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Connects Cold War material and conceptual technologies to 21st century arts, society and culture.
From futures research, pattern recognition algorithms, nuclear waste disposal and surveillance technologies, to smart weapons systems, contemporary fiction and art, this book shows that we live in a world imagined and engineered during the Cold War.
Key FeaturesJohn Beck is Professor of Modern Literature and Director of the Institute for Modern and Contemporary Culture at the University of Westminster, London.
Ryan Bishop is Professor of Global Arts and Politics, Director of Research and Co-Director of the Winchester Centre for Global Futures in Art Design & Media at the Winchester School of Art, University of Southampton.
Ele Carpenter is a curator and writer, and senior lecturer in MFA Curating and convenor of the Nuclear Culture Research Group at Goldsmiths, University of London.
Fabienne Collignon is Lecturer in Contemporary Literature at the University of Sheffield.
Mark Coté is Lecturer in Digital Culture and Society at King's College London.
Daniel Grausam is Lecturer in the Department of English at Durham University.
Ken Hollings is a writer and broadcaster, visiting tutor at the Royal College of Art and Associate Lecturer at Central Saint Martins School of Art and Design.
Adrian Mackenzie is Professor of Technological Cultures at Lancaster University.
Jussi Parikka is a media theorist and writer, and Professor of Technological Culture and Aesthetics at Winchester School of Art, University of Southampton.
John W. P. Phillips is Associate Professor in the Department of English at the National University of Singapore.
Adam Piette is Professor of English at the University of Sheffield.
James Purdon is Lecturer in Modern and Contemporary Literature at the University of St Andrews.
Aura Satz is an artist and Moving Image Tutor at the Royal College of Art.
Neal White is an artist and Professor of Media Art at the Faculty of Media and Communication, Bournemouth University.
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