Book contents
- Frontmatter
- Sarah Siddons, theatre voices and recorded memory
- Playing with Shakespeare’s play: Branagh’s Love’s Labour’s Lost
- Bottom and the gramophone: Media, class and comedy in Michael Hoffman’s A Midsummer Night's Dream
- Maurice Evans’s Richard II on Stage, Television and (Almost) Film
- Richard II on the Screen
- ‘Where Lies Your Text?’: Twelfth Night in American Sign Language Translation
- ‘This uncivil and unjust extent against thy peace’: Tim supple’s Twelfth Night, or what violence will
- ‘There’s no such thing’: nothing and nakedness in Polanski’s Macbeth
- Ghosts and mirrors: the gaze in film Hamlets
- ‘Ben, it’s a terrible thing to hate your mother’: mind control in Hamlet and The Manchurian Candidate
- Channelling the ghosts: the Wooster Group’s remediation of the 1964 Electronovision Hamlet
- Listening to Prospero’s Books
- Lend Me Your Ears: Sampling BBC Radio Shakespeare
- An Age of Kings and The ‘Normal American’
- Shakespeare and British Television
- A Local Habitation and a Name: Television and Shakespeare
- Paying attention in Shakespeare parody: from Tom Stoppard to YouTube
- Madagascan will: cinematic Shakespeares / transnational exchanges
- Still life? Anthropocentrism and the fly in Titus Andronicus and Volpone
- Riddling q1: Hamlet’s mill and the trickster
- ‘Speak, that I may see thee’: Shakespeare characters and common words
- Who do the people love?
- A Partial Theory of Original Practice
- Shakespeare Performances in England, 2007
- Professional Shakespeare productions in the British Isles, January–December 2006
- The Year's Contributions to Shakespearian Study 1 Critical studies
- 2 Shakespeare in performance
- 3a Editions and textual studies
- 3b Editions and textual studies: The RSC Complete Works
- Index to Volume 61
Frontmatter
Published online by Cambridge University Press: 28 November 2008
Edited by
Book contents
- Frontmatter
- Sarah Siddons, theatre voices and recorded memory
- Playing with Shakespeare’s play: Branagh’s Love’s Labour’s Lost
- Bottom and the gramophone: Media, class and comedy in Michael Hoffman’s A Midsummer Night's Dream
- Maurice Evans’s Richard II on Stage, Television and (Almost) Film
- Richard II on the Screen
- ‘Where Lies Your Text?’: Twelfth Night in American Sign Language Translation
- ‘This uncivil and unjust extent against thy peace’: Tim supple’s Twelfth Night, or what violence will
- ‘There’s no such thing’: nothing and nakedness in Polanski’s Macbeth
- Ghosts and mirrors: the gaze in film Hamlets
- ‘Ben, it’s a terrible thing to hate your mother’: mind control in Hamlet and The Manchurian Candidate
- Channelling the ghosts: the Wooster Group’s remediation of the 1964 Electronovision Hamlet
- Listening to Prospero’s Books
- Lend Me Your Ears: Sampling BBC Radio Shakespeare
- An Age of Kings and The ‘Normal American’
- Shakespeare and British Television
- A Local Habitation and a Name: Television and Shakespeare
- Paying attention in Shakespeare parody: from Tom Stoppard to YouTube
- Madagascan will: cinematic Shakespeares / transnational exchanges
- Still life? Anthropocentrism and the fly in Titus Andronicus and Volpone
- Riddling q1: Hamlet’s mill and the trickster
- ‘Speak, that I may see thee’: Shakespeare characters and common words
- Who do the people love?
- A Partial Theory of Original Practice
- Shakespeare Performances in England, 2007
- Professional Shakespeare productions in the British Isles, January–December 2006
- The Year's Contributions to Shakespearian Study 1 Critical studies
- 2 Shakespeare in performance
- 3a Editions and textual studies
- 3b Editions and textual studies: The RSC Complete Works
- Index to Volume 61
Summary
A summary is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content.
- Type
- Chapter
- Information
- Shakespeare Survey , pp. i - xPublisher: Cambridge University PressPrint publication year: 2008