Book contents
- Transformations of Musical Modernism
- Music Since 1900
- Transformations of Musical Modernism
- Copyright page
- Contents
- Music examples
- Notes on contributors
- Book part
- Introduction
- Part I Rethinking modernism
- Part II Rewriting modernism
- Part III Replaying modernism
- 12 Playing with transformations
- 13 Performance as critique
- 14 ‘Unwrapping’ the voice
- 15 Radically idiomatic instrumental practice in works by Brian Ferneyhough
- 16 The ethics of performance practice in complex music after 1945
- Bibliography
- Index of names
- Index of subjects
14 - ‘Unwrapping’ the voice
Cathy Berberian and John Cage’s Aria
from Part III - Replaying modernism
Published online by Cambridge University Press: 05 November 2015
- Transformations of Musical Modernism
- Music Since 1900
- Transformations of Musical Modernism
- Copyright page
- Contents
- Music examples
- Notes on contributors
- Book part
- Introduction
- Part I Rethinking modernism
- Part II Rewriting modernism
- Part III Replaying modernism
- 12 Playing with transformations
- 13 Performance as critique
- 14 ‘Unwrapping’ the voice
- 15 Radically idiomatic instrumental practice in works by Brian Ferneyhough
- 16 The ethics of performance practice in complex music after 1945
- Bibliography
- Index of names
- Index of subjects
- Type
- Chapter
- Information
- Transformations of Musical Modernism , pp. 264 - 278Publisher: Cambridge University PressPrint publication year: 2015
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