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  1. Home
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  3. Absolute Music and the Construction of Meaning
  • Cited by 71
Publisher:
Cambridge University Press
Online publication date:
September 2009
Print publication year:
1999
Online ISBN:
9780511481697
DOI:
https://doi.org/10.1017/CBO9780511481697
Subjects:
Music, Music Criticism, Music Performance
Series:
New Perspectives in Music History and Criticism (4)
Information

Book description

This book is born out of two contradictions: first, it explores the making of meaning in a musical form that was made to lose its meaning at the turn of the nineteenth century; secondly, it is a history of a music that claims to have no history - absolute music. The book therefore writes against that notion of absolute music which tends to be the paradigm for most musicological and analytical studies. It is concerned not so much with what music is, but with why and how meaning is constructed in instrumental music and what structures of knowledge need to be in place for such meaning to exist. From the thought of Vincenzo Galilei to that of Theodore Adorno, Daniel Chua suggests that instrumental music has always been a critical and negative force in modernity, even with its nineteenth-century apotheosis as 'absolute music'.

Reviews

‘… has been explored by other writers before Chua, but he gives it an extra twist by setting it in the larger and longer story of Western civilisation’s ‘disenchantment’.’

Source: BBC Music Magazine

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