Book contents
- Richard Strauss in Context
- Composers in Context
- Richard Strauss in Context
- Copyright page
- Contents
- Figures
- Notes on Contributors
- Preface
- Note on Translation
- Part I Family, Friends, and Collaborators
- Part II Career Stations
- Part III Cultural Engagement and Musical Life
- Part IV Professional and Musical Contexts
- Part V In History
- Chapter 25 Modernism
- Chapter 26 Traditionalism
- Chapter 27 World War I
- Chapter 28 Nazi Germany
- Chapter 29 Lateness
- Chapter 30 Reception
- Part VI Artifacts and Legacy
- Further Reading
- Appendix: Letters Bibliography
- Index
Chapter 27 - World War I
from Part V - In History
Published online by Cambridge University Press: 08 October 2020
- Richard Strauss in Context
- Composers in Context
- Richard Strauss in Context
- Copyright page
- Contents
- Figures
- Notes on Contributors
- Preface
- Note on Translation
- Part I Family, Friends, and Collaborators
- Part II Career Stations
- Part III Cultural Engagement and Musical Life
- Part IV Professional and Musical Contexts
- Part V In History
- Chapter 25 Modernism
- Chapter 26 Traditionalism
- Chapter 27 World War I
- Chapter 28 Nazi Germany
- Chapter 29 Lateness
- Chapter 30 Reception
- Part VI Artifacts and Legacy
- Further Reading
- Appendix: Letters Bibliography
- Index
Summary
This essay examines how World War I brought into sharp relief the ever-evolving identity crisis German music underwent both domestically and further afield amidst the conflict. Caught between the strains of a nationalist-conservative aesthetic and the continuing development of a more pluralist modernism, both creativity and creative endeavor reflected the increasingly-militaristic bent of wartime cultural discourse as hubris steadily gave way to disavowal, resignation, and, finally, retrenchment. It assays both the rise in popularity of lighter forms of music as war-weariness set in on a German public tired of its strict diet of nationalist, militaristic propaganda and the proselytizing tours undertaken by orchestras at home and abroad as anti-German sentiment took hold. In the end, it seeks to situate music in the wider conflict of culture experienced by the national psyche, accelerated by the War and its consequences that characterized the decades that followed.
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- Information
- Richard Strauss in Context , pp. 247 - 255Publisher: Cambridge University PressPrint publication year: 2020