Crossref Citations
This Book has been
cited by the following publications. This list is generated based on data provided by Crossref.
Leese, Peter
2006.
Britain since 1945.
p.
154.
Freeman, John
2007.
New Performance/New Writing.
p.
114.
Brottman, Mikita
2007.
Debauchery Next Door: The Boundaries of Shame inAbigail's Party.
Quarterly Review of Film and Video,
Vol. 24,
Issue. 4,
p.
317.
Leggott, James
2008.
Seventies British Cinema.
p.
94.
Driscoll, Lawrence
2009.
Evading Class in Contemporary British Literature.
p.
169.
Killeen, Padraic
2011.
Stained flesh – Ireland as idyll/damp patch in Mike Leigh'sNaked.
Irish Studies Review,
Vol. 19,
Issue. 1,
p.
75.
Kroustallis, Basileios
2012.
Film as Thought Experiment: A Happy-Go-Lucky Case?.
Film-Philosophy,
Vol. 16,
Issue. 1,
p.
72.
Monk, Claire
2012.
‘If You Can't Make a Good Political Film, Don't’: Pawel Pawlikowski's Resistant Poetic Realism.
Journal of British Cinema and Television,
Vol. 9,
Issue. 3,
p.
480.
Jamrozik, Żaneta
2013.
Work in Cinema.
p.
91.
Forrest, David
2014.
The films of Joanna Hogg: new British realism and class.
Studies in European Cinema,
Vol. 11,
Issue. 1,
p.
64.
Formentelli, Maicol
2014.
Vocatives galore in audiovisual dialogue.
English Text Construction,
Vol. 7,
Issue. 1,
p.
53.
Alliot, Julien
2015.
De l’Un à l’autre, et d’un autre à l’Autre : le passage de la scène à l’écran chez Samuel Beckett, Harold Pinter et Mike Leigh.
Études britanniques contemporaines,
Freeman, John
2016.
New Performance/New Writing.
p.
186.
Lees, Dominic
2019.
Improvisation as a research methodology: exploring links between filmmakers’ practice and traditions of enquiry across the academy.
Media Practice and Education,
Vol. 20,
Issue. 2,
p.
134.
Jeon, Bomi
2023.
Boredom: Mike Leigh’sMeantimeand Working-Class Youth in Thatcher’s Britain.
Journal of British Cinema and Television,
Vol. 20,
Issue. 1,
p.
74.