The Stylistics of ‘You’ - Title page

pp iii-iii

Copyright page

pp iv-iv

Contents

pp v-vi

Figures and Table

pp vii-viii

Preface

pp ix-x

Acknowledgements

pp xi-xii

1 - Theorising the ‘You Effects’

pp 1-34

PART I - Singularising and Sharing

pp 35-80

2 - George Orwell’s Down and Out in Paris and London (1933)

pp 37-56

3 - Paul Auster’s Ordinary Life and Yours

pp 57-80

PART II - The Role of ‘You’ in the Writing of Traumatic Events

pp 81-124

4 - Performing ‘Self-Othering’ in Winter Birds by Jim Grimsley (1994)

pp 83-104

5 - Pronominal ‘Veering’ in Quilt by Nicholas Royle (2010)

pp 105-124

Part III - The Author–Reader Channel across Time, Gender, Sex and Race

pp 125-194

6 - Two Ways of Conversing with the Reader

pp 127-153

7 - Empathy for Sexual Minorities in Skin Lane by Neil Bartlett ()

pp 154-173

8 - The Ethics and Politics of the Second Person in ‘Postcolonial’ Writing

pp 174-194

PART IV - New Ways of Implicating Through the Digital Medium?

pp 195-233

9 - From Paratext to Hypertext

pp 197-220

10 - Coercing without Edifying

pp 221-229

Conclusion

pp 230-233

References

pp 234-250

Index

pp 251-256