Book contents
- Frontmatter
- Shakespeare and the Eighteenth Century: Criticism and Research
- Daddy’s Girls: Shakespearian Daughters and Eighteenth-Century Ideology
- Shakespeare and Clarissa: ‘General Nature’, Genre and Sexuality
- Early Georgian Politics and Shakespeare: The Black Act and Charles Johnson’s Love in a Forest (1723)
- Race Mattered: Othello in Late Eighteenth-Century England
- From Pericles to Marina: ‘While Women are to be had for Money, Love, or Importunity’
- ‘A Thousand Twangling Instruments’: Music and The Tempest on The Eighteenth-Centruy London Stage
- Double Falsehood and the Verbal Parallels with Shelton’s Don Quixote
- Eighteenth-Century Performances of Shakespeare Recorded in the Theatrical Portraits of the Garrick Club
- Eighteenth-Century Editing, ‘Appropriation’, and Interpretation
- Shakespeare Survey: Beginnings and Continuities
- Destined Livery? Character and Person in Shakespeare
- Prejudice and Law in The Merchant of Venice
- ‘Many A Civil Monster’: Shakespeare’s Idea of the Centaur
- Shakespeare’s International Currency
- Repeopling the Globe: The Opening Season at Shakespeare’s Globe, London 1997
- Shakespeare Performances in England, 1997
- Professional Shakespeare Productions in the British Isles, January–December 1996
- TheYear's Contributions to Shakespeare Studies: 1 Critical Studies
- 2 Shakespeare’s Life, Times, and Stage
- 3 Editions and Textual Studies
- Books Received
- Index to Volume 51
- General Index to Volumes 41–50
General Index to Volumes 41–50
Published online by Cambridge University Press: 28 March 2007
Edited by
Book contents
- Frontmatter
- Shakespeare and the Eighteenth Century: Criticism and Research
- Daddy’s Girls: Shakespearian Daughters and Eighteenth-Century Ideology
- Shakespeare and Clarissa: ‘General Nature’, Genre and Sexuality
- Early Georgian Politics and Shakespeare: The Black Act and Charles Johnson’s Love in a Forest (1723)
- Race Mattered: Othello in Late Eighteenth-Century England
- From Pericles to Marina: ‘While Women are to be had for Money, Love, or Importunity’
- ‘A Thousand Twangling Instruments’: Music and The Tempest on The Eighteenth-Centruy London Stage
- Double Falsehood and the Verbal Parallels with Shelton’s Don Quixote
- Eighteenth-Century Performances of Shakespeare Recorded in the Theatrical Portraits of the Garrick Club
- Eighteenth-Century Editing, ‘Appropriation’, and Interpretation
- Shakespeare Survey: Beginnings and Continuities
- Destined Livery? Character and Person in Shakespeare
- Prejudice and Law in The Merchant of Venice
- ‘Many A Civil Monster’: Shakespeare’s Idea of the Centaur
- Shakespeare’s International Currency
- Repeopling the Globe: The Opening Season at Shakespeare’s Globe, London 1997
- Shakespeare Performances in England, 1997
- Professional Shakespeare Productions in the British Isles, January–December 1996
- TheYear's Contributions to Shakespeare Studies: 1 Critical Studies
- 2 Shakespeare’s Life, Times, and Stage
- 3 Editions and Textual Studies
- Books Received
- Index to Volume 51
- General Index to Volumes 41–50
Summary
A summary is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content.
- Type
- Chapter
- Information
- Shakespeare Survey , pp. 351 - 409Publisher: Cambridge University PressPrint publication year: 1998