Book contents
- Nineteenth-Century Literature in Transition: The 1880s
- Nineteenth-Century Literature in Transition
- Nineteenth-Century Literature in Transition: The 1880s
- Copyright page
- Contents
- Figures
- Contributors
- Acknowledgments
- Introduction: ‘Knowledge Made for Cutting’
- Chapter 1 Mermaids Amongst the Cables: The Abstracted Body and the Telegraphic Touch in the Nineteenth Century
- Chapter 2 Enclosing Forms, Opening Spaces: The 1880s Fixed-Verse Revival
- Chapter 3 ‘The Newest Culte’: Victorian Poetry and the Literary Societies of the 1880s
- Chapter 4 The Time of W.E. Henley: ‘Minor Poetry’ and the 1880s
- Chapter 5 The Evolution of Point of View
- Chapter 6 Network, History, Method: Andrew Lang in and after the 1880s
- Chapter 7 Animated Conversations: Form, Transformation and the Category of the Novel in the 1880s
- Chapter 8 Henry James, Vulgarity and Transatlantic Moderation
- Chapter 9 He and She: The 1880s, Camp Aesthetics and the Literary Magazine
- Chapter 10 Men, Women and Horses: Public Spectacle in 1887
- Chapter 11 The Secular Turn in British Literature of the 1880s
- Index
Chapter 5 - The Evolution of Point of View
Published online by Cambridge University Press: 10 October 2019
- Nineteenth-Century Literature in Transition: The 1880s
- Nineteenth-Century Literature in Transition
- Nineteenth-Century Literature in Transition: The 1880s
- Copyright page
- Contents
- Figures
- Contributors
- Acknowledgments
- Introduction: ‘Knowledge Made for Cutting’
- Chapter 1 Mermaids Amongst the Cables: The Abstracted Body and the Telegraphic Touch in the Nineteenth Century
- Chapter 2 Enclosing Forms, Opening Spaces: The 1880s Fixed-Verse Revival
- Chapter 3 ‘The Newest Culte’: Victorian Poetry and the Literary Societies of the 1880s
- Chapter 4 The Time of W.E. Henley: ‘Minor Poetry’ and the 1880s
- Chapter 5 The Evolution of Point of View
- Chapter 6 Network, History, Method: Andrew Lang in and after the 1880s
- Chapter 7 Animated Conversations: Form, Transformation and the Category of the Novel in the 1880s
- Chapter 8 Henry James, Vulgarity and Transatlantic Moderation
- Chapter 9 He and She: The 1880s, Camp Aesthetics and the Literary Magazine
- Chapter 10 Men, Women and Horses: Public Spectacle in 1887
- Chapter 11 The Secular Turn in British Literature of the 1880s
- Index
Summary
In this chapter I take up two texts from the 1880s to demonstrate how evolutionary theory mandated formal experimentation in fiction. In both Olive Schreiner’s The Story of an African Farm (1883) and Samuel Butler’s The Way of All Flesh (completed in 1884 but not published until 1903), that experimentation appears most clearly in idiosyncratic narrative point of view: Schreiner narrates a section of her novel in first-person plural, while the whole of Butler’s novel is narrated in what I call first-person omniscient point of view. Arguing for a return to and reinvigoration of the study of relations between evolution and literary form inaugurated by Gillian Beer and George Levine in the 1980s, I also broaden the scope of that study beyond Darwin. Not Darwinism but Herbert Spencer’s universalist progressivism stands behind Schreiner’s first-person plural point of view, while Butler’s narration takes shape in connection with his own peculiar brand of Lamarckism. Finally, each of these novels of the 1880s elaborates a theory of historicity derived from the same evolutionary thinking to which anomalies in point of view can be traced, a theory that requires us to interrogate the view of history encoded in the phrase ‘of the 1880s.’
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- Nineteenth-Century Literature in Transition: The 1880s , pp. 98 - 116Publisher: Cambridge University PressPrint publication year: 2019