Skip to main content Accessibility help
×
Hostname: page-component-cd9895bd7-7cvxr Total loading time: 0 Render date: 2024-12-25T06:03:50.142Z Has data issue: false hasContentIssue false

Olivier Messiaen's Turangalîla-symphonie

Published online by Cambridge University Press:  11 September 2023

Andrew Shenton
Affiliation:
Boston University

Summary

As one of only a few pieces not primarily inspired by Messiaen's Catholic faith, but by human love as described in the romance of Tristan and Isolde and elsewhere, the Turangalîla-symphonie is contextualized in Messiaen's oeuvre and as a genre piece. Using previously untranslated information from Messiaen's own description of the work in his Traité, close analysis of the music seeks to demystify some of the complex innovations he made to his musical language, especially in the areas of rhythm and orchestration. This Element pays special attention to the fragmentary and elusive program which is explained with reference to Messiaen's fascination with surrealism at this time. Information is included on the commission and composition of the piece, its premiere by the Boston Symphony Orchestra conducted by Leonard Bernstein, its revision by Messiaen in 1990, and its reception history in both live and recorded performances.
Get access
Type
Element
Information
Online ISBN: 9781009165723
Publisher: Cambridge University Press
Print publication: 05 October 2023

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

References

Baeck, E. (2017). André Cluytens et les “Trois Tâla” d’Olivier Messiaen. Revue Belge de Musicologie/Belgisch Tijdschrift voor Muziekwetenschap, 71, 153179.Google Scholar
Bédier, J. (1924). Le Roman de Tristan et Iseult. Paris: Éditions d’Art.Google Scholar
Bernard, J. W. (1986). Messiaen’s Synaesthesia: The Correspondence between Color and Sound Structure in His Music. Music Perception, 4, 4168.CrossRefGoogle Scholar
Bradbury, W. C. (1991). Messiaen and Gamelan: An Analysis of Gamelan in the Turangalîla-symphonie. Cornell University, PhD dissertation.Google Scholar
Bruhn, S. (2008). Messiaen’s Explorations of Love and Death: Musico-Poetic Signification in the “Tristan Trilogy” and Three Related Song Cycles. Hillsdale, NY: Pendragon Press.Google Scholar
Byrne, B. P. (2009). An Exploration of the Cyclic Themes in Olivier Messiaen’s Turangalila-symphonie. Boston University, MA thesis.Google Scholar
Cheong, W.-L. (2003). Messiaen’s Chord Tables: Ordering the Disordered. Tempo, 57(226), 210.Google Scholar
Davidson, A. E. (2001). Olivier Messiaen and the Tristan Myth. Westport, CT: Prager.Google Scholar
Fallon, R. (2007). The Record of Realism in Messiaen’s Bird Style. In Dingle, C. and Simeone, N., eds. Olivier Messiaen: Music, Art and Literature. Burlington, VT: Ashgate.Google Scholar
Fancher, J. E. (2003). Pitch Organization in the Turangalîla-symphonie of Olivier Messiaen. University of Minnesota, PhD dissertation.Google Scholar
Goléa, A. (1961). Rencontres avec Olivier Messiaen. Paris: R. Julliard.Google Scholar
Griffiths, P. (1985). Olivier Messiaen and the Music of Time. Ithaca, NY: Cornell University Press.Google Scholar
Guth, P. (1953). Nébuleuses spirales, stalactites et stalagmites suggèrent des rythmes à Olivier Messiaen. Le Figaro Littéraire (February 14), 4.Google Scholar
Hayes, M. 1995. Instrumental and Choral Works to 1948. In Hill, P., ed. The Messiaen Companion. Portland, OR: Amadeus Press.Google Scholar
Hill, P., and Simeone, N. (2005). Messiaen. New Haven, CT: Yale University Press.Google Scholar
Hook, J. L. (1998). Rhythm in the Music of Messiaen: An Algebraic Study and an Application in the Turangalîla Symphony. Music Theory Spectrum, 20(1), 97120.CrossRefGoogle Scholar
Kraft, D. (2013). Birdsong in the Music of Olivier Messiaen. South Carolina: Arosa Press.Google Scholar
McNeill, R. (2010). Messiaen’s Turangalîla-symphonie and Its Place within the Symphonic Genre of the First Half of the Twentieth Century. In Crisp, J., ed., Olivier Messiaen: The Centenary Papers. Newcastle upon Tyne: Cambridge Scholars Publishing, 103204.Google Scholar
Messiaen, O. (1935). La Nativité du Seigneur. Paris, Leduc.Google Scholar
Messiaen, O. (1942). Quatuor pour la fin du Temps. Paris, Durand.Google Scholar
Messiaen, O. (1944). Technique de mon langage musical. 2 volumes (volume 1: text; volume 2: music examples). Paris: Leduc. Volume 1 translated by John Satterfield as The Technique of My Musical Language. Paris: Leduc, 1956.Google Scholar
Messiaen, O. (1948). Harawi. Paris: Leduc.Google Scholar
Messiaen, O. (1949a). Cinq rechants. Paris: Salabert.Google Scholar
Messiaen, O. (1949b). Program for BSO premiere of Turangalîla-symphonie. Boston: BSO Publications.Google Scholar
Messiaen, O. (1953/1994). Turangalîla-symphonie. Paris: Durand.Google Scholar
Messiaen, O. (1991). Liner notes to Olivier Messiaen, Turangalîla-symphonie. Translated by Paul Griffiths (Deutsche Grammophon 431781–2).Google Scholar
Messiaen, O. (1995). Traité de rythme, de couleur, et d’ornithologie. Volume 2, Paris: Leduc.Google Scholar
Messiaen, O. (1996). Traité de rythme, de couleur, et d’ornithologie. Volume 3, Paris: Leduc.Google Scholar
Milsom, J. (1995). Organ Music I. In Hill, P., ed., The Messiaen Companion. London: Faber & Faber, 5171.Google Scholar
Peterson, L. (1998). Messiaen and Surrealism: A Study of His Poetry. In Bruhn, S., ed., Messiaen’s Language of Mystical Love. New York: Garland Publishing, 215224.Google Scholar
Pople, A. (1995). Messiaen’s Musical Language: An Introduction. In Hill, P., ed. The Messiaen Companion. London: Faber & Faber, 1550.Google Scholar
Samuel, C. (1986). Olivier Messiaen: Musique et couleur. Paris: Belfond. Translated by E. Thomas Glasow as Olivier Messiaen: Music and Color: Conversations with Claude Samuel. Portland, OR: Amadeus Press, 1994.Google Scholar
Schweizer, K. (1982). Olivier Messiaen, Turangalîla-symphonie. Munich: W. Fink Verlag.Google Scholar
Shenton, A. (2007). Composer as Performer, Recording as Text: Notes Towards a “Manner of Realization” for Messiaen’s Music. In Sholl, R., ed. Messiaen Studies. Cambridge, UK: Cambridge University Press, 168187.Google Scholar
Sherlaw Johnson, R. (1975). Messiaen. Berkeley, CA: University of California Press.Google Scholar
Sholl, R. (2007). Love, Mad Love and the “point sublime”: The Surrealist Poetics of Messiaen’s Harawi. In Sholl, R., ed. Messiaen Studies. Cambridge, UK: Cambridge University Press, 3462.Google Scholar
Simeone, N. (2002). An Exotic Tristan in Boston: The First Performance of Messiaen’s Turangalîla-symphonie. In Barber, R., ed. King Arthur in Music. Cambridge, UK: D. S. Brewer.Google Scholar
Simeone, N. (2007). Dancing Turangalîla: Messiaen and the Ballet. In Dingle, C. and Simeone, N., eds., Olivier Messiaen: Music, Art, Literature. Aldershot: Ashgate, 289300.Google Scholar
Simeone, N. (2008). Messiaen, Koussevitzky and the USA. The Musical Times, 149 (1905), 2544.CrossRefGoogle Scholar

Save element to Kindle

To save this element to your Kindle, first ensure [email protected] is added to your Approved Personal Document E-mail List under your Personal Document Settings on the Manage Your Content and Devices page of your Amazon account. Then enter the ‘name’ part of your Kindle email address below. Find out more about saving to your Kindle.

Note you can select to save to either the @free.kindle.com or @kindle.com variations. ‘@free.kindle.com’ emails are free but can only be saved to your device when it is connected to wi-fi. ‘@kindle.com’ emails can be delivered even when you are not connected to wi-fi, but note that service fees apply.

Find out more about the Kindle Personal Document Service.

Olivier Messiaen's Turangalîla-symphonie
Available formats
×

Save element to Dropbox

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Dropbox.

Olivier Messiaen's Turangalîla-symphonie
Available formats
×

Save element to Google Drive

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Google Drive.

Olivier Messiaen's Turangalîla-symphonie
Available formats
×