The Cambridge Companion to Music in Digital Culture

doi:10.1017/9781316676639

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Berry, Mark and Vazsonyi, Nicholas 2020. The Cambridge Companion to Wagner's Der Ring des Nibelungen.

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Liang, Jing 2023. Harmonizing minds and machines: survey on transformative power of machine learning in music. Frontiers in Neurorobotics, Vol. 17, Issue. ,

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Burson, Harry Jay, Noah and Freitas, Joana 2024. Book Reviews. Music, Sound, and the Moving Image, Vol. 18, Issue. 1, p. 77.

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Edited by Nicholas Cook, University of Cambridge, Monique M. Ingalls, Baylor University, Texas, David Trippett, University of Cambridge

Publisher:: Cambridge University Press
Online publication date:: August 2019
Print publication year:: 2019
Online ISBN:: 9781316676639
DOI:: https://doi.org/10.1017/9781316676639

Subjects:: Music, Music: General Interest, Music Performance
Collection:: The Cambridge Companions to Music
Series:: Cambridge Companions to Music

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The impact of digital technologies on music has been overwhelming: since the commercialisation of these technologies in the early 1980s, both the practice of music and thinking about it have changed almost beyond all recognition. From the rise of digital music making to digital dissemination, these changes have attracted considerable academic attention across disciplines,within, but also beyond, established areas of academic musical research. Through chapters by scholars at the forefront of research and shorter 'personal takes' from knowledgeable practitioners in the field, this Companion brings the relationship between digital technology and musical culture alive by considering both theory and practice. It provides a comprehensive and balanced introduction to the place of music within digital culture as a whole, with recurring themes and topics that include music and the Internet, social networking and participatory culture, music recommendation systems, virtuality, posthumanism, surveillance, copyright, and new business models for music production.

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The Cambridge Companion to Music in Digital Culture

This Book has been cited by the following publications. This list is generated based on data provided by Crossref.

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Contents

The Cambridge Companion to Music in Digital Culture
pp i-i

Cambridge Companions to Music - Series page
pp ii-iv

The Cambridge Companion to Music in Digital Culture - Title page
pp v-v

Copyright page
pp vi-vi

Contents
pp vii-viii

Figures
pp ix-ix

Contributors
pp x-xiii

Acknowledgements
pp xiv-xiv

Introduction
pp 1-4

1 - Digital Technology and Cultural Practice
pp 5-28

Personal Take: - Whatever Happened to Tape-Trading?
pp 29-32

2 - Toward a History of Digital Music: New Technologies, Business Practices and Intellectual Property Regimes
pp 33-57

Personal Take: - On Serving as an Expert Witness in the ‘Blurred Lines’ Case
pp 58-62

3 - Shaping the Stream: Techniques and Troubles of Algorithmic Recommendation
pp 63-81

Personal Take: - Being a Curator
pp 82-85

Personal Take: - Can Machines Have Taste?
pp 86-88

4 - Technologies of the Musical Selfie
pp 89-118

Personal Take: - Vaporwave is Dead, Long Live Vaporwave!
pp 119-123

5 - Witnessing Race in the New Digital Cinema
pp 124-146

Personal Take: - Giving History a Voice
pp 147-149

6 - Digital Devotion: Musical Multimedia in Online Ritual and Religious Practice
pp 150-167

Personal Take: - Technicians of Ecstasy
pp 168-169

Personal Take: - Live Coded Mashup with the Humming Wires
pp 170-174

Personal Take: - Algorave: Dancing to Algorithms
pp 175-177

7 - Rethinking Liveness in the Digital Age
pp 178-192

Personal Take: - Augmenting Musical Performance
pp 193-196

Personal Take: - Digital Demons, Real and Imagined
pp 197-200

Personal Take: - Composing with Sounds as Images
pp 201-203

Personal Take: - Compositional Approaches to Film, TV and Video Games
pp 204-208

8 - Virtual Worlds from Recording to Video Games
pp 209-226

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The Cambridge Companion to Music in Digital Culture

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