Book contents
- Shakespeare Survey
- Series page
- Shakespeare Survey
- Copyright page
- Editor's Note
- Contributors
- CONTENTS
- ILLUSTRATIONS
- Sermons, Plays and Note-Takers:HamletQ1 as a ‘Noted’ Text
- Equivocations: Reading the Shakespeare/MiddletonMacbeth
- The date ofSir Thomas More
- Filming ‘the weight of this sad time’: Yasujiro Ozu's rereading ofKing LearinTokyo Story(1953)
- Cursing to Learn: Theatricality and the Creation of Character inThe Tempest
- Like an olympian wrestling: Shakespeare's Olympic Game
- ‘Doing shakespeare’: How shakespeare became a school ‘subject’
- (Mis)Advising shakespeare's players
- Making the work of play
- ‘Onthe wrong track to ourselves’: Armin Senser'sShakespeareand the issue of artistic creativity in contemporary German poetry
- ‘Whatcountry, friends, is this?’: Cultural Identity and the World Shakespeare Festival
- Redefining Knowledge: An Epistemological Shift in Shakespeare Studies
- Shakespeare as Presentist
- Greater Shakespeare: working, playing, and making with Shakespeare
- ‘A joint and corporate voice’: Re-working Shakespearian Seminars
- Shakespeareand the Cultures of Translation
- Shakespeare's inhumanity
- Making something out of ‘nothing’ in shakespeare
- ‘Abook where one may read strange matters’: en-visaging character and emotion on the Shakespearian stage
- ‘Hear the Ambassadors!’: Marking Shakespeare's Venice Connection
- ‘O, what a sympathy of woe is this’: Passionate Sympathy inTitus Andronicus
- Who Drew the Jew that Shakespeare Knew? Misericords and Medieval Jews inThe Merchant of Venice
- ‘Imaginary Puissance’: Shakespearian Theatre and the Law of Agency inHenry V,Twelfth NightandMeasure for Measure
- Hamlet and Empiricism
- ‘Let me see what thou hast writ’: Mapping the Shakespeare–Fletcher Working Relationship inThe Two Noble Kinsmenat the Swan
- Shakespeare Performances in England (and Wales) 2012
- PROFESSIONAL SHAKESPEARE PRODUCTIONS IN THE BRITISH ISLESJANUARY–DECEMBER 2011
- The Year's Contributions to Shakespeare Studies
- Index
‘Whatcountry, friends, is this?’: Cultural Identity and the World Shakespeare Festival
Published online by Cambridge University Press: 05 December 2013
Edited by
Book contents
- Shakespeare Survey
- Series page
- Shakespeare Survey
- Copyright page
- Editor's Note
- Contributors
- CONTENTS
- ILLUSTRATIONS
- Sermons, Plays and Note-Takers:HamletQ1 as a ‘Noted’ Text
- Equivocations: Reading the Shakespeare/MiddletonMacbeth
- The date ofSir Thomas More
- Filming ‘the weight of this sad time’: Yasujiro Ozu's rereading ofKing LearinTokyo Story(1953)
- Cursing to Learn: Theatricality and the Creation of Character inThe Tempest
- Like an olympian wrestling: Shakespeare's Olympic Game
- ‘Doing shakespeare’: How shakespeare became a school ‘subject’
- (Mis)Advising shakespeare's players
- Making the work of play
- ‘Onthe wrong track to ourselves’: Armin Senser'sShakespeareand the issue of artistic creativity in contemporary German poetry
- ‘Whatcountry, friends, is this?’: Cultural Identity and the World Shakespeare Festival
- Redefining Knowledge: An Epistemological Shift in Shakespeare Studies
- Shakespeare as Presentist
- Greater Shakespeare: working, playing, and making with Shakespeare
- ‘A joint and corporate voice’: Re-working Shakespearian Seminars
- Shakespeareand the Cultures of Translation
- Shakespeare's inhumanity
- Making something out of ‘nothing’ in shakespeare
- ‘Abook where one may read strange matters’: en-visaging character and emotion on the Shakespearian stage
- ‘Hear the Ambassadors!’: Marking Shakespeare's Venice Connection
- ‘O, what a sympathy of woe is this’: Passionate Sympathy inTitus Andronicus
- Who Drew the Jew that Shakespeare Knew? Misericords and Medieval Jews inThe Merchant of Venice
- ‘Imaginary Puissance’: Shakespearian Theatre and the Law of Agency inHenry V,Twelfth NightandMeasure for Measure
- Hamlet and Empiricism
- ‘Let me see what thou hast writ’: Mapping the Shakespeare–Fletcher Working Relationship inThe Two Noble Kinsmenat the Swan
- Shakespeare Performances in England (and Wales) 2012
- PROFESSIONAL SHAKESPEARE PRODUCTIONS IN THE BRITISH ISLESJANUARY–DECEMBER 2011
- The Year's Contributions to Shakespeare Studies
- Index
- Type
- Chapter
- Information
- Shakespeare Survey , pp. 155 - 165Publisher: Cambridge University PressPrint publication year: 2013