Book contents
- Shakespeare Survey
- Shakespeare Survey
- Shakespeare Survey
- Copyright page
- Editor’s Note
- Contributors
- Contents
- Illustrations
- ‘Think when we talk of horses … ’
- In Dialogue with Ayanna Thompson
- Shakespeare and the Novel: A Conversation
- ‘Music Still’: Understanding and Reconstructing Shakespeare’s Use of Musical Underscore
- Remembering and Forgetting in 1916: Israel Gollancz, the Shakespeare Tercentenary and the National Theatre
- Four Centuries of Centenaries: Stratford-upon-Avon
- Writing and Re-writing Shakespeare’s Life: A Roundtable Discussion with Margreta de Grazia, Katherine Scheil, James Shapiro and Stanley Wells
- The Merchant in Venice: Re-creating Shakespeare in the Ghetto
- Shakespeare’s The Merchant of Venice in and beyond the Ghetto
- What the Quills Can Tell: The Case of John Fletcher and Philip Massinger’s Love’s Cure
- What if Greg and Werstine Had Examined Early Modern Spanish Dramatic Manuscripts?
- Exit Manuscripts: The Archive of Theatre and the Archive of Print
- ‘’Sblood!’: Hamlet’s Oaths and the Editing of Shakespeare’s Plays
- Antihonorificabilitudinitatibus: Love’s Labour’s Lost and Unteachable Words
- Shakespeare and Who? Aeschylus, Edward III and Thomas Kyd
- Authorial Attribution and Shakespearean Variety: Genre, Form and Chronology
- ‘My mother’s maids, when they did sew and spin’: Staging Sewing, Telling Tales
- Why Prospero Drowned His Books, and Other Catholic Folklore
- Why Did the English Stage Take Boys for Actresses?
- Acting Amiss: Towards a History of Actorly Craft and Playhouse Judgement
- ‘What imports this song?’: Spontaneous Singers and Spaces of Meaning in Shakespeare
- Shakespeare’s Depriving Particles
- Shakespeare’s Comedy of Upright Status: Standing Bears and Fallen Humans
- ‘Worth the name of a Christian’?: The Parabolic Economy of The Two Gentlemen of Verona
- ‘Titus, unkind’: Shakespeare’s Revision of Virgil’s Aeneas in Titus Andronicus
- ‘Cut him out in little stars’: Juliet’s Cute Classicism
- The Will of Caesar: Choice-making, the Death of the Roman Republic and the Development of Shakespearean Character
- ‘As for that light hobby-horse, my sister’: Shakespearean Influences and Popular Discourses in Blurt Master Constable
- Messianic Ugliness in A Midsummer Night’s Dream and The Winter’s Tale
- Shakespeare Performances in England, 2016
- Professional Shakespeare Productions in the British Isles, January–December 2015
- The Year’s Contribution to Shakespeare Studies
- Abstracts of Articles in Shakespeare Survey 70
- Shakespeare Survey 70 Index
Shakespeare’s Comedy of Upright Status: Standing Bears and Fallen Humans
Published online by Cambridge University Press: 30 November 2017
Edited by
Book contents
- Shakespeare Survey
- Shakespeare Survey
- Shakespeare Survey
- Copyright page
- Editor’s Note
- Contributors
- Contents
- Illustrations
- ‘Think when we talk of horses … ’
- In Dialogue with Ayanna Thompson
- Shakespeare and the Novel: A Conversation
- ‘Music Still’: Understanding and Reconstructing Shakespeare’s Use of Musical Underscore
- Remembering and Forgetting in 1916: Israel Gollancz, the Shakespeare Tercentenary and the National Theatre
- Four Centuries of Centenaries: Stratford-upon-Avon
- Writing and Re-writing Shakespeare’s Life: A Roundtable Discussion with Margreta de Grazia, Katherine Scheil, James Shapiro and Stanley Wells
- The Merchant in Venice: Re-creating Shakespeare in the Ghetto
- Shakespeare’s The Merchant of Venice in and beyond the Ghetto
- What the Quills Can Tell: The Case of John Fletcher and Philip Massinger’s Love’s Cure
- What if Greg and Werstine Had Examined Early Modern Spanish Dramatic Manuscripts?
- Exit Manuscripts: The Archive of Theatre and the Archive of Print
- ‘’Sblood!’: Hamlet’s Oaths and the Editing of Shakespeare’s Plays
- Antihonorificabilitudinitatibus: Love’s Labour’s Lost and Unteachable Words
- Shakespeare and Who? Aeschylus, Edward III and Thomas Kyd
- Authorial Attribution and Shakespearean Variety: Genre, Form and Chronology
- ‘My mother’s maids, when they did sew and spin’: Staging Sewing, Telling Tales
- Why Prospero Drowned His Books, and Other Catholic Folklore
- Why Did the English Stage Take Boys for Actresses?
- Acting Amiss: Towards a History of Actorly Craft and Playhouse Judgement
- ‘What imports this song?’: Spontaneous Singers and Spaces of Meaning in Shakespeare
- Shakespeare’s Depriving Particles
- Shakespeare’s Comedy of Upright Status: Standing Bears and Fallen Humans
- ‘Worth the name of a Christian’?: The Parabolic Economy of The Two Gentlemen of Verona
- ‘Titus, unkind’: Shakespeare’s Revision of Virgil’s Aeneas in Titus Andronicus
- ‘Cut him out in little stars’: Juliet’s Cute Classicism
- The Will of Caesar: Choice-making, the Death of the Roman Republic and the Development of Shakespearean Character
- ‘As for that light hobby-horse, my sister’: Shakespearean Influences and Popular Discourses in Blurt Master Constable
- Messianic Ugliness in A Midsummer Night’s Dream and The Winter’s Tale
- Shakespeare Performances in England, 2016
- Professional Shakespeare Productions in the British Isles, January–December 2015
- The Year’s Contribution to Shakespeare Studies
- Abstracts of Articles in Shakespeare Survey 70
- Shakespeare Survey 70 Index
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- Shakespeare Survey 70Creating Shakespeare, pp. 213 - 218Publisher: Cambridge University PressPrint publication year: 2017