Writings by Other Authors: Compositions, Books, Chapters in Books, Journal Articles, Dictionary Entries, Programme Notes, Sleeve/Insert Notes, Etc.
Abel, E. (1990) ‘Receiving Mixed Signals’, Jerusalem Post, 12 October
Abramsky, S., Rothkoff, A., Hirschberg, H. Z., Roth, C. and Bayer, B. (1972) ‘Solomon’, in Roth, C. (ed.), Encyclopedia Judaica, 16 vols. (Jerusalem: Keter Publishing House), XV, cols. 96–111
Allen, R. (2005) ‘H. S. Chamberlain and the Early Reception of Parsifal’, in Kinderman, W. and Syer, K. (eds.), A Companion to Wagner’s Parsifal (Rochester, NY: Camden House, Boydell & Brewer)
Anderson, R. (1980) ‘Record Reviews’, The Musical Times, 121/1651, 565
Anderson, W. R. (1936) ‘Wireless Notes’, The Musical Times, 77/1119, 424–5
Anon (1910) ‘Real Estate Transfers in County’, Newport Journal, 10 September
, (1922) The Union Prayerbook for Jewish Worship (Cincinnati: The Central Conference of American Rabbis)
Anon (1925) Ernest Bloch: Biography and Comment (San Francisco: The Margaret Mary Morgan Co.)
Anon (1928) ‘Triumphant and Onward’, Boston Evening Transcript, 22 December, 5
Anon (1934) ‘Interview with Great Jewish Composer – the Tragedy of “Wohin”’, The Jewish Chronicle, 9 February, 44–5
Anon (1934) ‘Ernest Bloch’s Sacred Service American Premiere’, News-Week, 21 April, 34
Anon (1941) ‘Music in the Making – Ernest Bloch’, Tempo, 5 August, 6
Anon (1942) ‘American Academy Cites Ernest Bloch’, The New York Times, 27 April, 19
Anon (1947) ‘Agate Beach Club Plans New Clubhouse’, Yaquina Bay News, 30 January
Anon (1947) ‘Ernest Bloch is Honored for His Chamber Music’, Yaquina Bay News, 26 June
Anon (1949) ‘Famed Sculptor Does Bloch Bust’, Newport News, 27 October
Anon (1957) The Holy Scriptures according to the Masoretic Text: A New Translation with the Aid of Previous Versions and with Constant Consultation of Jewish Authorities (Philadelphia: The Jewish Publication Society of America)
Anon (1959) ‘Obituary’, The Musical Times, 100/1399, 481–2
Anon (1980) The Spiritual and Artistic Odyssey of Ernest Bloch: A Centenary Retrospective (Charleston: Piccolo Spoleto Festival)
Anon (1990–2004 and 2006) Ernest Bloch Music Festival Programs (Newport, OR)
Anon (2012) Gramophone Classical Music Guide (London: Gramophone Magazine), 232–3
Arlen, W. (1966) ‘Research may give Bloch new image’, Los Angeles Times, 14 December
Aspertini, (1910) Le Théâtre, no. 282 (Paris: Manzi, Joyant et Cie.), 6–12
Augustine, (1950) Civitas dei. The City of God (New York: The Modern Library)
Avenari, H. (1972) ‘Shtayger’, in Roth, C. (ed.), Encyclopedia Judaica, 16 vols. (Jerusalem: Keter Publishing House), XIV, cols. 1463–6
Avidov, Z. (1972) ‘Geneva’, in Roth, C. (ed.), Encyclopedia Judaica, 16 vols. (Jerusalem: Keter Publishing House), VII, cols. 402–4
Baer, A. (1877) Ba’al T’fillah, oder Der Practische Vorbeter (Gothenburg: self-published)
Bakhtin, M. M. (1981) The Dialogic Imagination: Four Essays by M. M. Bakhtin, ed. Holquist, M., trans. Emerson, C. and Holquist, M. (Austin: University of Texas Press)
Bar-Am, B. (1991) ‘Zecharia Plavin’s Wasted Talents’, Jerusalem Post, 19 December, 7
Barjansky, C. (1948) Portraits with Backgrounds (London: Geoffrey Bles)
Baruch, K (2002) ‘2996 Project, Remembering the Victims of 9/11’, Haaretz, 6 February
Barzun, J. (1938) Race: A Study in Modern Superstition (London: Methuen)
Bauer, M. (1941) ‘Ernest Bloch’, in Thompson, O. (ed.), Great Modern Composers (New York: Dodd, Mead, and Co.), 10–26
Baylinson, D. (1980) ‘The Problem of Jewish Art’, The Spiritual and Artistic Odyssey of Ernest Bloch: A Centenary Retrospective (Charleston: Piccolo Spoleto Festival), 28–30
Ben-Amos, D. and Mintz, J. K. (1970) In Praise of the Baal Shem Tov (Bloomington: Indiana University Press)
Ben-Haim, P. (1958) Liturgical Cantata 1949 (Tel Aviv: Israel Music)
Ben-Sasson, H. H., ‘Israel Ben Eliezer Ba’al Shem Tov’, in Roth, C. (ed.) Encyclopedia Judaica, 16 vols. (Jerusalem: Keter Publishing House), IX, cols. 1049–52
Beregovski, M. (1962) Yevreiskiye Narodniye Pesny (Moscow: Sovietskii Kompozitor)
Bernstein, L. (1963) Kaddish Symphony 1962 (New York: Independent Music)
Bernstein, L. (1971) Mass, A Theater Piece for Singers, Players and Dancers (New York: Amberson Enterprises)
Bernstein, L. (1988) Missa Brevis (New York: Jalni Publications)
Bernstein, L. (1992) Bloch: Sacred Service, Sony Classical, Sony SM2K47533
Binder, A.W. (1952) ‘A Review of the Recording of Ernest Bloch’s “Israel Symphony”: An Analysis of the Jewish Thematic Material Employed’, The Musical Quarterly, 38/4, 647–51; reprinted in The Music of Ernest Bloch: A Program Manual (New York: National Jewish Music Council of the National Jewish Welfare Board, 1976), 36–40
Binder, A.W. (1959) Biblical Chant (New York: Sacred Music Press, Hebrew Union College – Jewish Institute of Religion)
Bloch Dimitroff, L. (1990) ‘Impressions of Ernest Bloch’, Ernest Bloch Music Festival Program, 14 Bloch, E[rnst], (1988) The Spirit of Utopia, trans. Nassar, Anthony (Stanford University Press)
Bloch, E[rnst], (2000) The Utopian Function of Art and Literature: Selected Essays, trans. Zipes, Jack and Mecklenburg, Frank (Cambridge, MA: MIT Press).
Bloch, I. (1990) ‘Pater Familias’, Ernest Bloch Music Festival Program, 14–15
Bloch, S. (1969) Program Notes: Avodath Hakodesh at the Lincoln Center, 4 December, 1
Bloch, S. (1969) Program Notes: Avodath Hakodesh, 7 December
Bloch, S. (1971) ‘Bloch and His Crucifix: The Story’, Ernest Bloch Society Bulletin, No. 4 (Mill Valley, CA), 1–2
Bloch, S. (1986–7) ‘Portland’s Avodath Hakodesh’, Ernest Bloch Society Bulletin, Nos. 18–19 (Gualala), 26–8
Bloch, S. (1990) ‘The Jewish Cemetery at Langnau’, Ernest Bloch Society Bulletin, Nos. 21–22 (Gualala), 6–8
Bloch, S. and Heskes, I. (1976) Ernest Bloch: Creative Spirit: A Program Source Book (New York: Jewish Music Council of the National Jewish Welfare Board)
Bloch Smith, S. (1990) ‘Student and Teacher’, Ernest Bloch Music Festival Program (Newport, OR), 16
Bohlman, A. F. and Bohlman, P. V. (2012) Hanns Eisler – ‘In der Musik ist es anders’ (Berlin: Hentrich & Hentrich)
Bohlman, P. V. (1986) ‘The Archives of the World Centre for Jewish Music in Palestine, 1936–40, in the Jewish National and University Library, Jerusalem’, Yuval, 5, 238–64
Bohlman, P. V. (1990) ‘Ernest Bloch’s America (1926): Aesthetic Dimensions of a Swiss-American Auswandererbericht’, Yearbook of German-American Studies, 35–54
Bohlman, P. V. (1992) The World Centre for Jewish Music in Palestine 1936–1940: Jewish Musical Life on the Eve of World War II (Oxford: Clarendon Press)
Bohlman, P. V. (2003) ‘Sacred Popular Music of the Mediterranean and the Journey to Jerusalem’, in Plastino, G. (ed.) Mediterranean Mosaic: Popular Music and Global Sounds (New York: Routledge), 287–306
Bohlman, P. V. (2011) ‘Rückkehr in die Zukunft – Die antike Moderne der jüdischen Musik’, in Celestini, F., Kokorz, G. and Johnson, J. (eds.), Musik in der Moderne (Vienna: Böhlau), 105–22
Bohlman, P. V. (2013) ‘Altneuland, Pfade in Utopia und Reise nach Jerusalem – musikalische Wegweiser zur Kanonisierung der jüdischen Geschichte’, in Wald-Fuhrmann, M. and Pietschmann, K. (eds.), Der Kanon in der Musik (Munich: Edition Text und Kritik), 657–75
Borchmeyer, D. (1991) Richard Wagner: Theory and Theatre, trans. Spencer, S. (Oxford: Clarendon Press)
Boscovic, A. U. (1937) ‘Kelet és Nyugat Között’ (‘Between East and West’), (Cluj: A Zsidó Diáksegélyzö Kiadása [Association of Jewish Youth])
Boulanger, N. (1921) ‘Concerts Colonne’, Le Monde Musical (Paris), 28 November
Breslaur, E. (1898) Sind originale Synagogen- und Volks-Melodien bei den Juden geschichtlich nachweisbar? Vortrag gehalten im Verein für jüdische Geschichte und Litteratur in Berlin (Leipzig: Breitkopf und Härtel)
Brody, E. (1982) ‘Romain Rolland and Ernest Bloch’, The Musical Quarterly, 68/1, 60–79
Brome, V. (1979) Havelock Ellis: Philosopher of Sex: A Biography (London: Routledge & Kegan Paul)
Brotman, C. (1998) ‘The Winner Loses: Ernest Bloch and His America’, American Music, 16/4, 417–47
Brott, D. (1994) ‘The Message of King Solomon’, The Strad, 105/1249, 460–3
Buber, M. (1947/1985) Pfade in Utopia: Über Gemeinschaft und der Verwirklichung (Heidelberg: Verlag Lambert Schneider)
Buckle, R. (1963) Jacob Epstein Sculptor (London: Faber & Faber)
Calvocoressi, M. D (1933) ‘Ernest Bloch by Mary Tibaldi Chiesa’, The Musical Times, 74/1085, 610–11
Camner, J. (ed.) (1981) Great Composers in Historic Photographs: 244 Portraits from the 1860s to the 1960s (New York: Dover Publications)
Cantrell, B. (1980–1) ‘Book and Music reviews: Robert Strassburg, “Ernest Bloch: Voice in the Wilderness”’, Musica Judaica, III/1 (New York: American Society for Jewish Music)
Chamberlain, H. S. (1913) The Foundations of the Nineteenth Century [La Genèse du XIXme siècle], trans. into French by R. Godet, 2 vols. (Paris: Librairie Payot)
Chapman, E. (1934) ‘Ernest Bloch’, The Musical Times, 75/1092, 121–3
Chapman, E. (1955) ‘Ernest Bloch at 75’, Tempo, 1/35, 6–12
Chissell, J. (1943) ‘Style in Bloch’s Chamber Music’, Music & Letters, 24/1, 30–5
Clough, F. F. and Cuming, G. J. (eds.) (1952) The World’s Encyclopaedia of Recorded Music (London: Sidgwick and Jackson)
Cohen, A. (1937a) ‘Ernest Bloch’, Jewish Chronicle, November, 3–4
Cohen, A. (1937b) ‘A Note on the String Quartet of Ernest Bloch’, Musical Times, 78 (November,) 945–6
Cohen, A. (1938) ‘Ernest Bloch’s Macbeth’, Music & Letters, 19/2, 143–8
Cohen, F. L. (1902) ‘Cantillation’, in Singer, I. (ed.), The Jewish Encyclopedia Vol. III (New York and London: Funk and Wagnalls Company), 537–49
Cohen, H. (1969) A Bundle of Time – The Memoirs of Harriet Cohen (London: Faber & Faber) Cohon, B. J. (1950) ‘The Structure of the Synagogue Prayer-Chant’, Journal of the American Musicological Society, 3/1, 17–32
Cooper, M. (1975) ‘Bloch’s Macbeth has Colourless Characters’, Daily Telegraph, 10 July, 13
Damrosch, W. (1942) ‘American Academy Cites Ernest Bloch’, New York Times, 27 April, 19
Davies, P. (2002) The Character of a Genius: Beethoven in Perspective (Westport, CT and London: Greenwood Press)
Davis, R. (1985) ‘Songs of the Jews on the Island of Djerba: A Comparison between Two Surveys’, Musica Judaica, 7, 23–33
Davis, R. (2005) ‘Robert Lachmann’s Oriental Music: A Broadcasting Initiative in 1930s Palestine’, in Cooper, D. and Dawe, K. (eds.), Music of the Mediterranean: Critical Perspectives, Common Concerns, Cultural Differences (Lanham, MD: Scarecrow Press), 79–96
Davis, R. (2013) Robert Lachmann’s Oriental Music Broadcasts, 1936–1937: A Musical Ethnography of Mandatory Palestine (Middleton, WI: A-R Editions)
Defoe, D. (1719) The Life and Strange Surprizing Adventures of Robinson Crusoe (London: W. Taylor) DeNora, T. (1995) Beethoven and the Construction of Genius: Musical Politics in Vienna, 1792–1803 (Berkeley and Los Angeles: University of California Press)
Densmore, F. (1926) The American Indians and Their Music (New York: Woman’s Press)
Denton, S. (compiler) (1979) Ernest Bloch Archive (Tucson: University of Arizona Center for Creative Photography)
Downes, O. (1917) ‘Ernest Bloch, the Swiss Composer, on the Influence of Race in Composition’, The Musical Observer, 14/3, 11
Downes, O. (1942) ‘Ernest Bloch in the Academy’, New York Times, 3 May, section X, 7
Downes, O. (1947a) ‘Griller Quartet Plays Bloch Work’, New York Times, 27 February, 27
Downes, O. (1947b) ‘2nd Quartet Given in Bloch Festival’, New York Times, 16 November, 79
Downes, O. (1954) ‘World Première for Bloch Work’, New York Times, 29 July, 19
Downes, O. (1955) ‘A Great Composer at 75’, New York Times, 24 July, II: 7; reprinted in The Music of Ernest Bloch: A Program Manual (New York: National Jewish Music Council, 1956), 41–3
Dreyfus, E. (1925) ‘Erinnerung aus der Memoiren Eines Alten Endingers’, Section XVII: ‘Yom Kippur in den Altgemeinden – Die Alten Bräuche – Ein Musiktalent und seine Vererbung’, Israelitisches Wochenblatt für Die Schweiz, 2 (Zurich: Verlag Weinbaum Genossenschaft.)
Eisler, H. (2008) Hollywooder Liederbuch (correct reprint of the first edition; Leipzig: Deutscher Verlag für Musik)
Elkus, A. I. et al. (1962) Autograph Manuscripts of Ernest Bloch at the University of California (Berkeley: University of California)
Ellis, H. (1919) ‘Leonardo da Vinci’, The Living Age, 15/745, 222
Ephros, G. (1975) Cantorial Anthology: Traditional and Modern Synagogue Music. Vol. III: Sholosh R’golim (New York: Bloch Publishing Co., copyright date 1948)
Ephros, G. (1977) Cantorial Anthology: Traditional and Modern Synagogue Music. Vol. VI: The Recitative (for Rosh Hashonoh) (New York: Bloch Publishing Co.)
Ernest Bloch Society Bulletins (1967–91) Nos. 1–23 (Portland, OR; Mill Valley and Gualala, California; Flint, Michigan; New York)
Etkes, I. (2005) The Besht. Magician, Mystic, and Leader, trans. Sternberg, S. (Waltham, MA: Brandeis University Press)
Ewen, D. (1936) Composers of Today (New York: H. W. Wilson)
Fast, N. J., Heath, C. and Wu, G. (2009) ‘Common Ground and Cultural Prominence’, Psychological Science, 20/7, 904–11
Finkelstein, S. (1960) Composer and Nation: The Folk Heritage of Music (New York: International Publishers)
Finn, R. (1989) ‘At Long Last, It’s Time to Honor Ernest Bloch’, Cleveland Plain Dealer, 9 April
Fleg, E. (1928) Pourquoi je suis juif (Paris: Édition de France)
Fleg, E. (1929) Why I am a Jew [Pourquoi je suis juif], trans. from the French by Wise, L. W. (New York: Bloch Publishing)
Fleisher, R. J. (1997) Twenty Israeli Composers: Voices of a Culture (Detroit: Wayne State University Press) Forbes, E. (1975) ‘In Concert: Macbeth’, Opera, 26/9 (September), 902, 904
Frank, A. (1952) ‘The Chamber Music of Ernest Bloch’, The Listener, 11 September
Frank, W. (1933) ‘Man and Music’, The Musical Quarterly, 19/4 (October)
Franzblau, A. N. (ed.) (1953–4) Out of Print Classics Series of Synagogue Music (New York: Sacred Music Press of the Hebrew Union College), vols. VII and XIV
Freed, I. (1942) ‘Ernest Bloch’, Jewish Music Forum, 21 December, 8–11
Freed, I. (1958) Harmonizing the Jewish Modes (New York: Sacred Music Press, Hebrew Union College – Jewish Institute of Religion)
Fryer, P. (2009) A Chronology of Opera Performances at the Mariinsky Theatre in St Petersburg, 1860–1917 (New York: Edward Mellen Press)
Gatti, G. M. (1921) ‘Ernest Bloch’, trans. Baker, T., The Musical Quarterly, 7/1, 20–38
Gilroy, P. (1993) The Black Atlantic (Cambridge, MA: Harvard University Press) Ginell, R. (2013) ‘Review: Ernest Bloch’s “Macbeth” a welcome treat by Long Beach Opera’, Los Angeles Times, 17 June
Ginzberg, L. (1902) ‘Ba’al Shem-Tob, Israel b. Eliezer’, in Singer, I. (ed.), The Jewish Encyclopedia Vol. II (New York and London: Funk and Wagnalls Company), 383–6
Goossens, E. (1944–5) ‘Variations on a Theme by Goossens’, Cincinnati Symphony Orchestra Yearbook, 615
Gottlieb, J. (2010) Working with Bernstein: A Memoir (Milwaukee: Amadeus Press)
Gottschald, M. (1954) Deutsche Namenkunde (Berlin: D. Gruyter)
Green, E. (1956) The Music of Ernest Bloch: A Program Manual (New York: National Jewish Music Council of the National Jewish Welfare Board)
Greenfield, E. (1975) ‘N.P.O.’, The Guardian, 10 July, 10
Griffiths, P. (1975) ‘Macbeth’, Musical Times, 116/1591, 812
Guggenheim-Grünberg, F. (1961) Geschichte der Juden in der Schweiz (Zurich)
HaCohen, R. (2011) The Music Libel Against the Jews (New Haven, CT: Yale University Press)
Halkin, H. (2007) ‘If Israel Ceased to Exist’, Commentary, June
Harkavy, A. (1928) The Pentateuch with Haftaroth and Five Megiloth; Music Notes arranged by M. Nathanson (New York: Hebrew Publishing)
Herlitz, G. and Kirshner, B. (eds.) (1927) Jüdisches Lexikon, 5 vols. (Berlin: Jüdischer Verlag)
Hertz, J. H. (ed.) (1965) The Authorised Daily Prayer Book: Revised Edition. Hebrew Text. English Translation with Commentary and Notes (New York: Bloch Publishing)
Herzl, T. (1904/1935) Altneuland, in Zionistische Schriften (Berlin: Jüdischer Verlag)
Heschel, A. J. (2005) Heavenly Torah As Refracted through the Generations, trans. and ed. Tucker, G. and Levin, L. (New York: Continuum)
Hildesheimer, W. (1982) Mozart, trans. Faber, M. (New York: Farrar Strauss Giroux)
Hirshberg, J. (1993) ‘Alexander U. Boskovitch and the Quest for an Israeli National Musical Style’, in Mendelsohn, E. (ed.), Modern Jews and their Musical Agendas: Studies in Contemporary Jewry, vol. IX (New York: Oxford University Press), 92–109
Hirshberg, J. (1995a) Music in the Jewish Community of Palestine 1880–1948 (Oxford: Clarendon Press)
Hirshberg, J. (1995b) ‘The World Centre for Jewish Music – Bloch and the New Image of Jewish Music’, Music in the Jewish Community of Palestine 1880–1948 – A Social History (Oxford: Clarendon Press)
Hittron, H. (2006) ‘Tzlilim Ume’ever Lahem’ (‘What lies beyond the Notes’), Haaretz, 14 March
Hittron, H. (2009) ‘Sodot she-megalim li-fsanter’ (‘Piano Secrets’), Haaretz, 13 April
Hofstadter, R. (1944) Social Darwinism in American Thought (Philadelphia: University of Pennsylvania Press)
Hofstede, G. (1983) ‘National Cultures in Four Dimensions: A Research-Based Theory of Cultural Differences among Nations’, International Studies in Management and Organizations, 30/1–2, 46–74
Hussey, M. E. (1999) ‘Two Archbishops of Cincinnati and the Second Vatican Council’, U.S. Catholic Historian, 17/4, 83–98
Hyams, B. (1980) ‘Ernest Bloch’s Life of Musical Controversy’, Music Magazine, 3/6, 6–11
Idelsohn, A. Z. (1914–32) Hebräisch-orientalischer Melodienschatz, 10 vols. (Berlin: Benjamin Harz, and elsewhere; reprinted New York: Ktav Publishing House, 1973)
Idelsohn, A. Z. (1929) Jewish Music in Its Historical Development (New York: Holt, Rinehart and Winston; reprinted New York: Schocken Books, 1967)
Idelsohn, A. Z. (1932) Jewish Liturgy and Its Development (New York: Holt, Rinehart and Winston; reprinted New York: Schocken Books, 1967)
International Ernest Bloch Society (2009–) Newsletters Nos. 1– (London) Jacobs, A. (1972) A Short History of Western Music (London: Penguin)
Jameson, F. (2005) Archaeologies of the Future: The Desire Called Utopia and Other Science Fictions (London: Verso)
Jeal, E. (2003) ‘Opera around the World: Austria: Vienna’, Opera 54/11 (November), 1358–9
Jennings, J. (2007) Liner Notes for CD: And on Earth Peace: A Chanticleer Mass, Chanticleer, dir. Joseph Jennings (Warner Classics CD)
Johnson, E. B. (1972) ‘A Composer’s Vision: Photographs by Ernest Bloch’, Aperture, 16/3, 22–37; expanded version published as ‘Ernest Bloch 1880–1959: Vision d’un Compositeur’ (in French), Camera (55e année) (Lucerne: C.-J. Bucher, 1976), 2; text and photographs 6–17, 27, 37–8
Johnson, E. B. (2010) A Composer’s Vision: The Photographs of Ernest Bloch (San Francisco: Blurb)
Johnston Kintner, H. (2009) The Ernest Bloch I Knew: The Agate Beach Years, ed. Dimitroff, George (Eugene, OR: published privately by HJK; Heirloom Edition)
Jolly, C. (1953) ‘News: Italy: Rome’, Opera 4/5 (May), 297–300
Jones, N. (1989) Liner Notes for CD: Walton, Belshazzar’s Feast; Bernstein, Chichester Psalms and Missa Brevis; Atlanta Symphony Orchestra and Chorus, dir. Robert Shaw (Telarc CD 80181)
Kaganoff, B. C. (1978) A Dictionary of Jewish Names and their History (London: Routledge and Kegan Paul)
Kasow, J. (1997) ‘Montpellier – Bloch and Straus(s)’, Opera Annual Festival Issue 48, 80–1
Knapp, A. (1971) ‘The Jewishness of Bloch: Subconscious or Conscious?’, Proceedings of the Royal Musical Association, 1970–71, 97, 99–112. Trans. into Hebrew: ‘Mahuto hayehudit shel Ernest Bloch’, in Tatzlil (ed. M. Gorali) (Haifa Music Museum and AMLI Library), 8/14 (1974), 23–30. Trans. into Chinese by Wu Mei: ‘Buluohe de Youtaixing: Qianyishi hai shixianyishi?’ and published in Musicology in China, 4 (1995), 128–141; and in Knapp, A. Youtai Yinyue Lunwenji (Anthology of Essays on Jewish Music) (Beijing: Chinese Academy of Arts, 1998), 81–92
Knapp, A. (1978) ‘Bloch: A Reassessment’, Royal College of Music Magazine, 74/2, 85–91
Knapp, A. (1979) Review of Bloch, S., and Heskes, I., ‘Ernest Bloch: Creative Spirit’; and of Strassburg, R., ‘Ernest Bloch: Voice in the Wilderness’, Music and Letters, 60/4, 461–3 Knapp, A. (1980) ‘The Life and Music of Ernest Bloch’, The Jewish Quarterly, 28/2–3, 26–30
Knapp, A. (1981–82) ‘The Ashkenazic Prayer-Modes: a Commentary on their Development and Practice’ (in three parts), Cantors’ Review, 26/3–7; 27/7–13, i–viii; 28/6–13
Knapp, A. (1989a) ‘Ernest Bloch’, in Abramson, G. (ed.), The Blackwell Companion to Jewish Culture: From the Eighteenth Century to the Present (Oxford: Basil Blackwell), 96–7
Knapp, A. (1989b) ‘Helvetia-Israel-America: Identity in Bloch’s Life and Music’, Journal of Synagogue Music, 19/2, 5–16. Trans. into Chinese by Wu Mei and published in Journal of the Central Conservatory of Music, 64/3 (Beijing, 1996), 58–61
Knapp, A. (1989–90) Recording Review of ‘A Tribute to Ernest Bloch (1989)’, Musica Judaica, 11/1, 111–14
Knapp, A. (1990) ‘The Solo Songs of Ernest Bloch’, Royal College of Music Magazine, 87/2, 20–32
Knapp, A. (1995) C-Sharp Minor Symphony: Preface/Vorwort, Miniature score no. 8030 (London: Edition Ernst Eulenburg), iii–viii
Knapp, A. (1997) Insert notes, Bloch Performs Bloch, JMHR CD 015 (London: Jewish Music Heritage Recordings; transfer of LP originally recorded in London in 1949 and issued under licence from The Decca Record Company Ltd)
Knapp, A. (2001) ‘Jewish Music V, 2: Art and Popular Music in Surrounding Cultures: Christian: (iii) Emancipation to World War II; and (v) After World War II’, in Sadie, S. (ed.), The New Grove Dictionary of Music and Musicians, 2nd edn, 29 vols. (London: Macmillan), XIII: 92–6, 97–8, 98–9
Knapp, A. (2006) ‘The Life and Music of Ernest Bloch: Problems and Paradoxes’, in Dorfman, J., Birtel, W. and Mahling, C.-H. (eds.), Jüdische Musik und ihre Musiker im 20. Jahrhundert (Mainz: Are Edition), 287–301
Knapp, A. (2008) Insert Notes to CD of Bloch’s Piano Quintets (London: Hyperion CDA67638)
Knapp, A. (2010) ‘From Geneva to New York: Radical Changes in Ernest Bloch’s View of Himself as a “Jewish Composer” During the Period 1916–1919’, Jewish Quarterly, 215, 11–13
Knapp, A. (2012) ‘Conceptualizing Jewish Art Music While Standing on One Leg: a Scholar’s Dilemma’, Journal of the American Musicological Society, 65/2, 565–70
Koehler, J. (2000) Wagner’s Hitler (Cambridge: Polity Press)
Kolitz, Z. (1946) The Last Testament of Yossel Rakover during the Last Hours of the Warsaw Ghetto on April 28, 1943
Krehbiel, H. E. (1917) ‘Ernest Bloch’s Experiment in the Music of Jewry’, New York Tribune, 29 April, section 4, 2
Kushner, D. Z. (1967) ‘A Commentary on Ernest Bloch’s Symphonic Works’, The Radford Review, Faculty Research Issue, 21/3, 99–137
Kushner, D. Z. (1968) ‘Ernest Bloch: Teacher-Thinker’, American Music Teacher, 18/1, 29–30
Kushner, D. Z. (1970) ‘A Singular Ernest Bloch’, Music Journal, 28/1, 40, 51, 53
Kushner, D. Z. (1971) ‘The Revivals of Bloch’s Macbeth’, The Opera Journal, 4/2, 9–12
Kushner, D. Z. (1973) Ernest Bloch and His Music (Glasgow: William MacLellan)
Kushner, D. Z. (1974) ‘Ernest Bloch’, in Dictionary of Contemporary Music (New York: E. P. Dutton), 86–88
Kushner, D. Z. (1980) ‘Ernest Bloch: A Retrospective on the Centenary of His Birth’, College Music Symposium, 20/2, 77–86
Kushner, D. Z. (1981) ‘The “Jewish” Works of Ernest Bloch’, Journal of Musicological Research, 3/3–4, 259–73
Kushner, D. Z. (1983) ‘Ernest Bloch’s Enfantines’, College Music Symposium, 23/2, 103–12
Kushner, D. Z. (1984) ‘Ernest Bloch: Music Educator’, International Journal of Music Education, 4, 37–40
Kushner, D. Z. (1985) ‘The “Jewish” Works of Ernest Bloch’, Journal of Synagogue Music, 14/1, 28–41
Kushner, D. Z. (1988) Ernest Bloch: A Guide to Research (New York and London: Garland)
Kushner, D. Z. (1989) ‘Ernest Bloch, Daniel Gregory Mason, and the Jewish Question’, American Music Teacher, 38/6, 16–19
Kushner, D. Z. (1993) ‘Ernest Bloch’s America’, Currents in Musical Thought, 2, 125–41
Kushner, D. Z. (2000) ‘Bloch, Ernest’, in Sadie, S. and Tyrrell, J. (eds.), The New Grove Dictionary of Music and Musicians, 2nd edn (London: Macmillan), II: 705–8
Kushner, D. Z. (2002) The Ernest Bloch Companion (Westport, CT and London: Greenwood Press)
Kushner, D. Z. (2010) ‘Ernest Bloch: The Cleveland Years (1920–1925)’, Min-Ad, 8/2, 175–200
Lachmann, R. (1940) Jewish Cantillation and Song in the Isle of Djerba (Jerusalem: Hebrew University of Jerusalem, Archives of Oriental Music)
Lachmann, R. (1974) Die Musik im Volksleben Nordafrikas, und Orientalische Musik und Antike (Jerusalem: Magnes Press of the Hebrew University)
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