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Seven - Letters from the Edge

Mapping Pseudo-Arabic between Byzantium and the Near East

from II - Images, Objects, Archaeology

Published online by Cambridge University Press:  18 October 2024

By
Alicia Walker
Edited by
Elizabeth S. Bolman ,
Scott Fitzgerald Johnson  and
Jack Tannous
Elizabeth S. Bolman
Affiliation:
Case Western Reserve University, Ohio
Scott Fitzgerald Johnson
Affiliation:
University of Oklahoma
Jack Tannous
Affiliation:
Princeton University, New Jersey
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Summary

The pseudo-Arabic motifs found in middle Byzantine religious structures in Greece, especially at the tenth- to eleventh-century monastery complex of Hosios Loukas, document an awareness of Arab-Christian communities in the “Near East,” especially religious foundations of the Holy Land that were among the most revered centers of early monasticism. A variety of Christian portable objects inscribed with Arabic and pseudo-Arabic – including manuscripts, icons, and liturgical vessels and furnishings – offer possible vehicles for the dissemination of Arabic as a Christian language and for Arabic and pseudo-Arabic inscriptions as signs of ancient monastic authority. Networks of communication between the Byzantine Empire and regions of the south-eastern Mediterranean (that were under Islamic political hegemony) facilitated the movement of people, things, and ideas. Tracing the dissemination of the visual culture of Arab-Christianity generates a revised map of middle Byzantine artistic and cultural connections, challenging Constantinople’s status as the dominant model for middle Byzantine art and central source of Orthodox Christian authority and identity.

Keywords

Hosios Loukaspseudo-Arabicpseudo-KuficArab-Christianmiddle Byzantine architectureMonastery of St. Catherine at SinaiportabilityMelkiteChalcedonian Christiancenter/periphery
Type
Chapter
Information
Worlds of Byzantium
Religion, Culture, and Empire in the Medieval Near East
 , pp. 180 - 225
Publisher: Cambridge University Press
Print publication year: 2024

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