Skip to main content Accessibility help
×
Hostname: page-component-cd9895bd7-jkksz Total loading time: 0 Render date: 2024-12-27T06:01:39.091Z Has data issue: false hasContentIssue false
This chapter is part of a book that is no longer available to purchase from Cambridge Core

Introduction

Kate Chedgzoy
Affiliation:
Department of English and Comparative Literary Studies at the University of Warwick
Get access

Summary

Almost four centuries after its first performance, 1994 was the year of Measure for Measure. In Britain, two major theatre companies, the Royal Shakespeare Company, whose privileged cultural status is indicated by its name, and the more alternative, adventurous Cheek by Jowl, both staged major productions, while a third version of the play was filmed and broadcast by the BBC. This surge of interest in Shakespeare's play proved timely. Although the productions must all have been planned long before, they actually reached the public domain at a moment when the Conservative government in Britain was attempting - with, as it turned out, little success - to increase its popularity by means of the so-called back-to-basics campaign, involving a new focus on personal morality, defined essentially as sexual morality, as the foundation of social order. In modern politics and in Measure for Measure alike, the sexual is made into the touchstone of morality by the forces of secular power. Through the events that unfold in this play, Shakespeare exposes the problems and complications that attend the interaction of politics and sexuality on the social stage.

Reviewers of these 1994 productions repeatedly pointed out the extraordinary relevance of the play to the contemporary political scene. Some even went so far as to offer interpretations of the play as a kind of prophetic allegory, suggesting which members of the government might most appropriately play the central roles. But these issues are not merely of domestic, British interest. By a richly suggestive coincidence, it was also in late October 1994, just as the Royal Shakespeare Company's Measure for Measure was opening at Stratford-upon-Avon and the BBC was screening David Thacker's production, that on the other side of the Atlantic a previously obscure young woman called Paula Jones was first bringing charges of sexual harassment against US President Bill Clinton. It doesn't seem quite right to claim Paula Jones as an Isabella for our times. Nevertheless, her accusations vividly demonstrate the complex intertwining of sex and power, and among their repercussions was an international public debate about precisely those questions of truth and testimony, justice and authority, religion and politics that are explored in Measure for Measure.

Type
Chapter
Information
Publisher: Liverpool University Press
Print publication year: 2000

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

Save book to Kindle

To save this book to your Kindle, first ensure [email protected] is added to your Approved Personal Document E-mail List under your Personal Document Settings on the Manage Your Content and Devices page of your Amazon account. Then enter the ‘name’ part of your Kindle email address below. Find out more about saving to your Kindle.

Note you can select to save to either the @free.kindle.com or @kindle.com variations. ‘@free.kindle.com’ emails are free but can only be saved to your device when it is connected to wi-fi. ‘@kindle.com’ emails can be delivered even when you are not connected to wi-fi, but note that service fees apply.

Find out more about the Kindle Personal Document Service.

Available formats
×

Save book to Dropbox

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Dropbox.

Available formats
×

Save book to Google Drive

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Google Drive.

Available formats
×