Scholar
Faber, (2021). Diversity & Inclusion. www.faber.co.uk/about-faber/social-responsibility/diversity-inclusion/ (accessed 20 June 2022).Google Scholar
Faber, and Faber, (2022). Diversity Action Plan. www.faber.co.uk/diversity-action-plan/. accessed 12 January 2022.Google Scholar
Foucault, M. (1969). What is an Author? Lecture for Société Française de Philosophie, 22 February. www.open.edu/openlearn/pluginfile.php/624849/mod_resource/content/1/a840_1_michel_foucault.pdf (accessed 19 December 2022).Google Scholar
George, G. J. and Leidner, D. E. (2019). From Clicktivism to Hacktivism: Understanding Digital Activism. Information and Organisation 22, 145.Google Scholar
Glaister, D. (1997). Outsider Scoops Award for Women Writers. The Guardian, 5 June.Google Scholar
Gray, H. (2016). Precarious Diversity: Representation and Demography. In Curtin, M. and Sanson, K. (eds.) Precarious Creativity: Global Media, Local Labor. Berkeley: University of California Press, 241–53.Google Scholar
Groves, N. (2015). Emily Bitto Wins 2015 Stella Prize for Her Debut Novel The Strays. The Guardian, 21 April. www.theguardian.com/books/2015/apr/21/emily-bitto-wins-2015-stella-prize-the-strays (accessed 19 December 2022).Google Scholar
Hachette, (2021). Changing the Story. www.hachette.co.uk/landing-page/hachette/changing-the-story/ (accessed 17 June 2022).Google Scholar
Harvey, M. and Lamond, J. (2016). Taking the Measure of Gender Disparity in Australian Book Reviewing as a Field, 1985 and 2013. Australian Humanities Review . www.australianhumanitiesreview.org/2016/11/15/taking-the-measure-of-gender-disparity-in-australian-book-reviewing-as-a-field-1985-and-2013/ (accessed 19 December 2022).Google Scholar
Helgason, J., Kaarholm, S. and Steiner, A. (2014). Introduction. In Helgason, J., Kaarholm, S. and Steiner, A. (eds.) Hype: Bestsellers in Literary Culture. Lund: Nordic Academic Press, 741.Google Scholar
Hesmondhalgh, D. and Saha, A. (2013). Race, Ethnicity and Cultural Production. Popular Communications 11, 179–95.Google Scholar
Hill Collins, P. (2019). Intersectionality. Chapel Hill: Duke University Press.Google Scholar
Hogan, K. (2016). The Feminist Bookstore Movement: Lesbian Antiracism and Feminist Accountability. Durham: Duke University Press.Google Scholar
hooks, b. (1989). Thinking Feminist, Thinking Black. Boston: South End Press.Google Scholar
hooks, b. (2012). Writing Beyond Race: Living Theory and Practice. Oxford: Routledge.Google Scholar
Jackson, L. M. (2020). What is an Anti-Racist Reading List For? Vulture, 4 June. www.vulture.com/2020/06/anti-racist-reading-lists-what-are-they-for.html (accessed 18 June 2022).Google Scholar
Johnson, A. (1996). Only Women Need Apply for the Richest Literary Prize. The Guardian, 26 January.Google Scholar
Karp, J. (2021). Social Impact. Simon & Schuster. www.simonandschuster.com.au/p/social-impact (accessed 20 June 2022).Google Scholar
Kendi, I. X. (2019). How to Be an Antiracist. New York: One World.Google Scholar
Kon-Yu, N. (2016). Diversity, the Stella Count and the Whiteness of Australian Publishing. The Conversation, 13 December. https://theconversation.com/diversity-the-stella-count-and-the-whiteness-of-australian-publishing-69976 (accessed 18 June 2022).Google Scholar
Lamond, J. (2011). Stella vs Miles: Women Writers and Literary Value in Australia. Meanjin, Spring. https://meanjin.com.au/essays/stella-vs-miles-women-writers-and-literary-value-in-australia/ (accessed 17 June 2022).Google Scholar
Landy, J. (2012). How to Do things with Fictions. Oxford: Oxford University Press.Google Scholar
Linden, G., Smith, B. and York, J. (2003). Amazon.com Recommendations: Item-to-Item Collaborative Fitering. IEE Computer Society, February. https://cseweb.ucsd.edu//classes/fa17/cse291-b/reading/Amazon-Recommendations.pdf (accessed 17 June 2022).Google Scholar
Lister, D. (1999). Tale of Woe for British Novelists Snubbed for Fiction Prize. The Independent, 27 April.Google Scholar
Locke, K. (2017). White Voices: The Dominance of White Authors in Canadian Literary Awards. The Structure of the Book Publishing Industry in Canada 371 (Fall), 19.Google Scholar
Lorde, A. (1984). Sister Outsider. Berkeley: Crossing Press.Google Scholar
Macé, M. (2013). Ways of Reading, Modes of Being. New Literary History 44 (2), 213–29.Google Scholar
Maunder, S. (2021). Will Black Lives Matter Bring Lasting Change to Australia’s Publishing Industry? SBS News, 12 September. www.sbs.com.au/news/article/will-black-lives-matter-bring-lasting-change-to-australias-publishing-industry/ng343ddxr (accessed 17 June 2022).Google Scholar
McGrath, L. B. (2019). Comping White. LA Review of Books, 21 January. https://lareviewofbooks.org/article/comping-white/ (accessed 8 November 2022).Google Scholar
Miller, L. J. (2000). The Best-Seller List as Marketing Tool and Historical Fiction. Book History 3, 286304.Google Scholar
Moreton-Robinson, A. (2000). Talkin’ Up to the White Woman: Indigenous Women and Feminism. St Lucia: University of Queensland Press.Google Scholar
Morrison, T. (1992). Playing in the Dark: Whiteness and the Literary Imagination. Cambridge: Harvard University Press.Google Scholar
Mosse, K. (1996). When Words Fail – Kate Mosse, Chair of the Orange Prize Argues that Fellow Judges’ Reported Criticisms of the Quality of Entrants to the £30,000 Women-Only Fiction Award Have Been Misrepresented. The Guardian, 16 April.Google Scholar
National Association of Black Journalists (2020). NABJ Statement on Capitalizing Black and Other Racial Identifiers. www.nabj.org/page/styleguide (accessed 17 June 2022).Google Scholar
Nayak, A. (2007). Critical Whiteness Studies. Sociology Compass 12 (1), 737–55.Google Scholar
New York Times (2022a). Bestsellers Methodology. www.nytimes.com/books/best-sellers/methodology/ (accessed 17 June 2022).Google Scholar
New York Times (2022b). Hardback Non-Fiction Bestsellers, 3 May–27 July 2020. www.nytimes.com/books/best-sellers/hardcover-nonfiction/ (accessed 16 November 2022).Google Scholar
New York Times (2022c). Hardback Non-Fiction Bestsellers, 2 May–25 July 2021. www.nytimes.com/books/best-sellers/hardcover-nonfiction/ (accessed 16 November 2022).Google Scholar
New York Times (2022d). Hardback Fiction Bestsellers, 2 May–25 July 2021. www.nytimes.com/books/best-sellers/hardcover-fiction/ (accessed 16 November 2022).Google Scholar
Noble, S. U. (2018). Algorithms of Oppression: How Search Engines Reinforce Racism. New York: New York University Press.Google Scholar
Norris, S. (2006). The Booker Prize: A Bourdieusian Perspective. Journal for Cultural Research 10 (2), 139–58.Google Scholar
Olney, J. (1980). Autobiography and the Cultural Moment: A Thematic, Historical, and Bibliographical Introduction. In Olney, J. (ed.) Autobiography. Princeton: Princeton University Press, 327.Google Scholar
Olson, H. A. (2007). How We Construct Subjects: A Feminist Analysis. Library Trends 56 (2), 509–41.Google Scholar
Ortega, M. (2006). Being Lovingly, Knowingly Ignorant: White Feminism and Women of Colour. Hypatia 21 (3), 5674.Google Scholar
Painter, N. I. (2020). Why ‘White’ Should Be Capitalized, Too. The Washington Post, 22 July. www.washingtonpost.com/opinions/2020/07/22/why-white-should-be-capitalized/ (accessed 17 June 2022).Google Scholar
Parnell, C. (2022). Platform Publishing in the Entertainment Ecosystem: Experiences of Marginalised Authors on Amazon and Wattpad. PhD Thesis, University of Melbourne.Google Scholar
Penguin Random House (2021). Diversity, Equity & Inclusion. https://social-impact.penguinrandomhouse.com/our-commitments/diversity-equity-inclusion/ (accessed 17 June 2022).Google Scholar
Pham, C. (2021). Interview #174: Radhiah Chowdhury. Liminal, 10 May. www.liminalmag.com/interviews/radhiah-chowdhury (accessed 17 June 2022).Google Scholar
Pouly, M.-P. (2016). Playing Both Sides of the Field: The Anatomy of a ‘Quality’ Bestseller. Poetics 59, 2034.Google Scholar
Pressman, J. (2020). Bookishness: Loving Books in a Digital Age. New York: Columbia University Press.Google Scholar
Pruett, J. (2022). NYT Hardcover Fiction Bestsellers. Post45 Collective. https://doi.org/10.18737/CNJV1733p4520220211 (accessed 20 June 2022).Google Scholar
Publishers Association (2020). Diversity Survey of the Publishing Workforce 2020. www.publishers.org.uk/publications/diversity-survey-of-the-publishing-workforce-2020/ (accessed 17 June 2022).Google Scholar
Ramdarshan Bold, M. (2019). Inclusive Young Adult Fiction: Authors of Colour in the United Kingdom. London: Palgrave Macmillan.Google Scholar
Rankine, C. (2020). Just Us: An American Conversation. Minneapolis: Graywolf Press.Google Scholar
Reid, C. (2020). Diversity in Publishing in the Ages of Black Lives Matter. Publishers Weekly, 14 August. www.publishersweekly.com/pw/by-topic/industry-news/publisher-news/article/84107-diversity-in-publishing-in-the-age-of-black-lives-matter.html (accessed 17 June 2022).Google Scholar
Saad, L. F. (2020). Do the Work: An Anti-Racist Reading List. The Guardian, 2 June. www.theguardian.com/books/booksblog/2020/jun/03/do-the-work-an-anti-racist-reading-list-layla-f-saad (accessed 18 June 2022).Google Scholar
Saha, A. (2016). Rationalizing/Racializing Logic of Capital in Cultural Production. Media Industries Journal 3(1), 113.Google Scholar
Saha, A. and van Lente, S. (2020). Re-thinking ‘Diversity’ in Publishing. Report for Spread the Word, Arts and Humanities Research Council and Goldsmiths University. www.spreadtheword.org.uk/wp-content/uploads/2020/06/Rethinking_diversity_in-publishing_WEB.pdf (accessed 17 June 2022).Google Scholar
Saha, A. and van Lente, S. (2022). The Limits of Diversity: How Publishing Industries Make Race. International Journal of Communication 16, 1804–22.Google Scholar
Smith, J. (1996). And the Winner is … A Woman? It is Open to More Writers Than Any Other Literary Award in the World, So What’s the Problem. The Guardian, 26 January.Google Scholar
So, R. J. (2021). Redlining Culture: A Data History of Racial Inequality and Postwar Fiction. New York: Columbia University Press.Google Scholar
Squires, C. (2013). Literary Prizes and Awards. In Harper, G. (ed.) A Companion to Creative Writing. Chichester: John Wiley, 291303.Google Scholar
Squires, C. (2017). Taste or Big Data? Post-Digital Editorial Selection. Critical Quarterly 59 (3), 2438.Google Scholar
Steger, J. (2013). Stella Longlist Ranges Far and Wide. The Age, 21 February. www.theage.com.au/entertainment/books/stella-prize-longlist-ranges-far-and-wide-20130221-2et1w.html (accessed 19 December 2022).Google Scholar
Steiner, A. (2014). Serendipity, Promotion, and Literature: The Contemporary Book Trade and International Megasellers. In Helgason, J., Kaarholm, S. and Steiner, A. (eds.) Hype: Bestsellers in Literary Culture. Lund: Nordic Academic Press, 5590.Google Scholar
Prize, Stella (2019). Judges Report. https://thestellaprize.com.au/prize/2019-prize/ (accessed 17 June 2022).Google Scholar
Prize, Stella (2021). About the Prize. https://thestellaprize.com.au/prize/about-the-prize/ (accessed 17 June 2022).Google Scholar
Steyn, M. and Conway, D. (2010). Intersecting Whiteness, Interdisciplinary Debates. Ethnicities 10 (3), 283–91.Google Scholar
Sullivan, J. (2012). A Women’s Place. Sydney Morning Herald, 13 January. smh.com.au/entertainment/books/a-womans-place-20120113-1pyoa.html (accessed 19 December 2022).Google Scholar
Sutherland, J. (2007). Bestsellers: A Very Short Introduction. Oxford: Oxford University Press.Google Scholar
Travis, T. (2008). Women in Print Movement: History and Implications. Book History 11, 275300.Google Scholar
Twine, F. W. and Gallagher, C. (2008). The Future of Whiteness: A Map of the ‘Third Wave’. Ethnic and Racial Studies 31 (1), 424.Google Scholar
van Rees, C. R. (1987). How Reviewers Reach Consensus on the Value of Literary Works. Poetics 16, 275–94.Google Scholar
Vezzali, L., Stathi, S., Giovannini, D., Capozza, D. and Trifiletti, E. (2014). The Greatest Magic of Harry Potter: Reducing Prejudice. Journal of Applied Psychology 45 (2), 105–21.Google Scholar
Viltus, S. (2020). How the Black Lives Matter Protests Impacted Book Media. Book Riot, 11 September. https://bookriot.com/black-lives-matter-in-book-media/ (accessed 17 June 2022).Google Scholar
Wallace, D. (2018). Cultural Capital as Whiteness? Examining Logics of Ethno-Racial Representation and Resistance. British Journal of Sociology of Education 39 (4), 466–82.Google Scholar
Weber, M. (2018). Literary Festivals and Contemporary Book Culture. London: Palgrave Macmillan.Google Scholar
Women’s Prize for Fiction (2021). Our Story. www.womensprizeforfiction.co.uk/our-story (accessed 17 June 2022).Google Scholar
Wyndham, S. (2013). Stellar Shortlist for New Women’s Book Prize. Sydney Morning Herald, 20 March.Google Scholar
Zangen, B. (2003). Women as Readers, Writers and Judges: The Controversy about the Orange Prize for Fiction. Women’s Studies 32 (3), 281–99.Google Scholar

Save element to Kindle

To save this element to your Kindle, first ensure [email protected] is added to your Approved Personal Document E-mail List under your Personal Document Settings on the Manage Your Content and Devices page of your Amazon account. Then enter the ‘name’ part of your Kindle email address below. Find out more about saving to your Kindle.

Note you can select to save to either the @free.kindle.com or @kindle.com variations. ‘@free.kindle.com’ emails are free but can only be saved to your device when it is connected to wi-fi. ‘@kindle.com’ emails can be delivered even when you are not connected to wi-fi, but note that service fees apply.

Find out more about the Kindle Personal Document Service.

White Literary Taste Production in Contemporary Book Culture
Available formats
×

Save element to Dropbox

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Dropbox.

White Literary Taste Production in Contemporary Book Culture
Available formats
×

Save element to Google Drive

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Google Drive.

White Literary Taste Production in Contemporary Book Culture
Available formats
×