6 - Bodily Inscriptions in Chubak’s Sang-e Sabur

Summary

Chapter 6 explores Sadeq Chubak’s Sang-e Sabur (The Patient Stone), which reflects the chaotic social conditions of the 1930s and includes a criticism of the institution of sigheh. Sang-e Sabur, too, explores the relationship between sigheh and the clerics, and how clerics exploit sigheh women as an income source. Chubak depicts the decadence of the social and religious systems of the country by hinting at the abundance of women contracting sigheh in pilgrimage zones to alleviate the conditions of their poverty. Chubak criticizes the way sex work is disguised under the façade of religion and sigheh. By exposing Gowhar to social violence and subsequent murder at the hands of a psychopath who has decided to purge society of sex workers, Chubak also indicts the social stigmatization and ostracization of sigheh women in Iranian society. This exposure to violence indicates that the patriarchal world in which Gowhar lives is hesitant to grant working-class women, especially sigheh women, the right to control their own sexuality and thus their subjectivity. Hence, Gowhar’s murder can be viewed not only as an act of gendered and sexual discrimination, but also a class-based one – and altogether a violation of her rights as a human.