Book contents
- W.G. Sebald in Context
- W.G. Sebald in Context
- Copyright page
- Dedication
- Contents
- Illustrations
- Notes on Contributors
- Preface
- Acknowledgements
- Note on Text
- Chronology
- Abbreviations
- Works by W.G. Sebald
- Part I Biographical Aspects
- Part II The Literary Works
- Chapter 8 Unpublished Juvenilia
- Chapter 9 Film Scripts
- Chapter 10 The Prose Project
- Chapter 11 Auto-/Biography
- Chapter 12 Natural History and the Anthropocene
- Chapter 13 The Corsica Project
- Chapter 14 Poetry
- Chapter 15 The World War Project
- Chapter 16 Interviews
- Part III Themes and Influences
- Part IV Reception and Legacy
- Further Reading
- Index
Chapter 14 - Poetry
from Part II - The Literary Works
Published online by Cambridge University Press: 24 August 2023
- W.G. Sebald in Context
- W.G. Sebald in Context
- Copyright page
- Dedication
- Contents
- Illustrations
- Notes on Contributors
- Preface
- Acknowledgements
- Note on Text
- Chronology
- Abbreviations
- Works by W.G. Sebald
- Part I Biographical Aspects
- Part II The Literary Works
- Chapter 8 Unpublished Juvenilia
- Chapter 9 Film Scripts
- Chapter 10 The Prose Project
- Chapter 11 Auto-/Biography
- Chapter 12 Natural History and the Anthropocene
- Chapter 13 The Corsica Project
- Chapter 14 Poetry
- Chapter 15 The World War Project
- Chapter 16 Interviews
- Part III Themes and Influences
- Part IV Reception and Legacy
- Further Reading
- Index
Summary
The essay sketches the development of W.G. Sebald’s poetry from its beginnings in the mid-1960s through the unpublished writings of the 1970s, the 1980s long poem Nach der Natur (After Nature), and the poems written for the volumes For Years Now and Unerzählt (Unrecounted) shortly before his death. The first section introduces Sebald the poet with several general remarks, touching on a poem from the 1960s, passages from Nach der Natur (After Nature) and two poems from the 1990s. This is followed by sections illustrating effects of the non-simultaneous reception of After Nature in German and English and considering the influence of Southern German, Austrian and Swiss prose on the language of Sebald’s poetry. The final section visits the poet’s ‘lyrical workshop’, in other words the development of his poetry in manuscript form between the 1960s and mid-1980s, and the integration of a significant part of the manuscript ‘Across the Land and the Water’ into the final two sections of After Nature. The essay concludes that Sebald wrote poems throughout his life, and that it is likely he would have published further volumes of poetry had he lived longer.
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- Information
- W. G. Sebald in Context , pp. 119 - 126Publisher: Cambridge University PressPrint publication year: 2023