Book contents
- Frontmatter
- Contents
- Series editor's preface
- Introduction
- Acknowledgments
- Maggie: A Girl of the Streets (1893)
- The Black Riders and Other Lines (1895)
- The Red Badge of Courage (1895)
- George's Mother (1896)
- Maggie: A Girl of the Streets (1896)
- The Little Regiment and Other Episodes of the American Civil War (1896)
- The Third Violet (1897)
- The Open Boat and Other Tales of Adventure (1898)
- Pictures of War (1898)
- War is Kind (1899)
- Active Service: A Novel (1899)
- The Monster and Other Stories (1899)
- Bowery Tales (1900)
- Whilomville Stories (1900)
- Wounds in the Rain: War Stories (1900)
- The Monster and Other Stories (1901)
- Great Battles of the World (1901)
- Last Words (1902)
- The O'Ruddy (1903)
- Index
- References
War is Kind (1899)
Published online by Cambridge University Press: 06 July 2010
- Frontmatter
- Contents
- Series editor's preface
- Introduction
- Acknowledgments
- Maggie: A Girl of the Streets (1893)
- The Black Riders and Other Lines (1895)
- The Red Badge of Courage (1895)
- George's Mother (1896)
- Maggie: A Girl of the Streets (1896)
- The Little Regiment and Other Episodes of the American Civil War (1896)
- The Third Violet (1897)
- The Open Boat and Other Tales of Adventure (1898)
- Pictures of War (1898)
- War is Kind (1899)
- Active Service: A Novel (1899)
- The Monster and Other Stories (1899)
- Bowery Tales (1900)
- Whilomville Stories (1900)
- Wounds in the Rain: War Stories (1900)
- The Monster and Other Stories (1901)
- Great Battles of the World (1901)
- Last Words (1902)
- The O'Ruddy (1903)
- Index
- References
Summary
“New Books.” New York Sun, May 20, 1899
The century is nearly closed, and Stephen Crane may be said to be just in time with his volume of age-end poems entitled “War Is Kind.” The poet has departed from an earlier and distinguished device, and the new poems are not printed in capital letters; still the presentation of them is sufficiently peculiar and comports with the great strangeness of the poems themselves. They are printed in pale type on gray paper, with vast spaces of paper only, and Will Bradley has illustrated them in a conscientious and most becoming manner. Mr. Bradley's picture of a horse dying in a castle moat, on page 29, is one of the most remarkable things in the line of pictorial endeavor that has ever come under our observation. With his right pair of legs the dying steed is scratching himself, while the left pair stick straight up as though calling heaven to witness that here is a horse that has made his 2:40 and never been harnessed to a milk cart. The shaft of a spear protrudes from the breast of the curiously expiring animal. The castle, enlivened by two shoots of gladiolus, towers grimly aloft and trees resembling shad roes decorate the symmetrical top of a neighboring cast iron mountain.
- Type
- Chapter
- Information
- Stephen CraneThe Contemporary Reviews, pp. 193 - 204Publisher: Cambridge University PressPrint publication year: 2009