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Chapter 24 - Wagner’s Apprenticeship

from IV - Life, Language, and the Ancient World

Published online by Cambridge University Press:  14 March 2024

By
Anna Stoll Knecht
Edited by
David Trippett
David Trippett
Affiliation:
University of Cambridge
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Summary

Wagner’s early compositional training is seldom examined, perhaps because of his unambiguous claim in 1851 to be an autodidact, taught only by ‘life, art and myself’. Yet Wagner’s work with Christian Müller and particularly with Theodor Weilig on early works and in abstract skills (notably counterpoint) reveal various dependencies. Wanger’s shifting attitude towards this period of training sits alongside his choice of more public mentors, in Beethoven and Weber, whose works he studied and arranged.

Keywords

early workscounterpointharmonyformTheodor WeinligaudidacticismLudwig van Beethoven
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Chapter
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Wagner in Context , pp. 239 - 248
Publisher: Cambridge University Press
Print publication year: 2024

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