Crossref Citations
This Book has been
cited by the following publications. This list is generated based on data provided by Crossref.
Senici, Emanuele
2015.
Delirious Hopes: Napoleonic Milan and the Rise of Modern Italian Operatic Criticism.
Cambridge Opera Journal,
Vol. 27,
Issue. 2,
p.
97.
Lee, Jonathan Rhodes
2015.
From Amelia to Calista and Beyond: Sentimental Heroines, ‘Fallen’ Women and Handel’s Oratorio Revisions for Susanna Cibber.
Cambridge Opera Journal,
Vol. 27,
Issue. 1,
p.
1.
Hallamore Caesar, Ann
2017.
Translation, Adaptation and Appropriation in Eighteenth-Century Venice: Pamela and her Successors.
Romance Studies,
Vol. 35,
Issue. 3,
p.
161.
Peritz, Jessica Gabriel
2019.
Orpheus's Civilising Song, or, the Politics of Voice in Late Enlightenment Italy.
Cambridge Opera Journal,
Vol. 31,
Issue. 2-3,
p.
129.
Clark, Caryl
and
Day-O'Connell, Sarah
2019.
The Cambridge Haydn Encyclopedia.
Trippett, David
and
Walton, Benjamin
2019.
Nineteenth-Century Opera and the Scientific Imagination.
LEE, JONATHAN RHODES
2020.
MUSIC, MORALITY AND SYMPATHY IN THE EIGHTEENTH-CENTURY ENGLISH SERMON.
Eighteenth Century Music,
Vol. 17,
Issue. 1,
p.
9.
Skagen, Annabella
2020.
Singspiels of Hans Iver Horn.
1700-tal: Nordic Journal for Eighteenth-Century Studies,
Vol. 17,
Issue. ,
p.
77.
Palidda, Alessandra
2021.
‘D’un bel canto patrioto francese’: On the Penetration of French Revolutionary Elements in the Spectacles of Republican Milan (1796–1802).
Journal of War & Culture Studies,
Vol. 14,
Issue. 2,
p.
175.
Chachulski, Jakub
2021.
Genologia i polityka. Swoistość „Cudu, czyli krakowiaków i górali” w horyzoncie gatunków operowych końca XVIII stulecia.
Muzyka,
Vol. 66,
Issue. 3,
p.
117.