Skip to main content Accessibility help
×
Hostname: page-component-586b7cd67f-g8jcs Total loading time: 0 Render date: 2024-11-28T04:23:10.058Z Has data issue: false hasContentIssue false

Bibliography

Published online by Cambridge University Press:  16 May 2020

Kristen Seaman
Affiliation:
University of Oregon
Get access

Summary

Image of the first page of this content. For PDF version, please use the ‘Save PDF’ preceeding this image.'
Type
Chapter
Information
Publisher: Cambridge University Press
Print publication year: 2020

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

References

Adriani, A. (1959) Divagazioni intorno ad una coppa paesistica del Museo di Alessandria, Rome: “L’Erma” di Bretschneider.Google Scholar
Aellen, C. (1994) À la recherche de l’ordre cosmique: Forme et function des personifications dans la céramique italiote, Zurich: Akanthus.Google Scholar
Alföldi, A. (1977) “From the Aion Plutonios of the Ptolemies to the Saeculum Frugiferum of the Roman Emperors,” in Kinzl, K. H. (ed.), Greece and the Eastern Mediterranean in Ancient History and Prehistory: Studies Presented to Fritz Schachermeyr on the Occasion of His Eightieth Birthday, Berlin and New York: Walter de Gruyter, pp. 130.Google Scholar
Allen, D. C. (1970) Mysteriously Meant: The Rediscovery of Pagan Symbolism and Allegorical Interpretation in the Renaissance, Baltimore: Johns Hopkins University Press.Google Scholar
Allen, G. (2000) Intertextuality, London: Routledge.CrossRefGoogle Scholar
Amandry, P. (1940–1941) “Dédicaces Delphiques,” BCH, 64–65: 6075.Google Scholar
Amato, E. and Schamp, J. (eds.) (2005) Ethopoiia: La Représentation de caractères entre fiction scolaire et réalité vivante à l’époque impériale et tardive, Salerno: Helios Editrice.Google Scholar
Andreae, B. (2003) Antike Bildmosaiken, Mainz am Rhein: Philipp von Zabern.Google Scholar
Andronicos, M. (1984) Vergina: The Royal Tombs and the Ancient City, Athens: Ekdotike Athenon S.A.Google Scholar
Anson, E. M. (1985) “Macedonia’s Alleged Constitutionalism,” CJ, 80: 303316.Google Scholar
Antalya Museum Guide (1990) Istanbul.Google Scholar
Arnott, W. G. (2007) Birds in the Ancient World from A to Z, London: Routledge.Google Scholar
Arthos, J. and Brogan, T. V. F. (1993) “Personification,” in Preminger, A. and Brogan, T. V. F. (eds.), The New Princeton Encyclopedia of Poetry and Poetics, Princeton: Princeton University Press.Google Scholar
Arthur, M. B. (1983) “The Dream of a World without Women: Poetics and the Circles of Order in Theogony Prooemium,” Arethusa, 16: 97116.Google Scholar
Ash, R., Mossman, J., and Titchener, F. B. (eds.) (2015) Fame and Infamy: Essays on Characterization in Greek and Roman Biography and Historiography, Oxford: Oxford University Press.Google Scholar
Ashby, T. (1910) “The Topography of the Roman Campagna,” PBSR, 5: 217224.Google Scholar
Ashton, S.-A. (2001) Ptolemaic Royal Sculpture from Egypt: The Interaction between Greek and Egyptian Traditions. BAR International Series 923, London: Archaeopress.Google Scholar
Ashton, S.-A. (2004) “Ptolemaic Alexandria and the Egyptian Tradition,” in Hirst, A. and Silk, M. (eds.), Alexandria, Real and Imagined. Centre for Hellenic Studies King’s College London Publications 5, Aldershot: Ashgate, pp. 1540.Google Scholar
Assis, A. A. (2014) What Is History For? Johann Gustav Droysen and the Functions of Historiography, New York: Berghann.Google Scholar
Aujac, G. (2001) Eratosthène de Cyrène, le pionnier de la géographie: la mesure de la circonférence terrestre, Paris: Éditions du CTHS.Google Scholar
Austin, C. and Bastianini, G. (eds.) (2002) Posidippi Pellaei quae supersunt omnia, Milan: Edizioni Universitarie di Lettere Economia Diritto.Google Scholar
Bagnall, R. and Cribiore, R. (2015) Women’s Letters from Ancient Egypt, 300 B.C. –A.D. 800, Ann Arbor: University of Michigan Press.Google Scholar
Balland, A. (1981) Fouilles de Xanthos 7, Paris: C. Klincksieck.Google Scholar
Baratte, F. and Metzger, C. (1985) Catalogue des sarcophages en pierre d’époques romaine et paléochrétienne, Paris: Ministère de la Culture, Éditions de la Réunion des Musées Nationaux.Google Scholar
Barchiesi, A. (1991) “Discordant Muses,” PCPS, 37: 121.Google Scholar
Barringer, J. (2014) The Art and Archaeology of Ancient Greece, Cambridge: Cambridge University Press.Google Scholar
Barthes, R. (1975) The Pleasure of the Text, trans. Miller, R., New York: Hill & Wang.Google Scholar
Bartoli, P. S. (1741) Roma antica distinta per regioni, Rome.Google Scholar
Bassett, S. G. (1996) “Historiae custos: Sculpture and Tradition in the Baths of Zeuxippos,” AJA, 100: 491506.Google Scholar
Bassi, K. (2005) “Things of the Past: Objects and Time in Greek Narrative,” Arethusa, 38: 132.CrossRefGoogle Scholar
Batziou-Efstathiou, A. (2002) Demetrias, trans. Hardy, D., Athens: Ministry of Culture Archaeological Receipts Fund.Google Scholar
Bauchhenß-Thüriedl, C. (1971) Der Mythos von Telephos in der antiken Bildkunst. Beiträge zur Archäologie 3, Würzburg: Konrad Triltsch Verlag.Google Scholar
Beck, H., Bol, P. C., and Bückling, M. (2005) Ägypten Griechenland Rom: Abwehr und Berührung, Frankfurt: Das Stadel, Stadelsches Kunstinstitut und Stadtische Galerie.Google Scholar
Bellori, P. and Bartoli, P. (1693) Admiranda Romanarum antiquitatem ac veteris sculpturae vestigia, Rome.Google Scholar
Belmont, D. E. (1980) “The Vergilius of Horace, Ode 4.12,” TAPA, 110: 120.Google Scholar
Belozerskaya, M. (2012) Medusa’s Gaze: The Extraordinary Journey of the Tazza Farnese, Oxford: Oxford University Press.Google Scholar
Ben Abed-Ben Khader, A. (2006) Tunisian Mosaics: Treasures from Roman Africa, Los Angeles: Getty Conservation Institute.Google Scholar
Ben Osman, W. (1990) In Xenia: Recherches franco-tunisiennes sur la mosaïque de l’Afrique antique I. Collection de l’École Française de Rome 125, Paris: École Française de Rome.Google Scholar
Benveniste, E. (1973) Indo-European Language and Society, trans. Palmer, E., London: Faber & Faber.Google Scholar
Bergmann, M. (1998) Die Strahlen der Herrscher: Theomorphes Herrscherbild und politische Symbolik im Hellenismus und in der römischen Kaiserzeit, Mainz am Rhein: Philipp von Zabern.Google Scholar
Bianchi Bandinelli, R. (1961) Archeologia e cultura, Milan: R. Ricciardi.Google Scholar
Bibliotheca Alexandrina (2003) Antiquities Museum, Alexandria: Bibliotheca Alexandrina.Google Scholar
Bichler, R. (1983) “Hellenismus”: Geschichte und Problematik eines Epochenbegriffs. Impulse der Forschung 41, Darmstadt: Wissenschaftliche Buchgesellschaft.Google Scholar
Bieber, M. (1955) The Sculpture of the Hellenistic Age, New York: Columbia University Press.Google Scholar
Bieber, M. (1961) The Sculpture of the Hellenistic Age, rev. edn., New York: Columbia University Press.Google Scholar
Bing, P. (1988) The Well-Read Muse: Present and Past in Callimachus and the Hellenistic Poets, Goettingen: Vandenhoeck & Ruprecht.Google Scholar
Bing, P. (1998) “Between Literature and the Monuments,” in Harder, M. A. et al. (eds.), Genre in Hellenistic Poetry, Groningen: Egbert Forsten, pp. 2143.Google Scholar
Bingöl, O. (1997) Malerei und Mosaik der Antike in der Türkei. Kulturgeschichte der antiken Welt 67, Mainz am Rhein: Philipp von Zabern.Google Scholar
Blondé, F. and Muller, A. (eds.) (2000) L’Artisanat en Grèce ancienne: les productions, les diffusions, Villeneuve-d’Ascq: Université Charles-de-Gaulle–Lille 3.Google Scholar
Blümner, H. (1881) Über den Gebrauch der Allegorie in den bildenen Künsten. Laokoon-Studien I, Freiburg im Breisgau: F. Hirt.Google Scholar
Boehringer, R. and Boehringer, E. (1939) Homer: Bildnisse und Nachweise, Breslau: Hirt.Google Scholar
Borg, B. (2002) Der Logos des Mythos: Allegorien und Personifikationen in der frühen griechischen Kunst, Munich: Fink.Google Scholar
Borza, E. M. (1983) “The Symposium at Alexander’s Court,” Ancient Macedonia 3, Thessaloniki: Institute for Balkan Studies, pp. 4555.Google Scholar
Bosworth, A. B. (2006) “Alexander the Great and the Creation of the Hellenistic Age,” in Bugh, G. (ed.), The Cambridge Companion to the Hellenistic World, Cambridge: Cambridge University Press, pp. 927.Google Scholar
Bourdieu, P. (1984) Distinction: A Social Critique of the Judgement of Taste, trans. Nice, R., Cambridge: Harvard University Press.Google Scholar
Bourdieu, P. (1988) Homo Academicus, trans. Collier, P., Palo Alto: Stanford University Press.Google Scholar
Bourdieu, P. and Passeron, J.-C. (1977) Reproduction in Education, Society and Culture, trans. Nice, R., London: Sage Publications.Google Scholar
Bourdieu, P. and Passeron, J.-C. (1990) Reproduction in Education, Society, and Culture, 2nd edn., London: Sage Publications.Google Scholar
Boys-Stones, G. R. (ed.) (2003) Metaphor, Allegory, and the Classical Tradition, Oxford: Oxford University Press.Google Scholar
Boys-Stones, G. R., Graziosi, B., and Vasunia, P. (eds.) (2009) The Oxford Handbook of Hellenic Studies, Oxford: Oxford University Press.Google Scholar
Braund, D. C. and Wilkins, J. (eds.) (2000) Athenaeus and His World, Exeter: Exeter University Press.Google Scholar
Breccia, E. (1976) Catalogie général des antiquités Egyptiennes du musée d’Alexandrie: Inscrizioni greche e latine, Osnabrück: Otto Zeller Verlag. First published 1911.Google Scholar
Brink, C. O. (1972) “Ennius and the Hellenistic Worship of Homer,” AJP, 93: 547567.Google Scholar
Brogan, T. M. (1999) “Hellenistic Nike: Monuments Commemorating Military Victories of the Attalid and Antigonid Kingdoms, the Aitolian League and the Rhodian Polis ca. 307 to 133 B.C.,” Ph.D. diss., Bryn Mawr College.Google Scholar
Brown, B. (1973) Anticlassicism in Greek Sculpture of the Fourth Century B.C., New York: New York University Press.Google Scholar
Brulotte, E. (1994) “The Placement of Votive Offerings and Dedications in the Peloponnesian Sanctuaries of Artemis,” Ph.D. diss., University of Minnesota.Google Scholar
Bruneau, P. (1972) Mosaics on Delos, trans. Diderot, O., Paris: École Française d’Athènes.Google Scholar
Bruneau, P. and Siebert, G. (1969) “Une nouvelle mosaïque délienne à sujet mythologique,” BCH, 93: 261307.Google Scholar
Bryson, N. (1989) Looking at the Overlooked: Four Essays on Still Life Painting, London: Reaktion Books.Google Scholar
Burford, A. (1969) The Greek Temple Builders at Epidauros, Liverpool: Liverpool University Press.Google Scholar
Burford, A. (1972) Craftsmen in Greek and Roman Society, Ithaca: Cornell University Press.Google Scholar
Burkert, W. (1983) Homo Necans: The Anthropology of Ancient Greek Sacrificial Ritual and Myth, trans. Bing, P., Berkeley: University of California Press.Google Scholar
Burkert, W. (1985) Greek Religion, trans. Raffan, J., Oxford: Basil Blackwell.Google Scholar
Burkert, W. (1996) The Creation of the Sacred: Tracks of Biology in Early Religions, Cambridge: Havard University Press.Google Scholar
Burridge, R. A. (2001) “Biography,” in Porter, S. E. (ed.), Handbook of Classical Rhetoric in the Hellenistic Period, 330 B.C.–A.D. 400, Leiden: Brill, pp. 371391.Google Scholar
Burridge, R. A. (2004) What Are the Gospels? A Comparison with Graeco-Roman Biography, 2nd edn., Grand Rapids: William B. Eerdmans.Google Scholar
Butler, J. (1997) Excitable Speech: A Politics of the Performative, London and New York: Routledge.Google Scholar
Butler, J. (2006) Gender Trouble: Feminism and the Subversion of Identity, London: Routledge.Google Scholar
Cairns, D. L. and Knox, R. A. (eds.) (2004) Law, Rhetoric, and Comedy in Classical Athens: Essays in Honour of Douglas M. MacDowell, Swansea: Classical Press of Wales.Google Scholar
Cairns, F. (1972) Generic Composition in Greek and Roman Poetry, Edinburgh: Edinburgh University Press.Google Scholar
Calame, C. (1995) The Craft of Poetic Speech in Archaic Greece, Ithaca: Cornell University Press.Google Scholar
Cameron, A. (1995) Callimachus and His Critics, Princeton: Princeton University Press.Google Scholar
Cameron, A. (2004) Greek Mythography in the Roman World, Oxford: Oxford University Press.Google Scholar
Candilio, D. et al. (1979) Museo Nazionale Romano: Le Sculture 1,1. Rome: De Luca Editore.Google Scholar
Canfora, L. (2009) “Ideologies of Hellenism,” in Boys-Stones, G., Graziosi, B., and Vasunia, P. (eds.), The Oxford Handbook of Hellenic Studies, Oxford: Oxford University Press, pp. 173182.Google Scholar
Carpenter, R. (1960) Greek Sculpture: A Critical Review, Chicago: University of Chicago Press.Google Scholar
Carpenter, T. H. (1986) Dionysian Imagery in Archaic Greek Art: Its Development in Black-Figure Vase Painting, Oxford: Clarendon Press.Google Scholar
Carroll-Spillecke, M. (1985) Landscape Depictions in Greek Relief Sculpture, Frankfurt am Main: Peter Lang.Google Scholar
Chaniotis, A. (2003) “The Divinity of Hellenistic Rulers,” in Erskine, A. (ed.), A Companion to the Hellenistic World, Oxford: Blackwell, pp. 431445.Google Scholar
Chantraine, P. (1974) Etymologique de la langue Grecque: Histoire des mots, Tomé 3, Paris: Klincksieck.Google Scholar
Charbonneaux, J., Martin, R., and Villard, F. (1973) Hellenistic Art (330–50 B.C.), trans. Green, P., New York: George Braziller.Google Scholar
Cima, M. and La Rocca, E. (eds.) (1998) Horti Romani. Bullettino della Commissione archeologica communale di Roma, Supplementi 6, Rome: “L’Erma” di Bretschneider.Google Scholar
Clarke, J. R. (2007) Looking at Laughter: Humor, Power, and Transgression in Roman Visual Culture, 100 B.C.–A.D. 250, Berkeley: University of California Press.Google Scholar
Clarke, K. (1999) Between Geography and History: Hellenistic Constructions of the Roman World, Oxford: Clarendon Press.Google Scholar
Clarysse, W. (1985) “Greeks and Egyptians in the Ptolemaic Army and Administration,” Aegyptus, 65: 5766.Google Scholar
Clarysse, W. (1992) “Some Greeks in Egypt,” in Johnson, J. H. (ed.), Life in a Multi-Cultural Society: Egypt from Cambyses to Constantine and Beyond. Studies in Ancient Oriental Civilization 51, Chicago: The Oriental Institute, pp. 5156.Google Scholar
Clay, D. (2004) Archilochos Heros: The Cult of Poets in the Greek Polis. Center for Hellenic Studies 6, Cambridge: Harvard University Press.Google Scholar
Clay, J. S. (2003) Hesiod’s Cosmos, Cambridge: Cambridge University Press.Google Scholar
Coarelli, F. (2016) Pergamo e il re: forma e funzioni di una capitale ellenistica, Pisa and Rome: Fabrizio Serra editore.Google Scholar
Cohen, B. (2012) “The Non-Greek in Greek Art,” in Smith, T. J. and Plantzos, D. (eds.), A Companion to Greek Art, Malden: Blackwell, pp. 456479.Google Scholar
Cohon, R. (1991–1992) “Hesiod and the Order and Naming of the Muses in Hellenistic Art,” Boreas, 14/15: 6783.Google Scholar
Collard, C. et al. (1995) Euripides: Selected Fragmentary Plays, Warminster: Aris & Phillips.Google Scholar
Collins, M. (1999) “Hesiod and the Divine Voice of the Muses,” Arethusa, 32: 241262.Google Scholar
Collins, N. L. (2000) The Library in Alexandria and the Bible in Greek, Leiden: Brill.Google Scholar
Colvin, S. (2011) “The Koine: A New Language for a New World,” in Erskine, A. and Llewellyn-Jones, L. (eds.), Creating a Hellenistic World, Swansea: Classical Press of Wales, pp. 3145.Google Scholar
Conlin, D. A. (1997) The Artists of the Ara Pacis: The Process of Hellenization in Roman Relief Sculpture, Chapel Hill: University of North Carolina Press.Google Scholar
Connor, P. J. (1982) “Book Dispatch: Horace Epistles 1.20 and 1.13,” Ramus, 11: 145152.Google Scholar
Cook, B. F. (2005) Relief Sculpture of the Mausoleum at Halicarnassus, Oxford: Oxford University Press.Google Scholar
Corso, A. (2004) The Art of Praxiteles: The Development of Praxiteles’ Workshop and Its Cultural Tradition until the Sculptor’s Acme (364–1 BC), Rome: “L’Erma” di Bretschneider.Google Scholar
Corso, A. and Romano, E. (1997) Vitruvio: De Architectura, edited by Gros, P., Turin: Giulio Einaudi.Google Scholar
Cousin, G. and Diehl, C. (1889) “Cibyra and Eriza,” BCH, 13: 333342.Google Scholar
Cox, P. (1983) Biography in Late Antiquity: A Quest for the Holy Man, Berkeley: University of California Press.Google Scholar
Cramer, T. et al. (1997) “Characteristics of the Telephos Frieze Marble,” in Dreyfus, R. and Shraudolph, E. (eds.), Pergamon: The Telephos Frieze from the Great Altar, vol. 2, San Francisco: Fine Arts Museums of San Francisco, pp. 155158.Google Scholar
Cramer, T. et al. (1998) “Isotope-Geochemical and Mineralogical-Petrographic Characteristics of the Pergamon Altar Marble,” Isotopes in Environmental and Health Studies, 34: 169176.Google Scholar
Cramer, T. et al. (2003) “Petrographic and Geochemical Characterization of the Pergamon Altar (Telephos Frieze) Marble in the Pergamon Museum, Berlin,” in Lazzarini, L. (ed.), Interdisciplinary Studies on Ancient Stone: Proceedings of the Sixth International Conference of the “Association for the Study of Marble and Other Stones in Antiquity,” Venice, June 15–18, 2000. ASMOSIA VI, Padova: A. Ausilio, pp. 285291.Google Scholar
Cribiore, R. (1996) Writing, Teachers, and Students in Graeco-Roman Egypt, ASP 36, Atlanta: Scholars Press.Google Scholar
Cribiore, R. (1997) “Literary School Exercises,” ZPE, 116: 5360.Google Scholar
Cribiore, R. (2001a) Gymnastics of the Mind: Greek Education in Hellenistic and Roman Egypt, Princeton: Princeton University Press.CrossRefGoogle Scholar
Cribiore, R. (2001b) “The Grammarian’s Choice: The Popularity of Euripides’ Phoenissae in Hellenistic and Roman Education,” in Too, Y. L. (ed.), Education in Greek and Roman Antiquity, Leiden: Brill, pp. 241259.Google Scholar
Cribiore, R. (2007) The School of Libanius in Late Antique Antioch, Princeton: Princeton University Press.Google Scholar
Cribiore, R. (2013) Libanius the Sophist: Rhetoric, Reality, and Religion in the Fourth Century, Ithaca: Cornell University Press.Google Scholar
Crosby, M. (1937) “Greek Inscriptions,” Hesperia, 6: 442468.CrossRefGoogle Scholar
Cuper, G. (1683) Apotheosis vel consecratio Homeri. Amsterdam: Apud Henricum & Viduam Boom.Google Scholar
D’Hancarville, B. (1984) Recherches sur l’origine, l’esprit et les progrès des arts de la Grèce, New York: Garland. First published 1785.Google Scholar
Dalby, A. (2003) Food in the Ancient World from A to Z, London: Routledge.Google Scholar
Daux, G. and Bousquet, J. (1942) “Agamemnon, Telèphe, Dionysos Sphaleotas et les Attalides,” RA, 19: 113125.Google Scholar
Davies, J. K. (1971) Athenian Propertied Families, 600–300 B.C., Oxford: Clarendon Press.Google Scholar
De Caro, S. (1996) The National Archaeological Museum of Naples, Naples: Electa.Google Scholar
De Caro, S. (2000) Il gabinetto segreto del museo archeologico nazionale di Napoli, Naples: Electa.Google Scholar
de Montfaucon, B. (1719) L’Antiquité expliqué et représentée en figures, Paris: Delaulne.Google Scholar
De Rossi, G. M. (1979) Bovillae: Forma Italiae. Regio I. Vol. 15, Florence: Leo S. Olschki Editore.Google Scholar
de Ste. Croix, G. E. M. (1975) “Aristotle on History and Poetry (Poetics 9, 1451a36–b11),” in Levick, B. (ed.), The Ancient Historian and His Materials: Essays in Honor of C. E. Stevens on His Seventieth Birthday, Farnborough: Gregg, pp. 4558.Google Scholar
De Temmerman, K. (2010) “Ancient Rhetoric as Hermeneutical Tool for the Analysis of Characterization in Narrative Literature,” Rhetorica, 28: 2351.Google Scholar
Dean, C. and Leibsohn, D. (2003) “Hybridity and Its Discontents: Considering Visual Culture in Colonial Spanish America,” Colonial Latin American Review, 12: 535.Google Scholar
Delia, D. (1992) “From Romance to Rhetoric: The Alexandrian Library in Classical and Islamic Traditions,” AHR, 97: 14491467.Google Scholar
Deonna, W. and Renard, M. (1961) Croyances et superstitions de table dans la Rome antique. CollLatomus 46, Brussels: Latomus.Google Scholar
Détienne, M. (1996) The Masters of Truth in Archaic Greece, trans. Lloyd, J., New York: Zone Books.Google Scholar
Dickins, G. (1920) Hellenistic Sculpture, Oxford: Clarendon Press.Google Scholar
Diggle, J. (2004) Theophrastus: Characters, Cambridge: Cambridge University Press.Google Scholar
Dignas, B. (2012) “Rituals and the Construction of Identity in Attalid Pergamon,” in Dignas, B. and Smith, R. R. R. (eds.), Historical and Religious Memory in the Ancient World, Oxford: Oxford University Press, pp. 119144.Google Scholar
Dionisotti, A. C. (1995) “Hellenismos,” in Weijers, O. (ed.), Études sur le vocabulaire intellectuel du Moyen Age VIII: Vocabulary of Teaching and Research between the Middle Ages and Renaissance, Turnhout: Brepols, pp. 4558.Google Scholar
Dohan Morrow, K. (1985) Greek Footwear and the Dating of Sculpture, Madison: University of Wisconsin Press.Google Scholar
Donderer, M. (1986) Die Chronologie der römischen Mosaiken in Venetien und Istrien bis zur Zeit der Antonine, Berlin: Gebr. Mann Verlag.Google Scholar
Donderer, M. (1991) “Das kapitolinische Taubenmosaik: Original der Sosos?RM, 98: 189197.Google Scholar
Dreyfus, R. and Schraudolph, E. (eds.) (1996–1997) Pergamon: The Telephos Frieze from the Great Altar, 2 vols., Austin: University of Texas Press.Google Scholar
Drougou, S. and Saatsoglou-Paliadeli, C. (2004) Vergina: Wandering through the Archaeological Site, Athens: Ministry of Culture Archaeological Receipts Fund.Google Scholar
Droysen, J. G. (1877–1878) Geschichte des Hellenismus, 3 vols., Gotha: F. A. Perthes.Google Scholar
Duff, T. (1999) Plutarch’s Lives: Exploring Virtue and Vice, Oxford: Oxford University Press.Google Scholar
Dunbabin, K. M. D. (1998) “Ut Graeco more biberetur: Greeks and Romans on the Dining Couch,” in Nielsen, I. and Nielsen, H. S. (eds.), Meals in a Social Context: Aspects of the Communal Meal in the Hellenistic and Roman World, Aarhus: Aarhus University Press, pp. 81101.Google Scholar
Dunbabin, K. M. D. (1999) Mosaics in the Greek and Roman World, Cambridge: Cambridge University Press.Google Scholar
Dunbabin, K. M. D. (2003) The Roman Banquet: Images of Conviviality, Cambridge: Cambridge University Press.Google Scholar
Dürrbach, F. (1921–1922) Choix d’inscriptions de Délos, Paris: E. Leroux.Google Scholar
Duval, N. (1976) La Mosaïque funéraire dans l’art paléochrétien. Antichità, archeologia, storia dell’arte 3, Ravenna: Longo.Google Scholar
Ebert, J. (ed.) (1972) Griechische Epigramme auf Sieger an gymnischen und hippischen Agonen. Abhandlungen der sächischen Akademie der Wissenschaften zu Leipzig. Phil.-hist. Kl. 63.2, Berlin: Akademie-Verlag.Google Scholar
Edmondson, J. C. (1999) “The Cultural Politics of Public Spectacle in Rome and the Greek East, 167–166 BCE,” in Bergmann, B. and Kondoleon, C. (eds.), The Art of Ancient Spectacle. Studies in the History of Art 56, New Haven: National Gallery of Art, pp. 7796.Google Scholar
Ekroth, G. (2010) “Heroes and Hero-Cults,” in Ogden, D. (ed.), A Companion to Greek Religion, Chichester: Wiley-Blackwell, pp. 100114.Google Scholar
Elias, N. (1969) Die höfische Gesellschaft: Untersuchungen zur Soziologie des Königtums und der höfischen Aristokratie, Neuwied: Luchterhand.Google Scholar
Elias, N. (2002) Die höfische Gesellschaft: Untersuchungen zur Soziologie des Königtums und der höfischen Aristokratie, Frankfurt am Main: Suhrkamp.Google Scholar
Elsner, J. (1995) Art and the Roman Viewer, Cambridge: Cambridge University Press.Google Scholar
Elsner, J. (ed.) (2002) The Verbal and the Visual: Cultures of Ekphrasis in Antiquity, Ramus, 31.Google Scholar
Elsner, J. (2007a) Roman Eyes: Visuality and Subjectivity in Art and Text, Princeton: Princeton University Press.Google Scholar
Elsner, J. (2007b) “Philostratus Visualizes the Tragic: Some Ecphrastic and Pictorial Receptions of Greek Tragedy in the Roman Era,” in Kraus, C. et al. (eds.), Visualizing the Tragic: Drama, Myth, and Ritual in Greek Art and Literature: Essays in Honour of Froma Zeitlin, Oxford: Oxford University Press, pp. 309337.Google Scholar
Empereur, J.-Y. (2000) A Short Guide to the Graeco-Roman Museum Alexandria, trans. Clement, C., Alexandria: Harpocrates Publishing.Google Scholar
Ennaïfer, M. (1996) “Xenia and Banquets,” in Mosaics of Roman Africa: Floor Mosaics from Tunisia, trans. Whitehead, K. D., New York: George Braziller, pp. 6585.Google Scholar
Erskine, A. (1995) “Culture and Power in Ptolemaic Egypt: The Museum and Library of Alexandria,” Greece&Rome, 42: 3848.Google Scholar
Erskine, A. (2011) “Between Philosophy and the Court: The Life of Persaios of Kition,” in Erskine, A. and Llewellyn-Jones, L. (eds.), Creating a Hellenistic World, Swansea: Classical Press of Wales, pp. 177194.Google Scholar
Erskine, A., Llewellyn-Jones, L., and Wallace, S. (eds.) (2017) The Hellenistic Court: Monarchic Power and Elite Society from Alexander to Cleopatra, Swansea: The Classical Press of Wales.Google Scholar
Fabretti, R. (1690) De columna Traiani syntagma, Rome: sumpt. Francisci Ant. Galleri, ex topographia Joannis Francisci de Buagnis.Google Scholar
Fantuzzi, M. and Hunter, R. (2004) Tradition and Innovation in Hellenistic Poetry, Cambridge: Cambridge University Press.Google Scholar
Fathy, E. (2017) “The asàrotos òikos Mosaic as an Elite Status Symbol,” Potestas, 10: 530.Google Scholar
Fattori, M. and Bianchi, M. (eds.) (1988) Phantasia-Imaginatio: V Colloquio Internazionale: Roma, 9–11 gennaio 1986. Lessico Intelletuale Europeo 46, Rome: Edizioni dell’Ateneo.Google Scholar
Ferrari, G. R. F. (1988) “Hesiod’s Mimetic Muses and the Strategies of Deconstruction,” in Benjamin, A. (ed.), Post-Structuralist Classics, London: Routledge, pp. 4578.Google Scholar
Feyel, C. (2006) Les Artisans dans les sanctuaries grecs aux époques classique et hellénistique, Athens: École Française d’Athènes.Google Scholar
Feyel, M. (1942) Contribution à l’épigraphie Béotienne, Le Puy: Imprimerie de “La Haute-Loire.”Google Scholar
Fishwick, D. (1987) The Imperial Cult in the Latin West: Studies in the Ruler Cult of the Western Provinces of the Roman Empire, vol. 1.1, Leiden: Brill.Google Scholar
Fleischer, R. (1991) Studien zur seleukidischen Kunst I: Herrscherbildnisse, Mainz am Rhein: Philipp von Zabern.Google Scholar
Fleischer, R. (1996) “Hellenistic Royal Iconography on Coins,” in Bilde, P. et al. (eds.), Aspects of Hellenistic Kingship, Aarhus: Aarhus University Press, pp. 2840.Google Scholar
Fleming, J. V. (1969) The Roman de la Rose: A Study in Allegory and Iconography, Princeton: Princeton University Press.Google Scholar
Fletcher, A. (1964) Allegory: The Theory of a Symbolic Mode, Ithaca: Cornell University Press.Google Scholar
Ford, A. (2001) “Sophists without Rhetoric: The Arts of Speech in Fifth-century Athens,” in Too, Y. L. (ed.), Education in Greek and Roman Antiquity, Leiden: Brill, pp. 85109.Google Scholar
Ford, A. (2002) The Origins of Criticism: Literary Culture and Poetic Theory in Classical Greece, Princeton: Princeton University Press.Google Scholar
Fortenbaugh, W. W. (2003) “Theophrastus, the Characters, and Rhetoric,” in Theophrasten Studies, Stuttgart: Franz Steiner Verlag, pp. 224243.Google Scholar
Fortenbaugh, W. W. (2007) “Biography and the Aristotelian Peripatos,” in Erler, M. and Schorn, S. (eds.), Die griechische Biographie in hellenistischer Zeit: Akten des internationalen Kongresses vom 26–29 Juli 2006 in Würzburg, Berlin: De Gruyter, pp. 4578.Google Scholar
Foucault, M. (2001) Fearless Speech, edited by Pearson, J., Los Angeles: Semiotext(e).Google Scholar
Foucher, L. (1961) “Une mosaïque de triclinium trouvée à Thysdrus,” Latomus, 20: 291297.Google Scholar
Fowler, B. H. (1989) The Hellenistic Aesthetic, Madison: University of Wisconsin Press.Google Scholar
Fraenkel, E. (1957) Horace, Oxford: Clarendon Press.Google Scholar
Fränkel, H. (1915) “De Simia Rhodio,” Ph.D. diss., Georg-August-Universität Göttingen.Google Scholar
Fränkel, M. (1890) Inschriften von Pergamon, Berlin. W. Spemann.Google Scholar
Franks, H. (2014) “Traveling in Theory: Movement as Metaphor in the Ancient Greek Andron,” ArtB, 96: 156169.Google Scholar
Fraser, P. M. (1972) Ptolemaic Alexandria, 3 vols., Oxford: Clarendon Press.Google Scholar
Frisch, P. (1975) Die Inschriften von Ilion, Bonn: Habelt.Google Scholar
Froning, H. (1988) “Anfänge der kontinuierenden Bilderzählung in der griechischen Kunst,” JdI, 103: 169199.Google Scholar
Fuchs, M. (1999) In hoc etiam genere graeciae nihil cedamus: Studien zur Romanisierung der späthellenistischen Kunst im 1. Jh. v. Chr., Mainz am Rhein: Philipp von Zabern.Google Scholar
Gabelko, O. (2017) “Bithynia and Cappadocia: Royal Courts and Ruling Society in the Minor Hellenistic Monarchies,” in Erskine, A., Llewellyn-Jones, L., and Wallace, S. (eds.), The Hellenistic Court: Monarchic Power and Elite Society from Alexander to Cleopatra, Swansea: The Classical Press of Wales, pp. 319342.Google Scholar
Gallavotti, C. (1969) “Tracce della Poetica di Aristotele negli scolii omerici,” Maia, 21: 203214.Google Scholar
Gallazi, C. and Settis, S. (eds.) (2006) Le tre vite del Papiro di Artemidoro: Voci e sguardi dall’Egitto greco-romano, Milan: Electa.Google Scholar
Gazda, E. K. (2002) The Ancient Art of Emulation: Studies in Artistic Originality and Tradition from the Present to Classical Antiquity. MAAR Supp. 1, Ann Arbor: University of Michigan Press.Google Scholar
Geroulanos, S. and Bridler, R. (1994) Trauma: Wund-Entstehung und Wund-Pflege im antiken Griechenland. Kulturgeschichte der antiken Welt 56, Mainz am Rhein: Von Zabern.Google Scholar
Geus, K. (2002) Eratosthenes von Kyrene: Studien zur hellenistischen Kultur und Wissenschaftgeschichte, Munich: Beck.Google Scholar
Geus, K. (2003) “Space and Geography,” in Erskine, A. (ed.), A Companion to the Hellenistic World, Oxford: Blackwell, pp. 232245.Google Scholar
Giangrande, G. (1982) “On Callimachus’ Literary Theories,” Corolla Londiniensis 2, Amsterdam: J. C. Gieben, pp. 5767.Google Scholar
Giannouli, V. and Guimier-Sorbets, A.-M. (1988) “Deux mosaïques hellénistiques à Samos,” BCH, 112: 545568.Google Scholar
Gibson, C. A. (2004) “Learning Greek History in the Ancient Classroom: The Evidence of the Treatises on Progymnasmata,” CP, 99: 103129.Google Scholar
Gibson, C. A. (2008) Libanius’s Progymnasmata: Model Exercises in Greek Prose Composition and Rhetoric. Society of Biblical Literature, Writings from the Greco-Roman World 27, Atlanta: Society of Biblical Literature.Google Scholar
Giuliani, L. (2003) Bild und Mythos, Munich: C. H. Beck.Google Scholar
Goddio, F. and Clauss, M. (eds.) (2006) Egypt’s Sunken Treasures, Munich: Prestel.Google Scholar
Goldhill, S. (1997) “The Language of Tragedy: Rhetoric and Communication,” in Easterling, P. E. (ed.), The Cambridge Companion to Greek Tragedy, Cambridge: Cambridge University Press, pp. 127150.Google Scholar
Goldhill, S. and Osborne, R. (eds.) (1994) Art and Text in Ancient Greek Culture, Cambridge: Cambridge University Press.Google Scholar
Goodlett, V. C. (1989) “Collaboration in Greek Sculpture: The Literary and Epigraphical Evidence,” Ph.D. diss., New York University.Google Scholar
Gow, A. S. F. (1952) Theocritus, 2 vols., Cambridge: Cambridge University Press.Google Scholar
Graf, F. (2002) “What Is New About Greek Sacrifice?” in Horstmanshoff, H. F. J. et al. (eds.), Kykeon: Studies in Honour of H. S. Versnel, Leiden: Brill, pp. 113125.Google Scholar
Graziosi, B. (2002) Inventing Homer, Cambridge: Cambridge University Press.Google Scholar
Green, P. (2000) “Pergamon and Sperlonga: A Historian’s Reactions,” in de Grummond, N. T. and Ridgway, B. S. (eds.), From Pergamon to Sperlonga: Sculpture and Context, Berkeley: University of California Press, pp. 166190.Google Scholar
Green, R. (1994) Theatre in Ancient Greek Society, London: Routledge.Google Scholar
Green, R. (2002) “Towards a Reconstruction of Performance Style,” in Easterling, P. and Hall, E. (eds.), Greek and Roman Actors, Cambridge: Cambridge University Press, pp. 93126.Google Scholar
Gronovius, J. (1697) Thesaurus Graecarum antiquitatem. Petrus & Balduinus van der Aa.Google Scholar
Gruen, E. S. (1984) The Hellenistic World and the Coming of Rome, Berkeley: University of California Press.Google Scholar
Gruen, E. S. (1998) Heritage and Hellenism: The Reinvention of Jewish Tradition, Berkeley: University of California Press.Google Scholar
Gruen, E. S. (2000) “Culture as Policy: The Attalids of Pergamon,” in de Grummond, N. T. and Ridgway, B. S. (eds.), From Pergamon to Sperlonga: Sculpture and Context, Berkeley: University of California Press, pp. 1731.Google Scholar
Gruen, E. S. (2002) Diaspora: Jews amidst Greeks and Romans, Cambridge: Harvard University Press.Google Scholar
Gruen, E. S. (2006) “Greeks and Non-Greeks,” in Bugh, G. (ed.), The Cambridge Companion to the Hellenistic World, Cambridge: Cambridge University Press, pp. 296314.Google Scholar
Gruen, E. S. (2009) “Hebraism and Hellenism,” in Boys-Stones, G., Graziosi, B., and Vasunia, P. (eds.), The Oxford Handbook of Hellenic Studies, Oxford: Oxford University Press, pp. 129139.Google Scholar
Gruen, E. S. (ed.) (2011a) Cultural Identity in the Ancient Mediterranean, Los Angeles: Getty Research Institute.Google Scholar
Gruen, E. S. (2011b) Rethinking the Other in Antiquity, Princeton: Princeton University Press.Google Scholar
Gruen, E. S. (2013) “Did Ancient Identity Depend on Ethnicity? A Preliminary Probe,” Phoenix, 67: 122.Google Scholar
Gruen, E. S. (2016) Constructs of Identity in Hellenistic Judaism: Essays on Early Jewish Literature and History, Berlin: De Gruyter.Google Scholar
Gruen, E. S. (2017) “Hellenistic Court Patronage and the Non-Greek World,” in Erskine, A., Llewellyn-Jones, L., and Wallace, S. (eds.), The Hellenistic Court: Monarchic Power and Elite Society from Alexander to Cleopatra, Swansea: The Classical Press of Wales, pp. 295318.Google Scholar
Grumach, E. (1949) Goethe und die Antike, Berlin: De Gruyter.Google Scholar
Grüßinger, R., Kästner, V., and Scholl, A. (eds.) (2011) Pergamon: Panorama der antiken Metropole, Berlin: Antikensammlung, Staatliche Museen zu Berlin.Google Scholar
Guarducci, M. (1958) “Ancora sull’artista nell’antichità classica,” ArchCl, 10: 138150.Google Scholar
Guarducci, M. (1962) “Nuove osservazioni sull’artista nell’antichità classica,” ArchCl, 14: 236239.Google Scholar
Gunderson, E. (ed.) (2009) The Cambridge Companion to Ancient Rhetoric, Cambridge: Cambridge University Press.Google Scholar
Gutzwiller, K. (1998) Poetic Garlands: Hellenistic Epigrams in Context, Berkeley: University of California Press.Google Scholar
Gutzwiller, K. (2002) “Art’s Echo: The Tradition of Hellenistic Ecphrastic Epigram,” in Harder, M. A. et al. (eds.), Hellenistic Epigrams, Leuven: Peeters, pp. 85112.Google Scholar
Habicht, C. (1958) “Herrschende Gesellschaft in den hellenistischen Monarchien,” Vierteljahresschift für Sozial- und Wirtschaftsgeschichte, 45: 116.Google Scholar
Hägg, T. (2012) The Art of Biography in Antiquity, Cambridge: Cambridge University Press.Google Scholar
Hall, E. (1989) Inventing the Barbarian: Greek Self-Definition through Tragedy, Oxford: Clarendon Press.Google Scholar
Hall, E. (1995) “Lawcourt Dramas: The Power of Performance in Greek Forensic Oratory,” BICS, 40: 3958.Google Scholar
Hall, J. (2002) Hellenicity, Chicago: University of Chicago Press.Google Scholar
Hallett, C. H. (1998) “A Group of Portrait Statues from the Civic Center of Aphrodisias,” AJA, 102: 5989.Google Scholar
Hallett, C. H. (2005) The Roman Nude: Heroic Portrait Statuary, 200 B.C.–300 A.D., Oxford: Oxford University Press.Google Scholar
Hallett, C. H. (2012) “The Archaic Style in the Eyes of Ancient and Modern Viewers,” in Coltman, V. (ed.), Making Sense of Greek Art, Exeter: University of Exeter Press, pp. 70100.Google Scholar
Hallett, C. H. (2015) “Looking Back: Archaic and Classical Bronzes of the Hellenistic and Roman Periods,” in Daehner, J. and Lapatin, K. (eds.), Power and Pathos: Bronzes of the Hellenistic World, Los Angeles: J. Paul Getty Museum, pp. 126149.Google Scholar
Halliwell, S. (1987) The Poetics of Aristotle: Translation and Commentary, London: Duckworth.Google Scholar
Halliwell, S. (2002) The Aesthetics of Mimesis: Ancient Texts and Modern Problems, Princeton: Princeton University Press.Google Scholar
Hammond, N. G. L. (1990) “Royal Pages, Personal Pages, and Boys Trained in the Macedonian Manner during the Period of the Temenid Monarchy,” Historia, 39: 261290.Google Scholar
Hansen, E. V. (1971) The Attalids of Pergamon, 2nd edn., Ithaca: Cornell University Press.Google Scholar
Hardie, A. (1983) Statius and the Silvae: Poets, Patrons, and Epideixis in the Graeco-Roman World, Liverpool: Francis Cairns.Google Scholar
Harris, W. V. (1989) Ancient Literacy, Cambridge: Harvard University Press.Google Scholar
Harrison, S. J. (1988) “Deflating the Odes: Horace, Epistles 1.20,” CQ, 38: 473476.Google Scholar
Hassan, F. (ed.) (2002) Alexandria Graeco-Roman Museum: A Thematic Guide, Egypt: National Center for Documentation of Cultural and Natural Heritage and the Supreme Council of Antiquities, Egypt.Google Scholar
Häuber, R. C. (1991) Die Horti Maecenatis und die Horti Lamiani auf dem Esquilin: Geschichte, Topographie, Statuenfunde, Cologne: Universität zu Köln.Google Scholar
Hausrath, A. (1959) Corpus fabularum aesopicarum, vol. 1.2, Leipzig: Teubner.Google Scholar
Haussoullier, B. (1882) “Inscriptions de Delphes (1),” BCH, 6: 213–240, 444466.Google Scholar
Havelock, C. M. (1971) Hellenistic Art: The Art of the Classical World from the Death of Alexander the Great to the Battle of Actium, London: Phaidon.Google Scholar
Havelock, E. A. (1982) The Literate Revolution in Greece and Its Cultural Consequences, Princeton: Princeton University Press.Google Scholar
Hawass, Z. (ed.) (2002) Bibliotheca Alexandrina: The Archaeology Museum, Alexandria: The Supreme Council of Antiquities.Google Scholar
Hazzard, R. A. (2000) Imagination of a Monarchy: Studies in Ptolemaic Propaganda, Toronto: University of Toronto Press.Google Scholar
Heath, M. (2002) “Theon and the History of the Progymnasmata,” GRBS, 43: 129160.Google Scholar
Heath, M. (2004) Menander: A Rhetor in Context, Oxford: Oxford University Press.Google Scholar
Heilmeyer, W.-D. (1997) “New Arrangement and Interpretation of the Telephos Frieze from the Pergamon Altar,” in Dreyfus, R. and Schraudolph, E. (eds.), Pergamon: The Telephos Frieze from the Great Altar, vol. 2, San Francisco: Fine Arts Museums of San Francisco, pp. 127128.Google Scholar
Hellmann, M.-C. (1982) Recherches sur le vocabulaire de l’architecture grecque, d’après les inscriptions de Délos, Athens: École Française d’Athènes.Google Scholar
Hengel, M. (1974) Judaism and Hellenism, trans. J. Bowden, London: SCM Press.Google Scholar
Heres, H. (1974) “Fragmente vom Telephosfries,” FuB, 16: 191208.Google Scholar
Heres, H. (1997) “The Myth of Telephos in Pergamon,” in Dreyfus, R. and Schraudolph, E. (eds.), Pergamon: The Telephos Frieze from the Great Altar, vol. 2, San Francisco: Fine Arts Museums of San Francisco, pp. 83108.Google Scholar
Herman, D. (ed.) (2007) The Cambridge Companion to Narrative, Cambridge: Cambridge University Press.Google Scholar
Herman, G. (1980–1981) “The Friends of the Early Hellenistic Rulers,” Talanta, 12–13: 103149.Google Scholar
Herman, G. (1987) Ritualised Friendship and the Greek City, Cambridge: Cambridge University Press.Google Scholar
Herman, G. (1997) “The Court Society of the Hellenistic Age,” in Cartledge, P., Garnsey, P., and Gruen, E. (eds.), Hellenistic Constructs: Essays in Culture, History, and Historiography, Berkeley: University of California Press, pp. 199224.Google Scholar
Herrin, J. and Stafford, E. (eds.) (2005) Personification in the Greek World: From Antiquity to Byzantium, Aldershot: Ashgate.Google Scholar
Himmelmann, N. (1979) “Zur Entlohnung künstlerischer Tätigkeit in klassischen Bauinschriften,” JdI, 94: 127142.Google Scholar
Hinks, R. (1939) Myth and Allegory in Ancient Art, London: Warburg Institute.Google Scholar
Hintzen-Bohlen, B. (1990) “Die Familiengruppe: Ein Mittel der Selbstdartsellung hellenistischer Herrscher,” JdI, 105: 129154.Google Scholar
Hobden, F. (2013) The Symposium in Ancient Greek Society and Thought, Cambridge: Cambridge University Press.Google Scholar
Hock, R. (1997) “The Rhetoric of Romance,” in Porter, S. E. (ed.), Handbook of Classical Rhetoric in the Hellenistic Period, Leiden: Brill, pp. 445465.Google Scholar
Hock, R. F. and O’Neil, E. N. (2002) The Chreia and Ancient Rhetoric: Classroom Exercises, Leiden: Brill.Google Scholar
Hoepfner, W. (1989) “Zu den grossen Altären von Magnesia und Pergamon,” AA, 601–634.Google Scholar
Hoepfner, W. (1993) “Siegestempel und Siegesaltäre: Der Pergamonaltar als Siegesmonument,” in Hoepfner, W. and Zimmer, G. (eds.), Die griechische Polis: Architektur und Politik, Tübingen: E. Wasmuth, pp. 111125.Google Scholar
Hoepfner, W. (1996) “Zum Typus der Basileia und der königlichen Andrones,” in Hoepfner, W. and Brands, G. (eds.), Basileia: Die Paläste der hellenistischen Könige, Mainz am Rhein: Philipp von Zabern, pp. 143.Google Scholar
Hoepfner, W. (1997a) “The Architecture of Pergamon,” in Dreyfus, R. and Schraudolph, E. (eds.), Pergamon: The Telephos Frieze from the Great Altar, vol. 2, San Francisco: Fine Arts Museums of San Francisco, pp. 2357.Google Scholar
Hoepfner, W. (1997b) “Model of the Pergamon Altar (1:20),” in Dreyfus, R. and Schraudolph, E. (eds.), Pergamon: The Telephos Frieze from the Great Altar, vol. 2, San Francisco: Fine Arts Museums of San Francisco, pp. 5967.Google Scholar
Hoffmann, P., Hupe, J., and Goethert, K. (1999) Katalog der römischen Mosaike aus Trier und dem Umland, Trierer Grabungen und Forschungen XVI, Mainz am Rhein: Philipp von Zabern.Google Scholar
Hölbl, G. (2001) A History of the Ptolemaic Empire, trans. Saavedra, T., London: Routledge.Google Scholar
Hornblower, S. (1987) Thucydides, London: Duckworth.Google Scholar
Hornblower, S. (1994) “Introduction: Summary of the Papers; The Story of Greek Historiography; Intertextuality and the Greek Historians,” in Hornblower, S. (ed.), Greek Historiography, Oxford: Oxford University Press, pp. 172.Google Scholar
Hornblower, S. (2015) Lykophron: Alexandra. Greek Text, Translation, Commentary, and Introduction, Oxford: Oxford University Press.Google Scholar
Horrocks, G. (1997) Greek: A History of the Language and Its Speakers, London and New York: Longman.Google Scholar
Hunter, R. (1996) Theocritus and the Archaeology of Greek Poetry, Cambridge: Cambridge University Press.Google Scholar
Hunter, R. (2003) Theocritus: Encomium of Ptolemy Philadelphus. Text and Translation with an Introduction and Commentary, Berkeley: University of California Press.Google Scholar
Hurwit, J. (2015) Artists and Signatures in Ancient Greece, Cambridge: Cambridge University Press.Google Scholar
Ibrahim, L., Scranton, R., and Brill, R. (1976) Kenchreai, Eastern Port of Corinth II: The Panels of Opus Sectile in Glass, Leiden: Brill.Google Scholar
Inan, J. (1998) Toroslar’da bir antik kent: Eine antike Stadt im Taurusgebirge. Lyrbe? Seleukeia? Istanbul: Arkeoloji ve Sanat Yayınları.Google Scholar
Jones, C. P. (1985) “Homer’s Daughters,” Phoenix, 39: 3035.Google Scholar
Jouan, F. and Van Looy, H. (2002) Euripide: Tragédies. Tome VIII. Fragments de drames non identifiés, Paris: Les Belles Lettres.Google Scholar
Kaltsas, N. (2002) Sculpture in the National Archaeological Museum, Athens, edited by Hardy, D., Athens: Kapon Editors.Google Scholar
Kannicht, R. (2004) Euripides, vol. 5, Gottingen: Vandenhoeck & Ruprecht.Google Scholar
Kapetanopoulos, E. (1987) “The Iliad Epigram from the Agora of Athens,” Prometheus, 13: 110.Google Scholar
Kästner, V. (1997) “The Architecture of the Great Altar and the Telephos Frieze,” in Dreyfus, R. and Schraudolph, E. (eds.), Pergamon: The Telephos Frieze from the Great Altar, vol. 1, San Francisco: Fine Arts Museums of San Francisco, pp. 6882.Google Scholar
Kästner, V. (1998) “The Architecture of the Great Altar of Pergamon,” in Koester, H. (ed.), Pergamon: Citadel of the Gods. Archaeological Record, Literary Description, and Religious Development, Harrisburg: Trinity Press International, pp. 137161.Google Scholar
Kästner, V. (2000) “Vorläufiger Bericht zu den Ergebnissen der Untersuchungen am Oberau des Pergamonaltars,” in Hoffmann, A. et al. (eds.), Bericht über die 40. Tagung für Ausgrabungswissenschaft und Bauforschung: vom 20. bis 23. Mai 1998 in Wien, Stuttgart: Koldewey-Gesellschaft, pp. 6478.Google Scholar
Kästner, V. (2011) “Die Altarterrase,” in Grüßinger, R., Kästner, V., and Scholl, A. (eds.), Pergamon: Panorama der antiken Metropole, Berlin: Antikensammlung, Staatliche Museen zu Berlin, pp. 198211.Google Scholar
Kawerau, G. and Wiegand, T. (1930) Die Paläste der Hochburg. Altertümer von Pergamon, 5.1, Berlin: W. de Gruyter.Google Scholar
Keizer, H. M. (1999) “Life Time Entirety: A Study of ΑΙΩΝ in Greek Literature and Philosophy, the Septuagint and Plato,” Ph.D. diss., University of Amsterdam.Google Scholar
Kennedy, G. A. (1997) “Historical Survey of Rhetoric,” in Porter, S. E. (ed.), Handbook of Classical Rhetoric in the Hellenistic Period 330 B.C.–A.D. 400, Leiden: Brill, pp. 341.Google Scholar
Kennedy, G. A. (2003) Progymnasmata: Greek Textbooks of Prose Composition and Rhetoric, Leiden: Brill.Google Scholar
Kershaw, S. P. (1986) “Personification in the Hellenistic World,” Ph.D. diss., University of London.Google Scholar
Kiple, K. E. and Conneè Ornelas, K. (eds.) (2000) The Cambridge World History of Food, vol. 1, Cambridge: Cambridge University Press.Google Scholar
Kircher, A. (1671) Latium, id est nova et parallela Latii cum veteris tum novi descriptio.Google Scholar
Kirk, G. S., Raven, J. E., and Schofield, M. (1983) The Presocratic Philosophers: A Critical History with a Selection of Texts, 2nd edn., Cambridge: Cambridge University Press.Google Scholar
Kleiner, D. E. E. (1992) Roman Sculpture, New Haven: Yale University Press.Google Scholar
Koenen, L. (1993) “The Ptolemaic King as a Religious Figure,” in Bulloch, A. et al. (eds.), Images and Ideologies: Self-definition in the Hellenistic World, Berkeley: University of California Press, pp. 25115.Google Scholar
Kołątaj, W., Majcherek, G., and Paradowska, E. (2007) Villa of the Birds: The Excavation of the Kom al-Dikka Mosaics, Cairo: American University in Cairo Press.Google Scholar
Kosmetatou, E. (1995) “The Legend of the Hero Pergamus,” Ancient Society, 26: 133144.Google Scholar
Kosmetatou, E. (2000) “Lycophron’s ‘Alexandra’ Reconsidered: The Attalid Connection,” Hermes, 128: 3253.Google Scholar
Kosmetatou, E. (2001) “Ilion, the Troad, and the Attalids,” Ancient Society, 31: 107132.Google Scholar
Kosmetatou, E. (2003) “The Attalids of Pergamon,” in Erksine, A. (ed.), A Companion to the Hellenistic World, Oxford: Blackwell, pp. 159174.Google Scholar
Kousser, R. (2008) Hellenistic and Roman Ideal Sculpture: The Allure of the Classical, Cambridge: Cambridge University Press.Google Scholar
Kövesces, Z. (2002) Metaphor: A Practical Introduction, Oxford: Oxford University Press.Google Scholar
Kremmydas, C. (2016) “Hellenistic Rhetorical Education and Paul’s Letters,” in Porter, S. E. and Dyer, B. R. (eds.), Paul and Ancient Rhetoric, Cambridge: Cambridge University Press, pp. 6885.Google Scholar
Kremmydas, C. and Tempest, K. (2013) Hellenistic Oratory: Continuity and Change, Oxford: Oxford University Press.CrossRefGoogle Scholar
Krevans, N. and Sens, A. (2006) “Language and Literature,” in Bugh, G. (ed.), The Cambridge Companion to the Hellenistic World, Cambridge: Cambridge University Press, pp. 186207.Google Scholar
Krieger, M. (1992) Ekphrasis: The Illusion of the Natural Sign, Baltimore: Johns Hopkins University Press.Google Scholar
Kriseleit, I. (2000) Antike Mosaiken, Mainz am Rhein: Antikensammlung Staatliche Museen zu Berlin/Verlag Philipp von Zabern.Google Scholar
Kurke, L. (1993) “The Economy of Kudos,” in Dougherty, L. and Kurke, L. (eds.), Cultural Poetics in Archaic Greece, Cambridge: Cambridge University Press, pp. 131163.Google Scholar
Kuttner, A. (1995a) Dynasty and Empire in the Age of Augustus: The Case of the Boscoreale Cups, Berkeley: University of California Press.Google Scholar
Kuttner, A. (1995b) “Republican Rome Looks at Pergamum,” HSCP, 97: 157178.Google Scholar
Kuttner, A. (2005) “‘Do You Look Like You Belong Here?’ Asianism at Pergamon and the Makedonia Diaspora,” in Gruen, E. S. (ed.), Cultural Borrowings and Ethnic Appropriation in Antiquity, Stuttgart: F. Steiner, pp. 137206.Google Scholar
Kwapicz, J. (2014) “Kraters, Myrtle, and Hellenistic Poetry,” in Harder, M. A., Regtuit, R. F., and Wakker, G. C. (eds.), Hellenistic Poetry in Context. Hellenistica Groningana 20, Leuven: Peeters, pp. 195216.Google Scholar
Kyrieleis, H. (1975) Bildnisse der Ptolemäer, Berlin: Gebr. Mann.Google Scholar
Kyrieleis, H. (2005) “Griechische Ptolemäerbildnisse: Eigenart, Unterschiede zu anderen hellenistischen Herscherbildnissen,” in Beck, H., Bol, P. C., and Bückling, M. (eds.), Ägypten Griechenland Rom: Abwehr und Berührung, Frankfurt: Das Stadel, Stadelsches Kunstinstitut und Stadtische Galerie, pp. 235243.Google Scholar
Lancha, J. (1997) Mosaique et culture dans l’occident Romain (Ier–IVe s.), Rome: “L’Erma” di Bretschneider.Google Scholar
Lanciani, R. (1906) “Il grupo dei Niobidi nei giardini di Sallustio,” Bullettino della Commissione Archeologica di Roma, 34: 157185.Google Scholar
Lange, C. H. (2016) Triumphs in the Age of Civil War: The Late Republic and the Adaptability of Triumphal Tradition, London: Bloomsbury.Google Scholar
Lapatin, K. (2015) Luxus: The Sumptuous Arts of Greece and Rome, Los Angeles: J. Paul Getty Museum.Google Scholar
Larmour, D. H. J. (2014) “The Synkrisis,” in Beck, M. (ed.), A Companion to Plutarch, Chichester: Blackwell, pp. 405416.Google Scholar
Lausberg, H. (1998) Handbook of Literary Rhetoric: A Foundation for Literary Study, trans. Bliss, M. T. et al., and edited by Orton, D. E. and Anderson, R. D., Leiden: Brill.Google Scholar
Lauter, H. (1980) “Zur wirtschaftlichen Position der Praxiteles-familie im spätklassischen Athen,” AA, 525–531.Google Scholar
Lawrence, A. (1927) Later Greek Sculpture, New York: Harcourt, Brace.Google Scholar
Leftwich, G. (1987) “Ancient Conceptions of the Body and the Canon of Polykleitos,” Ph.D. diss., Princeton University.Google Scholar
Lessing, G. E. (1766) Laokoon.Google Scholar
Liebeschuetz, W. (2000) “Rubbish Disposal in Greek and Roman Cities,” in Raventós, X. Dupré and Remolà, J.-A. (eds.), Sordes Urbis: La eliminación de residuos en la ciudad Romana, Rome: “L’Erma” di Bretschneider, pp. 5161.Google Scholar
Lightfoot, C. (2016) “Royal Patronage and the Luxury Arts,” in Picón, C. and Hemingway, S. (eds.), Pergamon and the Hellenistic Kingdoms of the Ancient World, New York: Metropolitan Museum of Art, pp. 7783.Google Scholar
Lindenlauf, A. (2000) “Waste Management in Ancient Greece, from the Homeric to the Classical Period: Concepts and Practices of Waste, Dirt, Disposal and Recycling,” Ph.D. diss., University College London.Google Scholar
Linfert, A. (1995) “Prunkaltäre,” in Worrle, M. and Zanker, P. (eds.), Stadtbild und Bürgerbild im Hellenismus. Vestigia 4, Munich: Beck, pp. 131146.Google Scholar
Lissarague, F. (1990) The Aesthetics of the Greek Banquet: Images of Wine and Ritual, trans. Szegedy-Maszak, A., Princeton: Princeton University Press.Google Scholar
Lloyd-Jones, H. and Parsons, P. (eds.) (1983) Supplementum Hellenisticum, Berlin: Walter de Gruyter.Google Scholar
Loftus, A. (2000) “A New Fragment of the Theramenes Papyrus (P. Mich. 5796b),” ZPE, 133: 1120.Google Scholar
Loomis, W. T. (1998) Wages, Welfare Costs, and Inflation in Classical Athens, Ann Arbor: University of Michigan Press.Google Scholar
Lorenz, K. (2016) Ancient Mythological Images and their Interpretation: An Introduction to Semiotics and Image Studies in Classical Art History, Cambridge: Cambridge University Press.Google Scholar
Loxley, J. (2007) Performativity, London: Routledge.Google Scholar
Lynch, K. (2018) “Hellenistic Symposium as Feast,” in van den Eijnde, F., Blok, J., and Strootman, R. (eds.), Feasting and Polis Institutions. Mnemosyne Supp. 4, Leiden: Brill, pp. 233256.Google Scholar
MacKillop, J. (2004) A Dictionary of Celtic Mythology, Oxford: Oxford University Press.Google Scholar
Maehler, H. (2003) “Alessandria, il museo, e la questione dell’identità culturale,” RendLinc, s. 9 v. 14: 99120.Google Scholar
Mairs, R. (2010) “An Identity Crisis? Identity and Its Discontents in Hellenistic Studies,” in Riva, M. Dalla (ed.), Meetings between Cultures in the Ancient Mediterranean: Proceedings of the 17th International Congress of Classical Archaeology, Rome, 22–26 Sept. 2008. Rome.Google Scholar
Mairs, R. (2014) The Hellenistic Far East: Archaeology, Language, and Identity in Greek Central Asia, Oakland: University of California Press.Google Scholar
Manikidou, F. (1992) Beschreibung von Kunstwerken in der Hellenistischen Dichtung: Ein Beitrag zur hellenistichen Poetik, Stuttgart: B. G. Teubner.Google Scholar
Männlein-Robert, I. (2007) “Epigrams on Art: Voice and Voicelessness in Ecphrastic Epigram,” in Bing, P. and Bruss, J. S. (eds.), Brill’s Companion to Hellenistic Epigram, Leiden: Brill, pp. 251271.Google Scholar
Manzelli, V. and Racagni, P. (2005) Convivium: L’Aristocrazia Romana a tavola, Ravenna: Valerio Maioli.Google Scholar
Mari, M. (2018) “The Macedonian Background of Hellenistic Panegyreis and Public Feasting,” in van den Eijnde, F., Blok, J., and Strootman, R. (eds.), Feasting and Polis Institutions, Leiden: Brill, pp. 297314.Google Scholar
Martin, S. R. (2017) The Art of Contact: Comparative Approaches to Greek and Phoenician Art, Philadelphia: University of Pennsylvania Press.Google Scholar
Martin, T. (1997) “The Chronos Myth in Cynic Philosophy,” GRBS, 38: 85108.Google Scholar
Massa-Pairault, F.-H. (1998) “Examen de la frise de Téléphe,” Ostraka, 7.1–2: 93157.Google Scholar
McInerney, J. (ed.) (2014) A Companion to Ethnicity in the Ancient Mediterranean, Chichester: Wiley-Blackwell.Google Scholar
McLean, B. H. (2002) An Introduction to Greek Epigraphy of the Hellenistic and Roman Periods from Alexander the Great down to the Reign of Constantine (323 B.C.–A.D. 337), Ann Arbor: University of Michigan Press.Google Scholar
McLennan, G. R. (1977) Callimachus, Hymn to Zeus: Introduction and Commentary, Rome: Edizioni dell’ Ateneo & Bizzarri.Google Scholar
McNelis, C. and Sens, A. (2016) The Alexandra of Lycophron: A Literary Study, Oxford: Oxford University Press.Google Scholar
Meritt, B. D. (1974) Inscriptions: The Athenian Councillors. The Athenian Agora: Results of the Excavations Conducted by the American School of Classical Studies at Athens XV, Princeton: Princeton University Press.Google Scholar
Merkelbach, R. (1979) “Das Epigramm auf die Ilias des Nikanor,” ZPE, 33: 178179.Google Scholar
Merkelbach, R. and Nollé, J. (1980) Inschriften von Ephesos 6, Bonn: Habelt.Google Scholar
Messerschmidt, W. (2003) Prosopopoiia: Personificationen politischen Charakters in spätklassischer und hellenistischer Kunst, Cologne: Böhlau Verlag.Google Scholar
Meyboom, P. G. P. (1978) “Some Observations on Narration in Greek Art,” Meded, 40: 5582.Google Scholar
Meyboom, P. G. P. (1995) The Nile Mosaic of Palestrina: Early Evidence of Egyptian Religion in Italy, Leiden: E. J. Brill.Google Scholar
Meyer, H. (1977) “Zu neueren Deutungen von Asarotos Oikos und kapitolinischem Taubenmosaik,” AA, 104–110.Google Scholar
Miller, S. G. (1972) “A Roman Monument in the Athenian Agora,” Hesperia, 41: 5095.Google Scholar
Mitchell, W. J. T. (1994) Picture Theory: Essays on Verbal and Visual Representation, Chicago: University of Chicago Press.Google Scholar
Momigliano, A. (1970) “J. G. Droysen between Greeks and Jews,” History and Theory, 9: 139153.Google Scholar
Momigliano, A. (1993) The Development of Greek Biography, expanded edn., Cambridge: Harvard University Press.Google Scholar
Moormann, E. M. (2000) “La bellezza dell’immondezza: Raffigurazaioni di rifitui nell’arte ellenistica e romana,” in Dupré Raventós, X. and Remolà, J.-A. (eds.), Sordes urbis: La eliminación de residuos en la ciudad Romana, Rome: “L’Erma” di Bretschneider, pp. 7594.Google Scholar
Moreno, P. (1974) Lisippo, vol. 1, Bari: Dedalo Libri.Google Scholar
Moreno, P. (1987) Vita e arte di Lisippo, Milan: Il Saggiatore.Google Scholar
Moreno, P. (1994) Scultura ellenistica, vol. 1, Rome: Istituto poligrafico e Zecca dello Stato, Libreria dello Stato.Google Scholar
Moreno, P. (ed.) (1995) Lysippo: L’arte e la fortuna, Rome: Fabbri Editori.Google Scholar
Morgan, J. (2017) “At Home with Royalty: Re-viewing the Hellenistic Palace,” in Erskine, A., Llewellyn-Jones, L., and Wallace, S. (eds.), The Hellenistic Court: Monarchic Power and Elite Society from Alexander to Cleopatra, Swansea: The Classical Press of Wales, pp. 3167.Google Scholar
Morgan, T. (1998) Literate Education in the Hellenistic and Roman Worlds, Cambridge: Cambridge University Press.Google Scholar
Morgan, T. (2003) “Tragedy in the Papyri: An Experiment in Extracting Cultural History from the Leuven Database,” CE, 78: 187201.Google Scholar
Mørkholm, O. (1991) Early Hellenistic Coinage: From the Accession of Alexander to the Peace of Apamea (336–188 B.C.), edited by Grierson, P. and Westermark, U., Cambridge: Cambridge University Press.Google Scholar
Morpugo Davies, A. (1987) “The Greek Notion of Dialect,” Verbum, 10: 728.Google Scholar
Murray, O. (1983) “The Greek Symposion in History,” in Gabba, E. (ed.), Tria Corda: Scritti in onore di Arnaldo Momigliano, Como: Edizioni New Press, pp. 257272.Google Scholar
Murray, O. (1990) “Sympotic History,” in Murray, O. (ed.), Sympotica: A Symposium on the Symposion, Oxford: Clarendon Press, pp. 313.Google Scholar
Murray, O. (1996) “Hellenistic Royal Symposia,” in Bilde, P. et al. (eds.), Aspects of Hellenistic Kingship, Aarhus: Aarhus University Press, pp. 1527.Google Scholar
Murray, O. and Tecuşan, M. (eds.) (1995) In Vino Veritas, London: The British School at Rome.Google Scholar
Musso, O. (1985) [Antigonus Carystius], Rerum mirabilium collectio, Naples: Bibliopolis.Google Scholar
Nagy, G. (1992) “Authorisation and Authorship in the Hesiodic Theogony,” Ramus, 21: 119130.Google Scholar
Neils, J. (2001) The Parthenon Frieze, Cambridge: Cambridge University Press.Google Scholar
Nevett, L. C. (1999) House and Society in the Ancient Greek World, Cambridge: Cambridge University Press.Google Scholar
Newby, Z. (2007) “Reading the Allegory of the Archelaos Relief,” in Newby, Z. and Leader-Newby, R. (eds.), Art and Inscriptions in the Ancient World, Cambridge: Cambridge University Press, pp. 156178.Google Scholar
Nickau, K. (1977) Untersuchungen zur textkritischen Methode des Zenodotos von Ephesos, Berlin: De Gruyter.Google Scholar
Nicolet, C. (1991) Space, Geography, and Politics in the Early Roman Empire, Ann Arbor: University of Michigan Press.Google Scholar
Nielsen, I. (1998) “Royal Banquets: The Development of Royal Banquets and Banqueting Halls from Alexander to the Tetrarchs,” in Nielsen, I. and Nielsen, H. S. (eds.), Meals in a Social Context: Aspects of the Communal Meal in the Hellenistic and Roman World, Aarhus: Aarhus University Press, pp. 102133.Google Scholar
Nielsen, I. (1999) Hellenistic Palaces: Tradition and Renewal, Aarhus: Aarhus University Press.Google Scholar
Nielsen, T. H. (2002) Arkadia and Its Poleis in the Archaic and Classical Periods, Goettingen: Vandenhoeck & Ruprecht.Google Scholar
Nielsen, T. H. and Roy, J. (eds.) (1999) Defining Ancient Arkadia: Acts of the Copenhagen Polis Centre 6, Copenhagen: Royal Danish Academy of Sciences and Letters.Google Scholar
Nightingale, A. W. (1995) Genres in Dialogue: Plato and the Construct of Philosophy, Cambridge: Cambridge University Press.Google Scholar
Nikolaidis, A. G. (2014) “Morality, Characterization, and Individuality,” in Beck, M. (ed.), A Companion to Plutarch, Chichester: Wiley-Blackwell, pp. 350372.Google Scholar
Nilsson, M. P. (1955) Die hellenistische Schule, Munich: C. H. Beck.Google Scholar
Obbink, D. (2006) “A New Archilochus Poem,” ZPE, 156: 19.Google Scholar
Oberleitner, W. (1978) Katalog der Antikensammlung II: Funde aus Ephesos und Samothrake, Vienna: Kunsthistorisches Museum and Verlag Carl Ueberreuter.Google Scholar
O’Gorman, N. (2004) “Longinus’s Sublime Rhetoric, or How Rhetoric Came into Its Own,” Rhetoric Society Quarterly, 34: 7189.Google Scholar
Oliensis, E. (1997) “The Erotics of Patronage: Readings in Tibullus, Propertius, and Horace,” in Hallett, J. P. and Skinner, M. B. (eds.), Roman Sexualties, Princeton: Princeton University Press, pp. 5171.Google Scholar
Oliensis, E. (1998) Horace and the Rhetoric of Authority, Cambridge: Cambridge University Press.Google Scholar
Onians, J. (1979) Art and Thought in the Hellenistic Age, London: Thames & Hudson.Google Scholar
Pack, R. A. (1965) The Greek and Latin Literary Texts from Greco-Roman Egypt, 2nd edn., Ann Arbor: University of Michigan Press.Google Scholar
Pagani, L. (2015) “Language Correctness (Hellenismos) and Its Criteria,” in Montanari, F., Matthaios, S., and Rengakos, A. (eds.), Brill’s Companion to Ancient Greek Scholarship, Leiden: Brill, pp. 798849.Google Scholar
Page, D. L. (1942) Greek Literary Papyri, vol. 3, Cambridge: Harvard University Press.Google Scholar
Page, D. L. (ed.) (1981) Further Greek Epigrams: Epigrams before A.D. 50 from the Greek Anthology and Other Sources Not Included in the “Hellenistic Epigrams” or “The Garland of Philip,” Cambridge: Cambridge University Press.Google Scholar
Palma, B. and de Lachenal, L. (1983) Museo Nazionale Romano. Le Sculture. 1, 5, Rome: De Luca Editore.Google Scholar
Pannuti, U. (1984) L’Apoteosi d’Omero: Vaso argenteo del Museo Nazionale di Napoli, Accademia Nazionale dei Lincei. Monumenti antichi. Serie miscellanea, vol. III,2, Rome: Academia dei Lincei.Google Scholar
Parlasca, K. (1963) “Das pergamenische Taubenmosaik und der Sogenannte Nestor-Becher,” JdI, 78: 256293.Google Scholar
Patillon, M. (1988) La Théorie du discours chez Hermogène le Rhéteur: Essai sur les structures linguistiques de la rhétorique ancienne, Paris: Les Belles Lettres.Google Scholar
Patillon, M. and Bolognesi, G. (eds.) (1997) Aelius Théon: Progymnasmata, Paris: Les Belles Lettres.Google Scholar
Paxson, J. J. (1994) The Poetics of Personification, Cambridge: Cambridge University Press.Google Scholar
Pearcy, L. T. (1994) “The Personifications of the Text and Augustan Poetics in Epistles 1.20,” CW, 87: 457464.Google Scholar
Pedley, J. G. (1968) “Review of Antike Plastik, Leiferung IV, Teil I-II. Edited by W.-H. Schuchhardt,” AJA, 72: 183184.Google Scholar
Peirce, S. (1993) “Death, Revelry, and Thysia,” CA, 12: 219266.Google Scholar
Pelling, C. (2002) Plutarch and History: Eighteen Studies, London: Classical Press of Wales.Google Scholar
Penella, R. J. (2015) “The Progymnasmata and Progymnasmatic Theory in Imperial Greek Education,” in Bloomer, W. M. (ed.), A Companion to Ancient Education, Chichester: Wiley-Blackwell, pp. 160171.Google Scholar
Peremans, W. et al. (1968) Prosopographia Ptolemaica, vol. 6, Louvain: Publications universitaires.Google Scholar
Pernot, L. (1993) La Rhétorique de l’éloge dans le monde gréco-romain, 2 vols., Paris: Institut d’Études Augustiniennes.Google Scholar
Pfeiffer, R. (1968) History of Classical Scholarship from the Beginnings to the End of the Hellenistic Age, Oxford: Clarendon Press.Google Scholar
Pfrommer, M. (2005) “Kameen, Gemmen und Kameoglas,” in Beck, H., Bol, P. C., and Bückling, M. (eds.), Ägypten Griechenland Rom: Abwehr und Berührung, Frankfurt: Das Stadel, Stadelsches Kunstinstitut und Stadtische Galerie, pp. 373377.Google Scholar
Phelan, J. and Rabinowitz, P. J. (eds.) (2008) A Companion to Narrative Theory, Oxford: Blackwell.Google Scholar
Picón, C. and Hemingway, S. (eds.) (2016) Pergamon and the Hellenistic Kingdoms of the Ancient World, New York: Metropolitan Museum of Art.Google Scholar
Picón, C. et al. (2007) Art of the Classical World in the Metropolitan Museum of Art: Greece, Cyprus, Etruria, Rome, New Haven: Yale University Press.Google Scholar
Pikoulis, E. A. et al. (2004) “Trauma Management in Ancient Greece: Value of Surgical Principles through the Years,” World Journal of Surgery, 28: 425430.CrossRefGoogle ScholarPubMed
Pinkwart, D. (1965a) Das Relief des Archelaos von Priene und die Musen des Philiskos, Kallmünz: Lassleben.Google Scholar
Pinkwart, D. (1965b) “Das Relief des Archelaos von Priene,” AntP, 4: 5565.Google Scholar
Pirson, F. and Scholl, A. (eds.) (2014) Pergamon: A Hellenistic Capital in Anatolia, Istanbul: Yapı Kredi Yayınları.Google Scholar
Plantzos, D. (1999) Hellenistic Engraved Gems, Oxford: Clarendon Press.Google Scholar
Plantzos, D. (2016) Greek Art and Archaeology c. 1200–30 B.C., Bristol: Lockwood Press.Google Scholar
Pollitt, J. J. (1974) The Ancient View of Greek Art, New Haven: Yale University Press.Google Scholar
Pollitt, J. J. (1986) Art in the Hellenistic Age, Cambridge: Cambridge University Press.Google Scholar
Pollitt, J. J. (1990) The Art of Ancient Greece: Sources and Documents, Cambridge: Cambridge University Press.Google Scholar
Pollitt, J. J. (2000) “The Phantom of a Rhodian School of Sculpture,” in de Grummond, N. T. and Ridgway, B. S. (eds.), From Pergamon to Sperlonga: Sculpture and Context, Berkeley: University of California Press, pp. 92–110.Google Scholar
Porter, J. I. (1992) “Hermeneutic Lines and Circles: Aristarchus and Crates on the Exegesis of Homer,” in Lamberton, R. and Keaney, J. J. (eds.), Homer’s Ancient Readers: The Hermeneutics of Greek Epic’s Earliest Exegetes, Princeton: Princeton University Press, pp. 67114.Google Scholar
Porter, J. I. (2009) “Hellenism and Modernity,” in Boys-Stones, G., Graziosi, B., and Vasunia, P. (eds.), The Oxford Handbook of Hellenic Studies, Oxford: Oxford University Press, pp. 718.Google Scholar
Powell, J. U. (1925) Collectanea Alexandrina: reliquine minores poetarum Graecorum aetatis Ptolemaicae 323–146 A.C., Oxford: Clarendon Press.Google Scholar
Prag, J. R. W. and Quinn, J. C. (2013) “Introduction,” in The Hellenistic West: Rethinking the Ancient Mediterranean, Oxford: Oxford University Press, pp. 113.Google Scholar
Preiser, C. (2000) Euripides Telephos: Einleitung, Text, Kommentar, Hildesheim: Olms Press.Google Scholar
Preston, R. (2001) “Roman Questions, Greek Answers: Plutarch and the Construction of Identity,” in Goldhill, S. (ed.), Being Greek under Rome: Cultural Identity, the Second Sophistic and the Development of Empire, Cambridge: Cambridge University Press, pp. 86120.Google Scholar
Preztler, M. (2005) “Polybios to Pausanias: Arcadian Identity in the Roman Empire,” in Østby, E. (ed.), Ancient Arkadia, Athens: Norwegian Institute at Athens, pp. 521529.Google Scholar
Prier, R. A. (1994) “And Who Is the Woof? Response, Ecphrasis and the ‘Egg’ of Simmias,”Quaderni urbinati di cultura classica, 46: 7992.Google Scholar
Pritchett, W. K. (1979) The Greek State at War. Part 3. Religion, Berkeley: University of California Press.Google Scholar
Pucci, P. (1977) Hesiod and the Language of Poetry, Baltimore: Johns Hopkins University Press.Google Scholar
Pucci, P. (1980) “The Language of the Muses,” in Aycock, W. M. and Klein, T. (eds.), Classical Mythology in Twentieth-century Thought and Literature, Lubbock: Texas Tech University Press, pp. 163186.Google Scholar
Queyrel, F. (2005) L’Autel de Pergame: Images et pouvoir en Grèce d’Asie, Paris: Éditions A. et J. Picard.Google Scholar
Radt, W. (1998) “Recent Research in and about Pergamon: A Survey (ca. 1987–1997),” in Koester, H. (ed.), Pergamon. Citadel of the Gods. Archaeological Record, Literary Description, and Religious Development, Harrisburg: Trinity Press International, pp. 140.Google Scholar
Ramelli, I. and Luchetta, G. (2004) Allegoria. Volume 1: L’età classica, Milan: Vita e Pensiero.Google Scholar
Ramsay, W. M. (1884) “Sepulchral Customs in Ancient Phrygia,” JHS, 5: 241262.Google Scholar
Randall, J. H. (1953) “The Erechtheum Workmen,” AJA, 57: 199210.Google Scholar
Renard, M. (1956) “Pline l’Ancien et le motif de l’asarotos oikos,” in Hommages à Max Niedermann. CollLatomus 23, Brussels, pp. 307314.Google Scholar
Rengakos, A. (2008) “Apollonius Rhodius as a Homeric Scholar,” in Papanghelis, T. D. and Rengakos, A. (eds.), Brill’s Companion to Apollonius Rhodius, 2nd rev. edn., Leiden: Brill, pp. 243266.Google Scholar
Rheidt, K. (1992) “Die Obere Agora: Zur Entwicklung des hellenistischen Stadzentrums von Pergamon. Mit einem Beitrag von C. Meyer-Schlichtmann,” IstMitt, 42: 235282.Google Scholar
Rice, E. E. (1983) The Grand Procession of Ptolemy Philadelphus, Oxford: Oxford University Press.Google Scholar
Richter, G. M. A. (1965) The Portraits of the Greeks, 3 vols., London: Phaidon Press.Google Scholar
Richter, G. M. A. (1984) The Portraits of the Greeks, abridged and rev. edn., edited by Smith, R. R. R., Ithaca: Cornell University Press.Google Scholar
Ricouer, P. (1984) Time and Narrative, 3 vols., Chicago: University of Chicago Press.Google Scholar
Ridgway, B. S. (1990) Hellenistic Sculpture I: The Styles of ca. 331–200 B.C., Madison: University of Wisconsin Press.Google Scholar
Ridgway, B. S. (1997) Fourth Century Styles in Greek Sculpture, Madison: University of Wisconsin Press.Google Scholar
Ridgway, B. S. (2000) Hellenistic Sculpture II: The Styles of ca. 200–100 B.C., Madison: University of Wisconsin Press.Google Scholar
Ridgway, B. S. (2001) Hellenistic Sculpture I: The Styles of ca. 331–200 B.C., Madison: University of Wisconsin Press.Google Scholar
Ridgway, B. S. (2002) Hellenistic Sculpture III: The Styles of ca. 100–31 B.C., Madison: University of Wisconsin Press.Google Scholar
Robert, C. (1881) Bild und Lied: Archäologische Beiträge zur Geschichte der griechischen Heldensage, Berlin: Weidmann.Google Scholar
Robert, C. (1887) “Beiträge zur Erklärung des pergamenischen Telephos-Frieses I-II,” JdI, 2: 244259.Google Scholar
Robert, C. (1888) “Beiträge zur Erklärung des pergamenischen Telephos-Frieses III–VI,” JdI, 3: 4565, 87–105.Google Scholar
Robertson, M. (1993) “What Is ‘Hellenistic’ about Hellenistic Art?” in Green, P. (ed.), Hellenistic History and Culture, Berkeley: University of California Press, pp. 6789.Google Scholar
Rollinson, P. (1981) Classical Theories of Allegory and Classical Culture, Pittsburg: Duquesne University Press/Harvester Press.Google Scholar
Romm, J. S. (1992) The Edges of the Earth in Ancient Thought: Geography, Exploration, and Fiction, Princeton: Princeton University Press.Google Scholar
Rossi, M. A. (1989) Theocritus’ Idyll XVII: A Stylistic Commentary, Amsterdam: A. M. Hakkert.Google Scholar
Rothaus, R. M. (2000) Corinth: The First City of Greece, Leiden: Brill.Google Scholar
Rotroff, S. (1996) The Missing Krater and the Hellenistic Symposium: Drinking in the Age of Alexander the Great, Christchurch: University of Canterbury Press.Google Scholar
Roux, G. (1952) “La Terase d’Attale I à Delphes,” BCH, 76: 141196.Google Scholar
Roux, G. (1954) “Le Mouseion de l’Hélicon et les Mouseia antiques,” BCH, 78: 3845.Google Scholar
Russell, D. A. (1990) “Ethos in Oratory and Rhetoric,” in Pelling, C. (ed.), Characterization and Individuality in Greek Literature, Oxford: Clarendon Press, pp. 197212.Google Scholar
Russell, D. A. and Wilson, N. G. (1981) Menander Rhetor, Oxford: Clarendon Press.Google Scholar
Saba, S. (2013) The Astynomoi Law of Pergamon: A New Commentary. Die Hellenistische Polis als Lebensform 6, Mainz: Verlag-Antike.Google Scholar
Salies, G. H. et al. (1994) Das Wrack: Der Antike Schiffsfund von Mahdia, 2 vols., Cologne: Rheinland-Verlag GmbH.Google Scholar
Salzmann, D. (1982) Untersuchungen zu den antiken Kieselmosaiken von den Anfängen bis zum Beginn der Tesseratechnik. Archäologische Forschungen 10, Berlin: Mann.Google Scholar
Salzmann, D. (2011) “Hellenistische und frükaiserzeitliche Mosaiken und Pavimente in Pergamon,” in Grüßinger, R., Kästner, V., and Scholl, A. (eds.), Pergamon: Panorama der antiken Metropole, Berlin: Antikensammlung, Staatliche Museen zu Berlin, pp. 100107.Google Scholar
Sampson, J. (1974) “Notes on Theodor Schreiber’s Hellenistische Reliefbilder,” PBSR, 42: 2745.Google Scholar
Savalli-Lestrade, I. (2017) “Βίος αὐλικός: The Multiple Ways of Life of Courtiers in the Hellenistic Age,” in Erskine, A., Llewellyn-Jones, L., and Wallace, S. (eds.), The Hellenistic Court: Monarchic Power and Elite Society from Alexander to Cleopatra, Swansea: The Classical Press of Wales, pp. 101120.Google Scholar
Schachter, A. (1961) “A Note on the Reorganization of the Thespian Museia,” NC, 7.1: 6770.Google Scholar
Schachter, A. (1986) Cults of Boiotia II. BICS Supp. 38.2, London: University of London, Institute of Classical Studies.Google Scholar
Scheer, T. S. (2003) “The Past in a Hellenistic Present: Myth and Local Tradition,” in Erskine, A. (ed.), A Companion to the Hellenistic World, Oxford: Blackwell, pp. 216231.Google Scholar
Scheer, T. S. (2011) “Ways of Becoming Arcadian: Arcadian Foundation Myths in the Mediterranean,” in Gruen, E. S. (ed.), Cultural Identity in the Ancient Mediterranean, Los Angeles: Getty Research Institute, pp. 1125.Google Scholar
Schefold, K. (1997) Die Bildnisse der antiken Dichter, Redner und Denker, Basel: B. Schwabe & Co.Google Scholar
Schiappa, E. (1999) The Beginnings of Rhetorical Theory in Classical Greece, New Haven: Yale University Press.Google Scholar
Schibli, H. S. (1990) Pherekydes of Syros, Oxford: Clarendon Press.Google Scholar
Schmidt Pantel, P. (2011) La Cité au Banquet: Histoire des repas publics dans les cités grecques, 2nd edn., Paris: Sorbonne.Google Scholar
Schneider, C. (1999) Die Musengruppe von Millet: Milesische Forschungen. Band 1, Mainz am Rhein: Philipp von Zabern.Google Scholar
Schrader, H. (1900) “Die Anordnung und Deutung des pergamenischen Telephosfrieses,” JdI, 15: 97135.Google Scholar
Schreiber, T. (1909) “Griechische Satyrspielreliefs,” Abhandlungen der philologisch-historischen Klasse der Königlich Sächsischen Gesellschaft der Wissengschaften, 22: 761779.Google Scholar
Schultz, P. (2007) “Style and Agency in an Age of Transition,” in Osborne, R. (ed.), Debating the Athenian Cultural Revolution: Athenian Art, Literature, Language, Philosophy and Politics, 430–380 B.C., Cambridge: Cambridge University Press, pp. 144187.Google Scholar
Schweitzer, B. (1925) “Der bildende Künstler und der Begriff der Künstlerischen in der Antike,” Neue Heidelberger Jahrbücher, N.F. 2: 28132.Google Scholar
Schweitzer, B. (1934) “Mimesis und Phantasia: Zur antiken Kunsttheorie,” Philologus, 89: 286300.Google Scholar
Schwyzer, E. (1923) Dialectorum Graecarum exempla epigraphica potiora, Leipzig: Hirzel.Google Scholar
Scodel, R. (1997) “Drama and Rhetoric,” in Porter, S. E. (ed.), Handbook of Classical Rhetoric in the Hellenistic Period 330 B.C.–A.D. 400, Leiden: Brill, pp. 489504.Google Scholar
Seaford, R. (1994) Reciprocity and Ritual, Oxford: Oxford University Press.Google Scholar
Seaman, K. (2005) “Personifications of the Iliad and the Odyssey in Hellenistic and Roman Art,” in Herrin, J. and Stafford, E. (eds.), Personification in the Greek World: From Antiquity to Byzantium. Centre for Hellenic Studies, King’s College, London. Publications 7, Aldershot: Ashgate, pp. 173189.Google Scholar
Seaman, K. (2009) “Rhetoric and Innovation in the Art of the Hellenistic Courts,” Ph.D. diss., University of California at Berkeley.Google Scholar
Seaman, K. (2016) “Pergamon and Pergamene Influence,” in Miles, M. M. (ed.), A Companion to Greek Architecture, Chichester: Wiley-Blackwell, pp. 406423.Google Scholar
Seaman, K. (2017) “The Educational and Social Background of Elite Greek Artists,” in Seaman, K. and Schultz, P. (eds.), Artists and Artistic Production in Ancient Greece, Cambridge: Cambridge University Press, pp. 1222.Google Scholar
Seaman, K. and Schultz, P. (eds.) (2017) Artists and Artistic Production in Ancient Greece, Cambridge: Cambridge University Press.Google Scholar
Sève, M. (2008) “Le Dossier épigraphique du sculpteur Damophon de Messène,” Ktema, 33: 117128.Google Scholar
Shapiro, H. A. (1986) “The Origins of Allegory in Greek Art,” Boreas, 9: 423.Google Scholar
Shapiro, H. A. (1993) Personifications in Greek Art: The Representation of Abstract Concepts, 600–400 B.C., Zurich: Akanthus.Google Scholar
Shoe Merritt, L. (1970) “The Stoa Poikile,” Hesperia, 39: 233264.Google Scholar
Silliman, S. W. (2015) “A Requiem for Hybridity? The Problem with Frankensteins, Purées, and Mules,” Journal of Social Archaeology, 15: 277298.Google Scholar
Silverman, A. (1991) “Plato on Phantasia,” CA, 10: 123147.Google Scholar
Slater, W. J. (ed.) (1991) Dining in a Classical Context, Ann Arbor: University of Michigan Press.Google Scholar
Small, J. P. (2003) The Parallel Worlds of Classical Art and Text, Cambridge: Cambridge University Press.Google Scholar
Smith, A. C. (1994) “Queens and Empresses as Goddesses: The Public Role of the Personal Tyche in the Graeco-Roman World,” in Matheson, S. B. (ed.), An Obsession with Fortune: Tyche in Greek and Roman Art. Yale University Art Gallery Bulletin 1994, New Haven: Yale University Press, pp. 87105.Google Scholar
Smith, A.C. (2011) Polis and Personification in Classical Athenian Art, Leiden: Brill.Google Scholar
Smith, R. R. R. (1988) Hellenistic Royal Portraits, Oxford: Oxford University Press.Google Scholar
Smith, R. R. R. (1991) Hellenistic Sculpture, London: Thames & Hudson.Google Scholar
Smith, R. R. R. (1993) Aphrodisias I. The Monument of C. Julius Zoilos, Mainz am Rhein: Philipp von Zabern.Google Scholar
Spanheim, E. (1717) Dissertationes de Praestantia et usu Numismatum Antiquorum, 2nd edn., Amsterdam: Danielem Elsevirum.Google Scholar
Spawforth, A. J. S. (2007) “The Court of Alexander the Great between Europe and Asia,” in Spawforth, A. J. S. (ed.), The Court and Court Society in Ancient Monarchies, Cambridge: Cambridge University Press, pp. 82120.Google Scholar
Spentzou, E. (2002) “Introduction: Secularizing the Muse,” in Spentzou, E. and Fowler, D. (eds.), Cultivating the Muse: Struggles for Power and Inspiration in Classical Literature, Oxford: Oxford University Press, pp. 128.Google Scholar
Spyropoulos, G. (2001) Drei Meisterwerke der griechischen Plastik aus der Villa des Herodes Atticus zu Eva/Loukou, Frankfurt am Main: Peter Lang.Google Scholar
Spyropoulos, T. (1993) “Νέα γλυπτά αποκτήματα του Αρχαιολογικού Μουσείου Τριπόλεως,” in Palagia, O. and Coulson, W. (eds.), Sculpture from Arcadia and Laconia. Oxford Monographs 30, Oxford: Oxford University Press, pp. 257267.Google Scholar
Squire, M. (2009) Image and Text in Graeco-Roman Antiquity, Cambridge: Cambridge University Press.Google Scholar
Squire, M. (2011) The Iliad in a Nutshell: Visualizing Epic on the Tabulae Iliacae, Oxford: Oxford University Press.Google Scholar
Stafford, E. (1998) “Masculine Values, Feminine Forms: On the Gender of Personified Abstractions,” in Foxhall, L. and Salmon, J. (eds.), Thinking Men: Masculinity and Its Self-Representation in the Classical Tradition, London: Routledge, pp. 4356.Google Scholar
Stafford, E. (2000) Worshipping Virtues: Personification and the Divine in Ancient Greece, London: Duckworth and the Classical Press of Wales.Google Scholar
Stafford, E. (2007) “Personification in Greek Religious Thought and Practice,” in Ogden, D. (ed.), A Companion to Greek Religion, Oxford: Blackwell, pp. 7185.Google Scholar
Stafford, E. and Herrin, J. (eds.) (2005) Personification in the Greek World: From Antiquity to Byzantium. Centre for Hellenic Studies, King’s College, London. Publications 7, Aldershot: Ashgate.Google Scholar
Stansbury-O’Donnell, M. (1999) Pictorial Narrative in Ancient Greek Art, Cambridge: Cambridge University Press.Google Scholar
Stanwick, P. E. (2002) Portraits of the Ptolemies: Greek Kings as Egyptian Pharoahs, Austin: University of Texas.Google Scholar
Stemmer, K. (1978) Untersuchungen zur Typologie, Chronologie und Ikonographie der Panzerstatuen. Archäologische Forschungen 4, Berlin: Mann.Google Scholar
Stengel, P. (1920) Die griechischen Kultusaltertümer, Munich: Beck.Google Scholar
Stewart, A. (1977a) Skopas of Paros, Park Ridge: Noyes Press.Google Scholar
Stewart, A. (1977b) “To Entertain an Emperor: Sperlonga, Laokoon, and Tiberias at the Dinner Table,” JRS, 67: 7690.Google Scholar
Stewart, A. (1978) “Lysippan Studies 1: The Only Creator of Beauty,” AJA, 82: 163171.Google Scholar
Stewart, A. (1979) Attikà: Studies in Athenian Sculpture of the Hellenistic Age. JHS Supp. 14, London: Society for the Promotion of Hellenic Studies.Google Scholar
Stewart, A. (1990) Greek Sculpture: An Exploration, New Haven: Yale University Press.Google Scholar
Stewart, A. (1993a) Faces of Power: Alexander’s Image and Hellenistic Politics, Berkeley: University of California Press.Google Scholar
Stewart, A. (1993b) “Narration and Allusion in the Hellenistic Baroque,” in Holliday, P. (ed.), Narrative and Event in Ancient Art, Cambridge: Cambridge University Press, pp. 130174.Google Scholar
Stewart, A. (1996a) “The Alexandrian Style: A Mirage?” in Walsh, J. and Reese, T. F. (eds.), Alexandria and Alexandrianism, Malibu: The J. Paul Getty Museum, pp. 231243.Google Scholar
Stewart, A. (1996b) “A Hero’s Quest: Narrative and the Telephos Frieze,” in Dreyfus, R. and Schraudolph, E. (eds.), Pergamon: The Telephos Frieze from the Great Altar, vol. 1, San Francisco: Fine Arts Museums of San Francisco, pp. 3952.Google Scholar
Stewart, A. (1997a) Art, Desire, and the Body in Ancient Greece, Cambridge: Cambridge University Press.Google Scholar
Stewart, A. (1997b) “Telephos/Telepinu and Dionysos: A Distant Light on an Ancient Myth,” in Dreyfus, R. and Shraudolph, E. (eds.), Pergamon: The Telephos Frieze from the Great Altar, vol. 2, San Francisco: Fine Arts Museums of San Francisco, pp. 109119.Google Scholar
Stewart, A. (2000) “Pergamo ara marmorea magna: On the Date, Reconstruction, and Functions of the Great Altar of Pergamon,” in de Grummond, N. T. and Ridgway, B. S. (eds.), From Pergamon to Sperlonga: Sculpture and Context, Berkeley: University of California Press, pp. 3257.Google Scholar
Stewart, A. (2003) “Hellenistic Art, AD 1500–2000,” in Erskine, A. (ed.), A Companion to the Hellenistic World, Oxford: Blackwell Publishing, pp. 494514.Google Scholar
Stewart, A. (2004) Attalos, Athens, and the Akropolis: The Pergamene Little Barbarians and Their Roman and Renaissance Legacy, Cambridge: Cambridge University Press.Google Scholar
Stewart, A. (2006) “Hellenistic Art: Two Dozen Innovations,” in Bugh, G. (ed.), The Cambridge Companion to the Hellenistic World, Cambridge: Cambridge University Press, pp. 158185.Google Scholar
Stoddard, K. B. (2003) “The Programmatic Message of the ‘Kings and Singers’ Passage: Hesiod, ‘Theogony’ 80–103,” TAPA, 133: 116.Google Scholar
Strauss, M. (1990) “Frühe Bilder des Kindes Telephos,” IstMitt, 40: 79100.Google Scholar
Strootman, R. (2007) “The Hellenistic Royal Court: Court Culture, Ceremonial and Ideology in Greece, Egypt and the Near East, 336–30 B.C.E.,” Ph.D. diss., Utrecht University.Google Scholar
Strootman, R. (2014) Courts and Elites in the Hellenistic Empires: The Near East after the Achaemenids, c. 330 to 30 BCE, Edinburgh: Edinburgh University Press.Google Scholar
Strootman, R. (2017) The Birdcage of the Muses: Patronage of the Arts and Sciences at the Ptolemaic Imperial Court, 305–222 B.C.E., Leuven: Peeters.Google Scholar
Sturgeon, M. C. (2000) “Pergamon to Hierapolis: From Theatrical ‘Altar’ to Religious Theater,” in de Grummond, N. and Ridgway, B. S. (eds.), From Pergamon to Sperlonga: Sculpture and Context, Berkeley: University of California Press, pp. 5877.Google Scholar
Svenson, D. (1995) Darstellungen hellenistischer Königer mit Götterattributen, Frankfurt am Main: Peter Lang.Google Scholar
Swain, S. (1992) “Plutarchan Sykrisis,” Eranos, 90: 101111.Google Scholar
Swetnam-Burland, M. (2015) Egypt in Italy: Visions of Egypt in Roman Imperial Culture, Cambridge: Cambridge University Press.Google Scholar
Tanner, J. (2006) The Invention of Art History in Ancient Greece: Religion, Society, and Artistic Rationalization, Cambridge: Cambridge University Press.Google Scholar
Tecuşan, M. (1990) “Logos Sympotikos: Patterns of the Irrational in Philosophical Drinking: Plato Outside the Symposium,” in Murray, O. (ed.), Sympotica: A Symposium on the Symposion, Oxford: Clarendon Press, pp. 238260.Google Scholar
Thalmann, W. G. (1984) Conventions of Form and Thought in Early Greek Epic Poetry, Baltimore: Johns Hopkins Press.Google Scholar
Themelis, P. (1996) “Damophon,” in Palagia, O. and Pollitt, J. J. (eds.), Personal Styles in Greek Sculpture. YCS 30, Cambridge: Cambridge University Press, pp. 154185.Google Scholar
Thissen, H.-J. (1966) Studien zum Raphiadekret. Beiträge zur Klassischen Philologie 23, Meisenheim.Google Scholar
Thomas, R. (2002) Eine postume Statuette Ptolemaios’ IV. und ihr historischer Kontext. Zur Götterangleichung hellenistischer Herrscher. Trierer Winckelmannsprogramm 18 (2001), Mainz am Rhein: Philipp von Zabern.Google Scholar
Thompson, D. B. (1973) Ptolemaic Oinochoai and Portraits in Faience, Oxford: Clarendon Press.Google Scholar
Thompson, D. J. (1987) “Ptolemaios and the ‘Lighthouse’: Greek Culture in the Memphite Serapeum,” PCPS, 213: 105121.Google Scholar
Thompson, D. J. (2000) “Philadelphus’ Procession: Dynastic Power in a Mediterranean Context,” in Mooren, L. (ed.), Politics, Administration and Society in the Hellenistic and Roman World: Proceedings of the International Colloquium, Bertinoro 19–24 July 1997, Leuven: Peters, pp. 365388.Google Scholar
Thompson, D. J. (2017) “Outside the Capital: The Ptolemaic Court and Its Courtiers,” in Erskine, A., Llewellyn-Jones, L., and Wallace, S. (eds.), The Hellenistic Court: Monarchic Power and Elite Society from Alexander to Cleopatra, Swansea: The Classical Press of Wales, pp. 257267.Google Scholar
Thompson, D. W. (1936) A Glossary of Greek Birds, London: Humphrey Milford, Oxford University Press.Google Scholar
Thompson, H. A. (1954) “Excavations in the Athenian Agora: 1953,” Hesperia, 23: 3167.Google Scholar
Thompson, H. A. and Wycherley, R. E. (1972) The Agora of Athens: The History, Shape, and Uses of an Ancient City Center. The Athenian Agora: Results of Excavations Conducted by the American School of Classical Studies at Athens XIV, Princeton: Princeton University Press.Google Scholar
Thompson, M. (1961) The New Style Silver Coinage of Athens, New York: The American Numismatic Society.Google Scholar
Tondriau, J. (1946) “Les Thiases dionysiaques royaux de la cour ptolémaïque,” ChrÉg, 21: 149171.Google Scholar
Tondriau, J. (1947) “Le Point culminant du culte des souverains,” ÉtCl, 15: 109113.Google Scholar
Too, Y. L. (ed.) (2001) Education in Greek and Roman Antiquity, Leiden: Brill.Google Scholar
Torlo, M. V. (2005) Aquileia: Mosaici, Trieste: Bruno Fachin Editore.Google Scholar
Travlos, J. (1971) Pictorial Dictionary of Ancient Athens, London: Thames & Hudson.Google Scholar
Treu, G. (1889) “Standbilder der Ilias und Odysee zu Athen,” AM, 14: 160169.Google Scholar
Trimpi, W. (1983) Muses of One Mind: The Literary Analysis of Experience and Its Continuity, Princeton: Princeton University Press.Google Scholar
Tsakmakis, A. (2016) “Historiography and Biography,” in Hose, M. and Schenker, D. (eds.), A Companion to Greek Literature, Chichester: Wiley-Blackwell, pp. 217234.Google Scholar
Valakas, K. (2002) “The Use of the Body by Actors in Tragedy and Satyr-play,” in Easterling, P. and Hall, E. (eds.), Greek and Roman Actors, Cambridge: Cambridge University Press, pp. 6992.Google Scholar
Van Rossum-Steenbeek, M. (1998) Greek Readers’ Digests? Studies on a Selection of Subliterary Papyri, Leiden: Brill.Google Scholar
Van Stratten, F. T. (1995) Hierà kalá: Images of Animal Sacrifice in Archaic and Classical Greece, Leiden: Brill.Google Scholar
Van Thiel, H. (1992) “Zenodot, Aristarch und Andere,” ZPE, 90: 132.Google Scholar
Van’t Dack, E. (1989/1990) “Apollodôrus et Helenos: Deux ΤΡΟΦΕΙΣ de Ptolémée X Alexandre I,” Sacris Erudiri, 31: 429441.Google Scholar
Venit, M. S. (2002) Monumental Tombs of Ancient Alexandria, Cambridge: Cambridge University Press.Google Scholar
Vermeule, C. C. (1977) Greek Sculpture and Roman Taste, Ann Arbor: University of Michigan Press.Google Scholar
Völcker-Janssen, W. (1993) Kunst und Gesellschaft an den Höfen Alexanders d. Gr. und seiner Nachfolger, Munich: Tuduv.Google Scholar
Vollkommer, R. (ed.) (2001–2004) Künstlerlexikon der Antike, 2 vols., Leipzig: K. G. Saur.Google Scholar
von Blanckenhagen, P. H. (1957) “Narration in Hellenistic and Roman Art,” AJA, 61: 7883.Google Scholar
von Hesberg, H. (1988) “Bildsyntax und Erzählweise in der hellenistischen Flächenkunst,” JdI, 103: 333336.Google Scholar
Walbank, F. W. (1984) “Monarchies and Monarchic Ideas,” CAH, 7.1: 62100.Google Scholar
Walker, A. D. (1993) “Enargeia and the Spectator in Greek Historiography,” TAPA, 123: 353377.Google Scholar
Walker, J. (2000) Rhetoric and Poetics in Antiquity, Oxford: Oxford University Press.Google Scholar
Walker, S. and Higgs, P. (eds.) (2001) Cleopatra of Egypt: From History to Myth, London: British Museum Press.Google Scholar
Watson, G. (1988) Phantasia in Classical Thought, Galway: Galway University Press.Google Scholar
Webb, P. A. (1996) Hellenistic Architectural Sculpture: Figural Motifs in Western Anatolia and the Aegean Islands, Madison: University of Wisconsin Press.Google Scholar
Webb, P. A. (1998) “The Functions of the Sanctuary of Athena and the Pergamon Altar (the Heroon of Telephos) in the Attalid Building Program,” in Hartswick, K. J. and Sturgeon, M. C. (eds.), ΣΤΕΦΑΝΟΣ: Studies in Honor of Brunilde Sismondo Ridgway, Philadelphia: The University of Pennsylvania Museum of Archaeology and Anthropology, pp. 241254.Google Scholar
Webb, R. (1997) “Poetry and Rhetoric,” in Porter, S. (ed.), Handbook of Classical Rhetoric in the Hellenistic Period 330 B.C.–A.D. 400, Leiden: Brill, pp. 339369.Google Scholar
Webb, R. (1999) “Ekphrasis Ancient and Modern: The Invention of a Genre,” Word & Image, 15: 718.Google Scholar
Webb, R. (2001) “The Progymnasmata as Practice,” in Too, Y. L. (ed.), Education in Greek and Roman Antiquity, Leiden: Brill, pp. 289316.Google Scholar
Webb, R. (2009) Ekphrasis, Imagination and Persuasion in Ancient Rhetorical Theory and Practice, Farnham: Ashgate.Google Scholar
Weber, G. (1993) Dichtung und Höffische Gesellschaft: Die Rezeption von Zeitgeschichte am Hof der ersten drei Ptolemäer, Stuttgart: Steiner.Google Scholar
Weber, G. (2009) “The Court of Alexander the Great as Social System,” in Heckel, W. and Tritle, L. A. (eds.), Alexander the Great: A New History, Chichester: Wiley-Blackwell, pp. 8398.Google Scholar
Webster, T. B. L. (1954) “Personification as a Mode of Greek Thought,” JWarb, 17: 1021.Google Scholar
Webster, T. B. L. (1964) Hellenistic Poetry and Art, London: Methuen.Google Scholar
Webster, T. B. L. (1967) Hellenistic Art, London: Methuen.Google Scholar
Wecowski, M. (2014) The Rise of the Greek Aristocratic Banquet, Oxford: Oxford University Press.Google Scholar
Wecowski, M. (2018) “When Did the Symposion Die? On the Decline of the Greek Aristocratic Banquet,” in van den Eijnde, F., Blok, J., and Strootman, R. (eds.), Feasting and Polis Institutions, Leiden: Brill, pp. 257272.Google Scholar
Weitzmann, K. (1947) Illustrations in Roll and Codex: A Study of the Origins and Method of Text Illustration, Princeton: Princeton University Press.Google Scholar
Weitzmann, K. (1957) “Narration in Early Christendom,” AJA, 61: 8392.Google Scholar
Welles, C. B. (1934) Royal Correspondence in the Hellenistic Period, London: Ares Publishers Inc.Google Scholar
Werner, K. E. (1998) Die Sammlung antiker Mosaiken in den Vatikanischen Museen, Vatican: Monumenti Musei e Gallerie Pontificie.Google Scholar
Wessely, C. (1901–1924) Studien zur Palaeographie und Papyruskunde, Leipzig: E. Avenarius.Google Scholar
West, D. (1967) Reading Horace, Edinburgh: University Press.Google Scholar
West, M. L. (1966) Hesiod: Theogony, Oxford: Clarendon Press.Google Scholar
West, M. L. (1971) Early Greek Philosophy and the Orient, Oxford: Clarendon Press.Google Scholar
West, M. L. (1983) The Orphic Poems, Oxford: Clarendon Press.Google Scholar
Westgate, R. C. (1995) “Greek Mosaics of the Classical and Hellenistic Periods,” Ph.D. diss., University of Manchester.Google Scholar
Westgate, R. (2012) “Mosaics,” in Smith, T. J. and Plantzos, D. (eds.), A Companion to Greek Art, Chichester: Wiley-Blackwell, pp. 186199.Google Scholar
White, H. (1973) Metahistory: The Historical Imagination in Nineteenth-Century Europe, Baltimore: Johns Hopkins University Press.Google Scholar
Whitman, J. (1987) Allegory: The Dynamics of an Ancient and Medieval Technique, Cambridge: Harvard University Press.Google Scholar
Whitman, J. (ed.) (2002) Interpretation and Allegory: Antiquity to the Modern Period, Leiden: Brill.Google Scholar
Whitmarsh, T. (2011) “Hellenism, Nationalism, Hybridity: The Invention of the Novel,” in Orrells, D., Bhambra, G. K., and Roynon, R. (eds.), African Athena: New Agendas, Oxford: Oxford University Press, pp. 210224.Google Scholar
Wickhoff, F. (1895) Die Wiener Genesis, edited by Ritter von Hartel, W., Vienna: F. Tempsky.Google Scholar
Wiles, D. (1991) The Masks of Menander: Sign and Meaning in Greek and Roman Performance, Cambridge: Cambridge University Press.Google Scholar
Wilhelm, A. (1910) Neue Beiträge zur Griechischen Inschriftenkunde, vol. 1, Vienna: A. Holder.Google Scholar
Wilkins, J. (2000) The Boastful Chef, Oxford: Oxford University Press.Google Scholar
Wilkins, J. M. and Hill, S. (2006) Food in the Ancient World, Oxford: Blackwell.Google Scholar
Williams, F. (1978) Callimachus Hymn to Apollo: A Commentary, Oxford: Clarendon Press.Google Scholar
Wilson, P. (2000) The Athenian Institution of the Khoregia: The Chorus, the City, and the Stage, Cambridge: Cambridge University Press.Google Scholar
Winckelmann, J. J. (1766) Versuch einer Allegorie, besonders für die Kunst, Dresden: Walterische Hof-Buchhandlung.Google Scholar
Winkler-Horaček, L. (2009) “Roman Victory and Greek Identity: The Battle Frieze on the ‘Parthian’Monument at Ephesus,” in Schultz, P. and von den Hoff, R. (eds.), Structure, Image, Ornament: Architectural Sculpture in the Greek World, Oxford: Oxbow Books, pp. 198215.Google Scholar
Winnefeld, H. (1910) Die Friese des Grossen Altars. Altertümer von Pergamon 3.2, Berlin: Verlag von Georg Reimer.Google Scholar
Winzor, C. E. (1996) “The Architectural Patronage of the Attalids and the Ptolemies,” Ph.D. diss., University of Oxford.Google Scholar
Wisse, J. (1989) Ethos and Pathos, Amsterdam: Hakkert.Google Scholar
Woodbury, L. (1976) “Aristophanes’ Frogs and Athenian Literacy: Ran. 52–53, 1114,” TAPA, 106: 349357.Google Scholar
Worthington, I. (ed.) (1994) Persuasion: Greek Rhetoric in Action, London: Routledge.Google Scholar
Worthington, I. (ed.) (2007) A Companion to Greek Rhetoric, Oxford: Blackwell Publishing.Google Scholar
Wulf, U. (1999) Die Stadtgrabung 3. Die hellenistischen und römischen wohnhäuser von Pergamon. Altertümer von Pergamon 15.3, Berlin: De Gruyter.Google Scholar
Wyke, M. (1987) “Written Women: Propertius’ Scripta Puella,” JRS, 77: 4761.Google Scholar
Xanthakis-Karamanos, G. (1979) “The Influence of Rhetoric on Fourth-Century Tragedy,” CQ, 19:6676.Google Scholar
Zachos, C. (2003) “The Tropaeum of the Sea-Battle of Actium at Nikopolis: Interim Report,” JRA, 16: 6592.Google Scholar
Zanker, G. (1981) “Enargeia in the Ancient Criticism of Poetry,” RM, 124: 297311.Google Scholar
Zanker, G. (1987) Realism in Alexandrian Poetry. A Literature and its Audience, London: Croom Helm.Google Scholar
Zanker, G. (1998) “The Concept and Use of Genre-Marking in Hellenistic Epic and Fine Art,” in Harder, M. A., Regtuit, R. F., and Wakker, G. C. (eds.), Genre in Hellenistic Poetry, Gronigen: E. Forsten, pp. 225238.Google Scholar
Zanker, G. (2003) “New Light on the Literary Category of ‘Ekphrastic Epigram’ in Antiquity,” ZPE, 13: 5962.Google Scholar
Zanker, G. (2004) Modes of Viewing in Hellenistic Poetry and Art, Madison: University of Wisconsin Press.Google Scholar
Zanker, P. (1995) The Mask of Socrates: The Image of the Intellectual in Antiquity, Berkeley: University of California Press.Google Scholar
Zuntz, G. (1989) Aion, Gott des Römerreichs, Heidelberg: C. Winter.Google Scholar
Zuntz, G. (1992) Aion in der Literatur der Kaiserzeit. Wiener Studien 17, Vienna: Osterreichischen Akademie des Wissenschaften.Google Scholar

Save book to Kindle

To save this book to your Kindle, first ensure [email protected] is added to your Approved Personal Document E-mail List under your Personal Document Settings on the Manage Your Content and Devices page of your Amazon account. Then enter the ‘name’ part of your Kindle email address below. Find out more about saving to your Kindle.

Note you can select to save to either the @free.kindle.com or @kindle.com variations. ‘@free.kindle.com’ emails are free but can only be saved to your device when it is connected to wi-fi. ‘@kindle.com’ emails can be delivered even when you are not connected to wi-fi, but note that service fees apply.

Find out more about the Kindle Personal Document Service.

  • Bibliography
  • Kristen Seaman, University of Oregon
  • Book: Rhetoric and Innovation in Hellenistic Art
  • Online publication: 16 May 2020
  • Chapter DOI: https://doi.org/10.1017/9781108859202.007
Available formats
×

Save book to Dropbox

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Dropbox.

  • Bibliography
  • Kristen Seaman, University of Oregon
  • Book: Rhetoric and Innovation in Hellenistic Art
  • Online publication: 16 May 2020
  • Chapter DOI: https://doi.org/10.1017/9781108859202.007
Available formats
×

Save book to Google Drive

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Google Drive.

  • Bibliography
  • Kristen Seaman, University of Oregon
  • Book: Rhetoric and Innovation in Hellenistic Art
  • Online publication: 16 May 2020
  • Chapter DOI: https://doi.org/10.1017/9781108859202.007
Available formats
×