Skip to main content Accessibility help
×
Hostname: page-component-586b7cd67f-r5fsc Total loading time: 0 Render date: 2024-11-24T02:47:01.323Z Has data issue: false hasContentIssue false

Chapter 9 - The Critique of Sola Scriptura in A Tale of a Tub and STEM in Gulliver’s Travels

from Part III - Invention

Published online by Cambridge University Press:  19 January 2023

Margaret Kelleher
Affiliation:
University College Dublin
James O'Sullivan
Affiliation:
University College Cork
Get access

Summary

This chapter considers Swift’s scepticism of the written and printed word from the perspective of his fear of Dissenting Protestant scriptural exegesis and the putative transparency of print culture. Sola scriptura is the Protestant doctrine, embraced most by evangelical Christians like the Dissenters, that texts alone convey meaning without interpretation (what we call ‘textualism’ in legal interpretation and literary criticism). This essay examines his close personal and intellectual relationship with the Catholic poet Alexander Pope, who was also of the Church most sceptical of sola scriptura, and their joint attack with the rest of the Scriblerus Club against the Whig ideology of textualism and the cult of scientific empiricism (often referred to by critics as ‘naïve empiricism’). This chapter offers both a historical and contemporary perspective on literature and technology, examining Swift’s doubts concerning the printing press as the new information technology of the time and extending this vein of criticism to new digital humanities platforms for Swift’s texts.

Type
Chapter
Information
Publisher: Cambridge University Press
Print publication year: 2023

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

References

Select Bibliography

Berman, David, Berkeley and Irish Philosophy (London: Continuum, 2005).Google Scholar
Brown, Michael, ‘The Biter Bitten: Ireland and the Rude Enlightenment’, Eighteenth-Century Studies 45:3 (Spring 2012), 393407.CrossRefGoogle Scholar
Cowan, Brian, ‘Mr. Spectator and the Coffeehouse Public Sphere’, Eighteenth-Century Studies 37:3 (Spring 2004), 345–66.Google Scholar
Downie, J. A., ‘Public and Private: The Myth of the Bourgeois Public Sphere’, in A Concise Companion to the Restoration and Eighteenth Century, ed. Wall, Cynthia (Oxford: Blackwell, 2005), pp. 5879.CrossRefGoogle Scholar
Eisenstein, Elizabeth L, The Printing Press as an Agent of Change: Communications and Cultural Transformations in Early Modern Europe (Cambridge: Cambridge University Press, 1979).Google Scholar
Esty, Joshua D., ‘Excremental Postcolonialism’, Contemporary Literature 40:1 (Spring 1999), 2259.Google Scholar
Fauske, Christopher J., ed., Archbishop William King and the Anglican Irish Context, 1688–1729 (Dublin: Four Courts Press, 2004).Google Scholar
Gaonkar, Dilip, Alternative Modernities (Durham, NC: Duke University Press, 2001).Google Scholar
Hunter, J. Paul, ‘Gulliver’s Travels and the Novel’, in The Genres of Gulliver’s Travels, ed. Smith, Frederik N. (Newark: University Delaware Press, 1990), pp. 5674.Google Scholar
Karian, Stephen, ‘Reading the Material Text of Swift’s Verses on the Death’, Studies in English Literature, 1500–1900 41:3 (Summer 2001), 515–44.Google Scholar
McDowell, Nicholas, ‘Tales of Tub Preachers: Swift and Heresiography’, Review of English Studies 61:248 (February 2010), 7292.CrossRefGoogle Scholar
Moore, Sean D., Swift, the Book, and the Irish Financial Revolution: Satire and Sovereignty in Colonial Ireland (Baltimore, MD: Johns Hopkins University Press, 2010).CrossRefGoogle Scholar
Mueller, Judith, ‘A Tale of a Tub and Early Prose’, in The Cambridge Companion to Jonathan Swift, ed. Fox, Christopher (Cambridge: Cambridge University Press, 2003), pp. 202–15.Google Scholar
Phiddian, Robert, Swift’s Parody (Cambridge: Cambridge University Press, 1995).CrossRefGoogle Scholar
Probyn, Clive, ‘“Haranguing Upon Texts”: Swift and the Idea of the Book’, in Proceedings of the First Münster Symposium on Jonathan Swift, ed. Real, Hermann and Veinken, Heinz J. (Munich: Wilhelm Fink Verlag, 1985), pp. 187–97.Google Scholar
Swift, Jonathan, A Tale of a Tub and Other Works, ed. Ross, Angus and Woolley, David (Oxford: Oxford University Press, 1992).Google Scholar
Swift, Jonathan Gulliver’s Travels, ed. Rivero, Albert J. (New York: W. W. Norton, 2002).Google Scholar
Thorne, Christian, ‘Thumbing our Nose at the Public Sphere: Satire, the Market, and the Invention of Literature’, PMLA 116:3 (May 2001), 531–44.Google Scholar
Walsh, Marcus, ‘Text, “Text”, and Swift’s A Tale of a Tub’, in Jonathan Swift: A Collection of Critical Essays, ed. Rawson, Claude (Englewood Cliffs, NJ: Prentice Hall, 1995), pp. 8298.Google Scholar
Walsh, MarcusSwift and Religion’, in The Cambridge Companion to Jonathan Swift, ed. Fox, Christopher (Cambridge: Cambridge University Press, 2003), pp. 161–76.Google Scholar
Wyrick, Deborah Baker, Jonathan Swift and the Vested Word (Chapel Hill: University of North Carolina Press, 1988).Google Scholar

Save book to Kindle

To save this book to your Kindle, first ensure [email protected] is added to your Approved Personal Document E-mail List under your Personal Document Settings on the Manage Your Content and Devices page of your Amazon account. Then enter the ‘name’ part of your Kindle email address below. Find out more about saving to your Kindle.

Note you can select to save to either the @free.kindle.com or @kindle.com variations. ‘@free.kindle.com’ emails are free but can only be saved to your device when it is connected to wi-fi. ‘@kindle.com’ emails can be delivered even when you are not connected to wi-fi, but note that service fees apply.

Find out more about the Kindle Personal Document Service.

Available formats
×

Save book to Dropbox

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Dropbox.

Available formats
×

Save book to Google Drive

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Google Drive.

Available formats
×