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Chapter 36 - Scholarly Directions

from Part VI - Artifacts and Legacy

Published online by Cambridge University Press:  08 October 2020

Morten Kristiansen
Affiliation:
Xavier University, Cincinnati
Joseph E. Jones
Affiliation:
Texas A&M University-Kingsville
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Summary

A survey of dissertations on Strauss reveals trends that emerged over time in terms of topics and methodologies that captured the interest of emerging scholars as well as the geographic locations and eras that produced the most research. Yet Strauss scholarship is not merely defined by the issues it addresses and questions it puts forward, but also by those it ignores or unwittingly pushes to the margins of discussion. After assessing the past, this chapter proposes topics and approaches largely absent in existing Strauss scholarship, many of which have been more thoroughly explored in related fields. While far from comprehensive, this discussion points to potentially fruitful paths for future research: the Lieder, his influence on contemporaries, his role as Kapellmeister and administrator, his material possessions, and his relationships with figures trusted to construct his legacy.

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Publisher: Cambridge University Press
Print publication year: 2020

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References

Ph.D. Dissertations on Richard Strauss, 1923–2019

Mathis-Rosenzweig, Alfred. Zur Entwicklungsgeschichte des Strauss’schen Musikdramas (Vienna, 1923).Google Scholar
Wachten, Edmund. Das Formproblem in den sinfonischen Dichtungen von Richard Strauss: mit besonderer Berücksichtigung seiner Bühnenwerke (Berlin, 1932).Google Scholar
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Schneider, June. On Devices Employed by Richard Strauss in his Opera Salome in the Service of the Poetic Idea (Johannesburg, 1962).Google Scholar
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Bales, Suzanne E. Elektra: From Hofmannsthal to Strauss (Stanford, 1984).Google Scholar
Gilliam, Bryan Randolph. Richard Strauss’s Daphne: Opera and Symphonic Continuity (Harvard, 1984).Google Scholar
Wilde, Denis Gerard. Melodic Process in the Tone Poems of Richard Strauss (Catholic, 1984).Google Scholar
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Bailey, Shad Culverwell. Harmony and Tonality in the Four Works for Mixed Wind Instruments of Richard Strauss (Arizona, 1986).Google Scholar
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Cöster, Christian. Studien zu Intermezzo von Richard Strauss (Dresden, 2014).Google Scholar
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