Element contents
Crisis Theatre and The Living Newspaper
Published online by Cambridge University Press: 12 March 2024
Summary
Crisis Theatre and The Living Newspapers traces a history of the living newspaper as a theatre of crisis from Soviet Russia (1910s), through the Federal Theatre Project of the Great Depression in America (1930s), to Augusto Boal's teatro jornal in Brazil (1970s), and its resonance with documentary forms deployed in the final years of apartheid in South Africa (1990s), up until the present day in the UK (2020s). Across this Element, the author is interested in what a transnational and transhistorical examination of the living newspaper through the lens of crisis reveals about the ways in which theatre can intervene in our collective social, economic and political life. By holding these diverse examples together, the author asserts the Living Newspaper as a form of Crisis Theatre.
- Type
- Element
- Information
- Online ISBN: 9781009525800Publisher: Cambridge University PressPrint publication: 11 April 2024
References
Adams, D. and Goldbard, A. (1985) ‘New Deal Cultural Programs: Experiments in Cultural Democracy’, WWCD, www.wwcd.org/policy/US/newdeal.html#FTNT_6.Google Scholar
Adams, C. (2021) ‘News on Stage: Towards Re-configuring Journalism through Theatre to a Public Sphere’, Journalism Practice 15(8), 1163–1180.Google Scholar
Akbar, A. (2020) ‘The Royal Court Becomes a Living Newspaper Complete with Musical Headlines’, Guardian, 11 December. www.theguardian.com/stage/2020/dec/11/the-royal-court-becomes-a-living-newspaper-complete-with-musical-headlines.Google Scholar
Alabanza, T. (2021) ‘An Ode to the Underground and Ms Sharon Le Grand’, in A Counternarrative: Edition Three. London: The Royal Court Theatre.Google Scholar
Angelaki, V. (2017) Social and Political Theatre in 21st-Century Britain: Staging Crisis. London: Bloomsbury.Google Scholar
Arent, A (1968) ‘Ethiopia’: The First ‘Living Newspaper’, Educational Theatre Journal 20(1), 15–31.CrossRefGoogle Scholar
Banks, M. and O’Connor, J. (2021) ‘“A Plague upon Your Howling”: Art and Culture in the Viral Emergency’, Cultural Trends 30(1), 3–18.Google Scholar
Bay-Cheng, S. (2010) ‘Theatre History and Digital Historiography’, in Theater Historiography: Critical Interventions, Bial, H. and Magelssen, S. eds., Ann Arbor: University of Michigan Press, 125–36.Google Scholar
Benson, N. U., Bassey, D. E., and Palanisami, T. (2021) COVID Pollution: Impact of COVID-19 Pandemic on Global Plastic Waste Footprint, Heliyon 7, 2.Google Scholar
Black Tam, C., Gregg, S., Gupta, T. et al. (2021) ‘Crisis after Crisis We Persist’, in A Counternarrative: Edition 4. London: Royal Court Theatre.Google Scholar
Boal, A. (1998) Legislative Theatre: Using Performance to Make Politics, trans. by Adrian Jackson. London: Routledge.Google Scholar
Boin, A., Ekengren, M., and Rhinard, M. (2020) ‘Hiding in Plain Sight: Conceptualizing the Creeping Crisis’, Risks, Hazards & Crisis in Public Policy 11, 116–138, 121.CrossRefGoogle ScholarPubMed
Bradby, D., and McCormick, J. (1978) Peoples Theatre. Maryland: Croom Helm Rowman And LittlefieldGoogle Scholar
C&T (2005) ‘Living Newspaper Manifesto’, YouTube, https://www.youtube.com/watch?v=bH1VzIGCzlA.Google Scholar
Butler, L. (2021) ‘Obituary’, in A Counter Narrative: Edition 3. London: Royal Court Theatre,Google Scholar
Committee of Public Accounts (2021) ‘Covid 19: Culture Recovery Fund’, 14 June, House of Commons Library. https://committees.parliament.uk/work/1136/covid19-culture-recovery-fund/publications/.Google Scholar
Cosgrove, S. (1982) The Living Newspaper: History, Production and Form. Thesis, University of Hull.Google Scholar
Davies, L. (2020) ‘Written Evidence Submitted by the Royal Court Theatre’, Call for Evidence Impact of Covid-19 on DCMS sectors, UK Parliament, 16 April. https://committees.parliament.uk/writtenevidence/1733/html/.Google Scholar
De Lisle, L. (2020) ‘Living Newspaper: A Counter Narrative, Royal Court Online Review –The News, but Better’, 24 December, The Arts Desk. https://theartsdesk.com/theatre/living-newspaper-counter-narrative-royal-court-online-review-%E2%80%93-news-better.Google Scholar
Delgado, M., and Svich, C. (2002) Theatre in Crisis? Performance Manifestos for a New Century. United Kingdom: Manchester University Press.Google Scholar
Drain, R. (2002) Twentieth Century Theatre: A Sourcebook. United Kingdom: Taylor & Francis.Google Scholar
Edmondson, G., and Mladek, K. (eds.) (2017) Sovereignty in Ruins: A Politics of Crisis. Durham: Duke University Press.CrossRefGoogle Scholar
Flanagan, H. (1935) Instructions – Federal Theatre Projects, Works Progress Administration October 1935, retrieved from the Library of Congress. www.loc.gov/item/farbf.00010002/.Google Scholar
Flanagan, H. (1969) Arena: The History of the Federal Theatre. Washington, DC: Limelight Editions.Google Scholar
Florisson, R., O’Brien, D., Taylor, M., McAndrew, S., and Feder, T. (2021) ‘The Impact of Covid-19 on Jobs in the Cultural Sector –Part 3’, culturehive.co.uk. www.culturehive.co.uk/CVIresources/the-impact-of-covid-19-on-jobs-in-the-cultural-sector-part-3/.Google Scholar
Forsythe, A. and Megson, C. (eds.) (2009) Get Real: Documentary Theatre Past and Present. United Kingdom: Palgrave Macmillan.Google Scholar
Fraden, R. (1996) Blueprints for a Black Federal Theatre. United Kingdom: Cambridge University Press.Google Scholar
Francis-Devine, B., Powell, A., and Clark, H. (2022) ‘Coronavirus: Impact on the Labour Market’, House of Commons Library, 9 August. https://commonslibrary.parliament.uk/research-briefings/cbp-8898/#:~:text=The%20number%20of%20people%20in,to%20the%20lowest%20since%201994.Google Scholar
Rooservelt Library, Franklin D. (n.d.) ‘Great Depression Facts’, Franklin D Rooservelt Library, www.fdrlibrary.org/great-depression-facts.Google Scholar
Gamson, W. A., Croteau, D., Hoynes, W., and Sasson, T. (1992) ‘Media Images and the Social Construction of Reality’, Annual Review of Sociology 18, 373–93.Google Scholar
Gray, A. (1990) ‘Born at The Market’, in A Contemporary Theatre: Born in the RSA Programme. Seattle: Encore Publishing.Google Scholar
Hemming, S. (2020) ‘Sarah Hemming Writing on Living Newspaper in the Financial Times’, Royal Court Theatre, December 20. https://royalcourttheatre.com/sarah-hemming-writing-on-living-newspaper-in-the-financial-times/.Google Scholar
Henley, D. (2022) ‘Time for Change: Working Freelance in Creativity and Culture’, artscouncil.org.uk, 11 April. www.artscouncil.org.uk/blog/time-change-working-freelance-creativity-and-culture.Google Scholar
Hutchinson, Y. (2009) ‘Verbatim Theatre in South Africa: “Living History in a Person’s Performance”’, in Get Real: Documentary Theatre Past and Present, Forsyth, A., and Megson, C., eds., United Kingdom: Palgrave Macmillan, 209–223.Google Scholar
Hutchison, Y. (2003) ‘Barney Simon: Brokering Cultural Interventions’, Contemporary Theatre Review 13(3), 4–15.Google Scholar
Jeffers, A. (2011) Refugees, Theatre and Crisis: Performing Global Identities. United Kingdom: Palgrave Macmillan.Google Scholar
Kondo, D. (2018) Worldmaking: Race, Performance, and the Work of Creativity. Durham: Duke University Press.Google Scholar
Kundra, S. and Dwivedi, R. (2023) Sensemaking of COVIDian Crisis for Work and Organization, Philosophy of Management 22(1), 129–47.Google Scholar
Kruger, L. (1992) The National Stage: Theatre and Cultural Legitimation in England, France, and America. Chicago: University of Chicago Press.Google Scholar
Lucas, A. E. (2020) Prison Theatre and the Global Crisis of Incarceration. United Kingdom: Bloomsbury.Google Scholar
Maddox, D. (2023) ‘Lee Anderson tells illegal migrants to ‘f*** off back to France’ if they don’t like barges, The Express, 8 August. www.express.co.uk/news/politics/1799682/lee-anderson-illegal-migrants-bibby-barge-france.Google Scholar
Mally, L. (2008) ‘The Americanization of the Soviet Living Newspaper’, The Carl Beck Papers in Russian and East European Studies 1903, 1–40.Google Scholar
Matthew, S., and Sellnow, T. (2016) Narratives of Crisis: Telling Stories of Ruin and Renewal. Redwood City: Stanford University Press.Google Scholar
Mullarkey, R. (2021), ‘This Play’, in A Counternarrative: Edition 6. London: Royal Court Theatre.Google Scholar
Nadler, P. (1995) ‘Black Living Newspapers of the Federal Theatre Project’, African American Review 29(4), 615–22.Google Scholar
Norbury, C. (2020) ‘Our World without Open Letter’, Creative Industries Federation. https://docs.google.com/document/d/1ZwZTJCb6QKkY0vVx4V67PU4H4bwtW0nGKicsDd1I7vU/editGoogle Scholar
Opdycke, S. (2016) The WPA: Creating Jobs and Hope in the Great Depression. United States: Taylor & Francis.CrossRefGoogle Scholar
Osofisan, F. (2001) African Theatre: Playwrights & Politics. Edited by Banham, M., Gibbs, J., and Osofisan, F.. Bloomington: Indiana University Press.Google Scholar
Owen, G., O’Brien, D., Taylor, M. (2020). ‘A Jobs Crisis in the Cultural and Creative Industries’, Creative Industries: Policy and Evidence Centre, 10 December. https://pec.ac.uk/blog/how-covid-19-is-impacting-the-cultural-sector-with-the-loss-of-55-000-jobs-in-the-arts.Google Scholar
Plum, J. (1992) ‘Rose McClendon and the Black Units of the Federal Theatre Project: A Lost Contribution’, Theatre Survey, 33(2):144-153Google Scholar
Quinn, S. (2021) Furious Improvisation: How the WPA and a Cast of Thousands Made High Art Out of Desperate Times. Lexington, MA: Plunkett Lake Press.Google Scholar
Ravenhill, M., and Shanko, C. (2021) ‘Living Newspaper Clippings: Transcript of Mark Ravenhill and Shankho Chaudhuri in Conversation’, February, Royal Court Theatre, https://royalcourttheatre.com/living-newspaper-clippings/mark-ravenhill-and-shankho-chaudhuri/.Google Scholar
Raymond, A. (1945) The Dies Committee: A Study of the Special House Committee for the Investigation of Un-American Activities 1938–1944. Washington, DC: Catholic University of America Press.Google Scholar
Rich, F. (1986) ‘Stage Tale of Apartheid ‘Born in the RSA’, 3 October, New York Times. www.nytimes.com/1986/10/03/theater/stage-tale-of-apartheid-born-in-the-rsa.html.Google Scholar
Roberts, S. (2015) ‘The Pioneers’, in The Methuen Drama Guide to Contemporary South African Theatre, Homann, G., Schnierer, P. P., and Middeke, M., eds., United Kingdom: Bloomsbury, pp. 17–42.Google Scholar
Rosenthal, U., and Kouzmin, A. (1993) ‘Globalizing an Agenda for Contingencies and Crisis Management: An Editorial Statement’, Journal of Contingencies and Crisis Management, 1(1), 1–12.CrossRefGoogle Scholar
Rosenthal, U., Boin, A., and Comfort, L. K. (2001) Managing Crises: Threats, Dilemmas, Opportunities. Springfield, IL: Charles C. Thomas Publisher.Google Scholar
Ross, R. (1974) ‘The Role of Blacks in the Federal Theatre, 1935-1939’, The Journal of Negro History 59(1), 38–50.CrossRefGoogle Scholar
Roux-Dufort, C. (2007) ‘Is Crisis Management (Only) a Management of Exceptions?’, Journal of Contingencies and Crisis Management, 15, 105–114.Google Scholar
Royal Court (2020) 5 March, Royal Court: ‘Royal Court Theatre Announces Open Court: Climate Emergency March 2020, Including the Theatre’s Strategy Document for Transitioning to Carbon Net Zero’. https://royalcourttheatre.com/royal-court-theatre-announces-open-court-climate-emergency-march-2020-including-the-theatres-strategy-document-for-transitioning-to-carbon-net-zero/.Google Scholar
Royal Court Theatre (2020a) Living Newspaper Edition 1, Royal Court, https://royalcourttheatre.com/home/livingnewspaper/living-newpaper-a-counter-narrativeweekly-zine/.Google Scholar
Royal Court Theatre (2020b) Royal Court Theatre to Reopen Doors with New Socially Distanced Live Performance ‘Living Newspaper: A Counter Narrative’, 14 September, Royal Court, https://royalcourttheatre.com/royal-court-theatre-to-reopen-doors-with-new-socially-distanced-live-performance-living-newspaper-a-counter-narrative-in-spaces-around-the-building-from-thursday-12-november-saturday-19-decemb/.Google Scholar
Royal Court Theatre (2020c) 14 September, Royal Court. https://d19lfjg8hluhfw.cloudfront.net/wp-content/uploads/2020/09/14131710/Royal-Court-Theatre-Reopening-Announcement-Living-Newspaper.pdf.Google Scholar
Royal Court Theatre (2020d) 30 November Royal Court. https://royalcourttheatre.com/writers-announced-for-the-first-edition-of-the-royal-court-theatres-living-newspaper/.Google Scholar
Royal Court Theatre (2021a) ‘Living Newspaper Edition 7: The Last Word’, Royal Court, https://royalcourttheatre.com/whats-on/living-newspaper-edition-7/.Google Scholar
Royal Court Theatre (2021b) 13 April, Royal Court. https://royalcourttheatre.com/cast-announced-for-edition-6-of-living-newspaper/.Google Scholar
Samimian-Darash, L., and Rotem, N. (2019) ‘From Crisis to Emergency: The Shifting Logic of Preparedness’, Ethnos 84(5), 910–926.Google Scholar
Senelick, L., and Ostrovsky, S. (2014) The Soviet Theatre: A Documentary History. New Haven, Connecticut: Yale University Press.Google Scholar
Simon, B. (1997) Born in the RSA: Four Workshopped Plays. Johannesburg: Wits University Press.Google Scholar
Solga, K. (2019) ‘Theatre & Performance, Crisis & Survival’, Research in Drama Education 24(3), 251–6.Google Scholar
Sutton, P. (2005) The Dramatic Property: A New Paradigm of Applied Theatre Practice for a Globalised Media Culture. Doctor of Philosophy (PhD) thesis, University of Kent.Google Scholar
Taylor, D, (1991) Theatre of Crisis: Drama and Politics in Latin America. USA: University Press of Kentucky.Google Scholar
The Digital, Culture, Media and Sport Committee (2020) ‘Impact of COVID-19 on DCMS sectors: First Report’, House of Commons Library, 23 July 2020. https://committees.parliament.uk/work/250/impact-of-covid19-on-dcms-sectors/publications.Google Scholar
t’ Hart, P. (1993) ‘Symbols, Rituals and Power: The Lost Dimensions of Crisis Management’, Journal of Contingencies and Crisis Management 1(1), 36–50.Google Scholar
t’ Hart, P. and Boin, A (2001) ‘Between Crisis and Normalcy: The Long Shadow of Post-Crisis Politics’, in Managing Crises: Threats, Dilemmas, Opportunities, Rosenthal, U., Boin, A., and Comfort, L. K. eds., Springfield, IL: Charles C. Thomas, pp. 28–46.Google Scholar
Tobin, J. (2020) Covid-19: Impact on the UK Cultural Sector, House of Lords Library, 4 September. https://lordslibrary.parliament.uk/covid-19-impact-on-the-uk-cultural-sector/.Google Scholar
Tompkins, J. (2014) Theatre’s Heterotopias: Performance and the Cultural Politics of Space. United Kingdom: Palgrave Macmillan.CrossRefGoogle Scholar
US Congress (1938) ‘Investigation of Un-American Propaganda Activities in the United States: Hearings Before a Special Committee on Un-American Activities’, House of Representatives, Seventy-fifth Congress, Third Session-Seventy-eighth Congress, Second Session, United States: U.S. Government Printing Office.Google Scholar
Wallace, C. and Escoda, C., Monforte, E., Prado-Pérez, J. R. (2022) Crisis, Representation and Resilience: Perspectives on Contemporary British Theatre. London: Bloomsbury.Google Scholar
Walmsley, B., Gilmore, A., O’Brien, D., and Torreggiani, A. (2022) Culture in Crisis: Impacts of Covid-19 on the UK Cultural Sector and Where We Go from Here. Leeds: Centre for Cultural Value.Google Scholar
Walsh, F. (2010) Male Trouble: Masculinity and the Performance of Crisis. London: Palgrave Macmillan.CrossRefGoogle Scholar
Witham, B. B. (2003) The Federal Theatre Project: A Case Study. Cambridge: Cambridge University Press.Google Scholar
- 2
- Cited by