Skip to main content Accessibility help
×
Hostname: page-component-586b7cd67f-t7fkt Total loading time: 0 Render date: 2024-11-20T13:38:53.185Z Has data issue: false hasContentIssue false

Bibliography

Published online by Cambridge University Press:  21 January 2021

Douglas Mao
Affiliation:
The Johns Hopkins University
Get access

Summary

Image of the first page of this content. For PDF version, please use the ‘Save PDF’ preceeding this image.'
Type
Chapter
Information
Publisher: Cambridge University Press
Print publication year: 2021

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

References

Abberley, Will. English Fiction and the Evolution of Language, 1850–1914. Cambridge: Cambridge University Press, 2015.Google Scholar
Achebe, Chinua. “An Image of Africa: Racism in Conrad’s ‘Heart of Darkness.’” In Heart of Darkness, edited by Armstrong, Paul. Norton Critical Edition, 4th ed., 336–49. New York: W. W. Norton, 2006.Google Scholar
Aching, Gerard. “The Temporalities of Modernity in Spanish American Modernismo: Darío’s Bourgeois King.” In The Oxford Handbook of Global Modernisms, edited by Wollaeger, Mark with Eatough, Matt, 109–28. Oxford: Oxford University Press, 2012.Google Scholar
Adorno, Theodor. “Reconciliation under Duress.” In Aesthetics and Politics, edited by Livingstone, Rodney, Anderson, Perry, and Mulhern, Francis, 151–76. London: Verso, 1977.Google Scholar
Ahmed, Leila. A Quiet Revolution: The Veil’s Resurgence, from the Middle East to America. New Haven, CT: Yale University Press, 2011.Google Scholar
Ahmed, Sara. Living a Feminist Life. Durham, NC: Duke University Press, 2017.Google Scholar
Allen, Michael, ed. “Reading Secularism: Religion, Literature, Aesthetics.” Special issue, Comparative Literature 65.3 (2013).Google Scholar
Alpert, Jane. Mother Right: A New Feminist Theory. 1974. library.duke.edu/digitalcollections/wlmpc_wlmms01022/.Google Scholar
Anderson, Elizabeth. H.D. and Modernist Religious Imagination: Mysticism and Writing. London: Bloomsbury Academic Press, 2015.Google Scholar
Anderson, Elizabeth, Radford, Andrew, and Walton, Heather. Modernist Women Writers and Spirituality. New York: Palgrave Macmillan, 2016.Google Scholar
Anderson, Perry. “Modernity and Revolution.” New Left Review 144 (1984): 96113.Google Scholar
Anderson, Perry. “Two Revolutions.” New Left Review 61 (2010): 5996.Google Scholar
Andree, Courtney. “Bildung Sideways: Queer/Crip Development and E. M. Forster’s ‘Fortunate Failure.’” Journal of Literary & Cultural Disability Studies 12.1 (2018): 1934.Google Scholar
Andree, Courtney. “Cripping the Pastoral: Rural Modernisms and ‘The True Heart.’” Modern Fiction Studies 65.1 (Spring 2019): 1234.Google Scholar
Armstrong, Isobel, The Radical Aesthetic. Oxford: Blackwell, 2000.Google Scholar
Arnold, A. James. Modernism and Negritude. Cambridge, MA: Harvard University Press, 1981.Google Scholar
Asad, Talal. Formations of the Secular: Christianity, Islam, Modernity. Stanford: Stanford University Press, 2013.Google Scholar
Attridge, Derek. The Work of Literature. Oxford: Oxford University Press, 2015.Google Scholar
Avery, Todd. Radio Modernism: Literature, Ethics, and the BBC: 1922–1928. Aldershot: Ashgate, 2006.Google Scholar
Badran, Margot. Feminists, Islam, and Nation: Gender and the Making of Modern Egypt. Princeton: Princeton University Press, 1995.Google Scholar
Baker, Houston A. Jr. Modernism and the Harlem Renaissance. Chicago: University of Chicago Press, 1987.Google Scholar
Bal, Mieke. Narratology: Introduction to the Theory of Narrative. Translated by van Boheemen, Christine. Toronto: University of Toronto Press, 1985.Google Scholar
Baldick, Chris. Criticism and Literary Theory 1890 to the Present. London: Longman, 1996.Google Scholar
Balinisteanu, Tudor. Religion and Aesthetic Experience in Joyce and Yeats. New York: Palgrave Macmillan, 2015.Google Scholar
Ball, Philip. Invisible: The Dangerous Lure of the Unseen. London: Bodley Head, 2014.Google Scholar
Banfield, Ann. The Phantom Table: Woolf, Fry, and the Epistemology of Modernism. Cambridge: Cambridge University Press, 2000.Google Scholar
Banville, Théodore de. Odes funambulesques. Paris: Alphonse Lemerre, 1873.Google Scholar
Barber, Martyn. “Capturing the Material Invisible: O. G. S. Crawford, Ghosts, and the Stonehenge Avenue.” Bulletin of the History of Archaeology 26 (2016): 123.Google Scholar
Barber-Stetson, Claire. “Slow Processing: A New Minor Literature by Autists and Modernists.” In “Disability and Generative Form.” Special issue, Journal of Modern Literature 38.1 (2014): 147–65.Google Scholar
Barnhisel, Greg. Cold War Modernists: Art, Literature, and American Cultural Diplomacy. New York: Columbia University Press, 2015.Google Scholar
Bass, Alan. Notes to Margins of Philosophy, by Jacques Derrida. Translated by Bass, Alan. Brighton, UK: Harvester Wheatsheaf, 1982.Google Scholar
Baxter, Katherine Isobel. “‘Soundless as Shadows’: Language and Disability in the Political Novels.” In Conrad and Language, edited by Baxter, Katherine Isobel and Hampson, Robert, 99116. Edinburgh: Edinburgh University Press, 2016.Google Scholar
Bayer, Joella. Letter dated 31 August, n.y. “Bayer, Joella to Mina Loy, 1926–1936.” YCAL MSS 778, Box 1. Carolyn Burke Collection on Mina Loy and Lee Miller. Beinecke Rare Book and Manuscript Library, Yale University.Google Scholar
Baynton, Douglas. Defectives in the Land: Disability and Immigration in the Age of Eugenics. Chicago: University of Chicago Press, 2016.Google Scholar
Beasley, Rebecca. “Modernism’s Translations.” In The Oxford Handbook of Global Modernisms, edited by Wollaeger, Mark with Eatough, Matt, 551–70. Oxford: Oxford University Press, 2012.Google Scholar
Beasley, Rebecca. “New ‘Modernisms.’” Textual Practice 22.4 (2008): 775819.Google Scholar
Beck, Ulrich. World at Risk. Translated by Cronin, Cirian. Malden, MA: Polity, 2009.Google Scholar
Beckman, Erica. Capital Fictions: The Literature of Latin America’s Export Age. Minneapolis: University of Minnesota Press, 2013.Google Scholar
Beer, Gillian. Virginia Woolf: The Common Ground. Edinburgh: Edinburgh University Press, 1996.Google Scholar
Beer, Gillian. Wave, Atom, Dinosaur: Woolf’s Science. Tokyo: English Literary Society of Japan, 2000.Google Scholar
Begley, Adam. “Ian McEwan: The Art of Fiction.” In Conversations with Ian McEwan, edited by Roberts, Ryan. Jackson: University Press of Mississippi, 2010.Google Scholar
Benjamin, Walter. Illuminations. Translated by Zohn, Harry. New York: Schocken, 1969.Google Scholar
Bennett, Andrew, and Royle, Nicholas. Elizabeth Bowen and the Dissolution of the Novel. New York: Macmillan, 1995.Google Scholar
Berger, James. The Disarticulate: Language, Modernity, and the Narratives of Modernity. New York: New York University Press, 2014.Google Scholar
Berlant, Lauren, ed. Compassion: The Culture and Politics of an Emotion. London: Routledge, 2004.Google Scholar
Berman, Jessica. Modernist Commitments. New York: Columbia University Press, 2012.Google Scholar
Berman, Russell A., ed. “Are We Postsecular?” Special issue, Telos 167 (Summer 2014).Google Scholar
Bersani, Leo. The Culture of Redemption. Cambridge, MA: Harvard University Press, 1990.Google Scholar
Bérubé, Michael. “Disability and Narrative.” PMLA 120.2 (2005): 568–76.Google Scholar
Bérubé, Michael. The Secret Life of Stories: From Don Quixote to Harry Potter, How Understanding Intellectual Disability Transforms the Way We Read. New York: New York University Press, 2016.Google Scholar
Blanco, María del Pilar. “Chine 1929.” Modernism/modernity Print Plus 3.3 (August 20, 2018). https://doi.org/10.26597/mod.0070.Google Scholar
Bloom, Emily C. The Wireless Past: Anglo-Irish Writers and the BBC, 1931–1968. Oxford: Oxford University Press, 2016.Google Scholar
Bluemel, Kristen, and Lassner, Phyllis. “Feminist Inter/Modernist Studies.” Feminist Modernist Studies 1.1–2 (2018): 2235.Google Scholar
Bock, Martin. “Joseph Conrad and Germ Theory: Why Captain Allistoun Smiles Thoughtfully.” Conradian 31.2 (Autumn 2006): 114.Google Scholar
Borde, Raymond, and Chaumeton, Etienne. A Panorama of American Film Noir 1941–1953. Translated by Hammond, Paul. San Francisco: City Lights Books, 2002.Google Scholar
Bowen, Elizabeth. The Collected Short Stories of Elizabeth Bowen, 512–20. New York: Anchor Books, 2006.Google Scholar
Bowen, Elizabeth. The House in Paris. New York: Anchor Books, 2002.Google Scholar
Braddock, Jeremy. Collecting as Modernist Practice. Baltimore: Johns Hopkins University Press, 2012.Google Scholar
Braggs, Rachida. Jazz Diasporas: Race, Music, and Migration in Post–World War II Paris. Oakland: University of California Press, 2016.Google Scholar
Brawley, Benjamin. “The Negro Literary Renaissance.” Southern Workman (January 1927): 177–84.Google Scholar
Bronstein, Michaela. Out of Context: The Uses of Modernist Fiction. New York: Oxford University Press, 2018.Google Scholar
Brooker, Peter, Gasiorek, Andrzej, Longworth, Deborah, and Thacker, Andrew. Introduction to The Oxford Handbook of Modernisms, edited by Brooker, Peter, Gasiorek, Andrzej, Longworth, Deborah, and Thacker, Andrew, 116. Oxford: Oxford University Press, 2010.Google Scholar
Brooks, Cleanth. “Literary History vs. Criticism.” Kenyon Review 4 (1940): 403–12.Google Scholar
Brzezinski, Max. “The New Modernist Studies: What’s Left of Political Formalism?Minnesota Review 76 (2011): 109–25.Google Scholar
Bush, Christopher. “Context.” In A New Vocabulary for Global Modernism, edited by Hayot, Eric and Walkowitz, Rebecca L., 7595. New York: Columbia University Press.Google Scholar
Bush, Christopher. Ideographic Modernism. Oxford: Oxford University Press, 2012.Google Scholar
Bush, Christopher. Review of Planetary Modernisms, by Susan Stanford Friedman. Modernism/modernity 23.3 (September 2016): 686–88.CrossRefGoogle Scholar
Calo, Mary Ann. Distinction and Denial: Race, Nation, and the Critical Construction of the African American Artist, 1920–40. Ann Arbor: University of Michigan Press, 2007.Google Scholar
Carmody, Todd. “In Spite of Handicaps: The Disability History of Racial Uplift.” American Literary History 27.1 (2015): 5678.Google Scholar
Carroll, Anne. Word, Image and the New Negro: Representation and Identity in the Harlem Renaissance. Bloomington: Indiana University Press, 2005.Google Scholar
Cassin, Barbara, ed. Dictionary of Untranslatables: A Philosophical Lexicon. Translated by Apter, Emily, Lezra, Jacques, and Wood, Michael. Princeton: Princeton University Press, 2014.Google Scholar
Castelli, Elizabeth, ed. Women, Gender, Religion: A Reader. New York: Palgrave Macmillan, 2001. Print.Google Scholar
Caughie, Pamela. Introduction to Disciplining Modernism, edited by Caughie, Pamela, 110. Houndmills: Palgrave, 2009.CrossRefGoogle Scholar
Caughie, Pamela. “Lessons Learned.” Literature Compass 10.1 (2013): 17.Google Scholar
Cavanaugh, William T. The Myth of Religious Violence: Secular Ideology and the Roots of Modern Conflict. Oxford: Oxford University Press, 2009.Google Scholar
Césaire, Aimé. The Original 1939 Notebook of a Return to the Native Land. Bilingual edition. Translated by Arnold, A. James and Eshelman, Clayton. Middletown: Wesleyan University Press, 2013.Google Scholar
Chen, Xiaomei. Occidentalism: A Theory of Counter-Discourse in Post-Mao China. New York: Oxford University Press, 1995.CrossRefGoogle Scholar
Chen, Xiaomei. Staging Chinese Revolution: Theater, Film, and the Afterlives of Propaganda. New York: Columbia University Press, 2017.Google Scholar
Cheng, Anne. Second Skin: Josephine Baker & the Modern Surface. Oxford: Oxford University Press, 2013.Google Scholar
Chidester, David. Empire of Religion: Imperialism and Comparative Religion. Chicago: University of Chicago Press, 2014.CrossRefGoogle Scholar
Chude-Sokei, Louis. The Sound of Culture: Diaspora and Black Technopoetics. Middletown, CT: Wesleyan University Press, 2016.Google Scholar
Churchill, Winston. “The Gift of a Common Tongue.” Lecture delivered September 6, 1943. Harvard. Accessed October 1, 2018. https://winstonchurchill.org/resources/speeches/1941-1945-war-leader/the-price-of-greatness-is-responsibility/.Google Scholar
Clark, Katerina. “Berlin/Moscow/Shanghai: Translating Revolution across Cultures in the Aftermath of the 1927 Shanghai Debacle.” In Comintern Aesthetics, edited by Glaser, Amelia and Lee, Steven. Toronto: University of Toronto Press, 2020.Google Scholar
Clark, Katerina. Moscow, the Fourth Rome: Stalinism, Cosmopolitanism, and the Evolution of Soviet Culture, 1931–1941. Cambridge, MA: Harvard University Press, 2011.Google Scholar
Clark, Katerina. The Soviet Novel: History as Ritual. Bloomington: Indiana University Press, 2000.Google Scholar
Clark, T. J. Farewell to an Idea. New Haven, CT: Yale University Press, 1999.Google Scholar
Cobb, Michael. “Insolent Racing, Rough Narrative: The Harlem Renaissance’s Impolite Queers.” Callaloo 23.1 (2000): 328–51.Google Scholar
Cohen, Debra Rae, Coyle, Michael, and Lewty, Jane, eds. Broadcasting Modernism. Jacksonville: University of Florida Press, 2009.Google Scholar
Cole, Sarah. At the Violet Hour: Modernism and Violence in England and Ireland. New York: Oxford University Press, 2012.Google Scholar
Colebrook, Claire. “The Joys of Atavism.” In Understanding Bergson, Understanding Modernism, edited by Paul Ardoin, S. E. Gontarski, and Mattison, Laci. London: Bloomsbury, 2013.Google Scholar
Conover, Roger. Appendices to The Lost Lunar Baedeker: Poems of Mina Loy, by Loy, Mina, 167234. Manchester: Carcanet, 1997.Google Scholar
Conrad, Joseph. Heart of Darkness. Edited by Armstrong, Paul. Norton Critical Edition, 4th ed. New York: W. W. Norton, 2006.Google Scholar
Conrad, Joseph. The Secret Agent. Edited by Agathocleous, Tanya. Peterborough, ON: Broadview, 2009.Google Scholar
Copeland, Huey. “Glenn Ligon and Other Runaway Subjects.” Representations 113 (2011): 73110.Google Scholar
Copley, Antony. A Spiritual Bloomsbury: Hinduism and Homosexuality in the Lives and Writings of Edward Carpenter, E. M. Forster, and Christopher Isherwood. Oxford: Lexington Books, 2017.Google Scholar
Couser, G. Thomas. “Illness.” In Keywords for Disability Studies, edited by Adams, Rachel, Reiss, Benjamin, and Serlin, David, 105106. New York: New York University Press, 2015.Google Scholar
Couturat, Louis.Autour d’une Langue international.La Revue 87 (1910): 381–85.Google Scholar
Crangle, Sara. “The Agonies of Ambivalence: Anna Mendelssohn, la poétesse maudite.” In “Weak Theory.” Special issue, Modernism/modernity 25.3 (2018): 461–97.Google Scholar
Crangle, Sara. “Fleurs du travail, fleurs sublimes: Anna Mendelssohn’s Involute Tulips.” Journal of British and Irish Innovative Poetry, forthcoming.Google Scholar
Crawford, O. G. S. “Air-Photography for Archaeologists.” Ordnance Survey Professional Papers. New ser., 12. London: His Majesty’s Stationery Office, 1929.Google Scholar
Crawford, O. G. S.. “Air Photography, Past and Future: Presidential Address for 1938.” Proceedings for the Prehistoric Society for 1938.Google Scholar
Crawford, O. G. S.. “Bloody Old Britain” MS. Bodleian, MS. Crawford 108–109.Google Scholar
Crawford, O. G. S.. “New Discoveries at Stonehenge Made from the Air: Photographs at 4000 Feet Revealing a Lost Avenue.” Illustrated London News (August 18, 1923): 302–303.Google Scholar
Crawford, O. G. S., and Keiller, Alexander. Wessex from the Air. Oxford: Oxford University Press, 1928.Google Scholar
Cusk, Rachel. Outline. London: Vintage, 2016.Google Scholar
Cvetokovich, Ann. An Archive of Feelings: Trauma, Sexuality, and Lesbian Public Cultures. Durham, NC: Duke University Press, 2003.Google Scholar
D’Arcy, Michael, and Nilges, Mathias, eds. The Contemporaneity of Modernism: Literature, Media, Culture. New York: Routledge, 2016.Google Scholar
Darío, Rubén. Autobiografía. Madrid: Mundo Latino, 1918.Google Scholar
Darío, Rubén. Cantos de vida y esperanza. Madrid: Mundo Latino, 1917.Google Scholar
Darío, Rubén. “Los colores del estandarte,” La Nación (27 November 1896): 3.Google Scholar
Darío, Rubén. Prosas profanas. Paris: Librería de la V. de C. Bouret, 1908.Google Scholar
Darío, Rubén. Songs of Life and Hope. Translated by Derusha, Will and Acereda, Alberto. Durham, NC: Duke University Press, 2004.Google Scholar
Das, Santanu. India, Empire, and First World War Culture: Writings, Images, and Songs. New York: Cambridge University Press, 2018.CrossRefGoogle Scholar
Davidson, Michael. Concerto for the Left Hand: Disability and the Defamiliar Body. Ann Arbor: University of Michigan Press, 2008.Google Scholar
Davidson, Michael. Invalid Modernism. New York: Oxford University Press, 2019.Google Scholar
Davis, Alex, and Jenkins, Lee M.. “Introduction: Modernist Poetry in History.” In A History of Modernist Poetry, edited by Davis, Alex and Jenkins, Lee M., 120. Cambridge: Cambridge University Press, 2015.Google Scholar
Davis, Gregson. “Forging a Caribbean Literary Style: Vulgar Eloquence and the Language of Césaire’s ‘Cahier d’un retour au pays natal.’South Atlantic Quarterly 115.3 (July 2016): 457–67.Google Scholar
Davis, Lennard. Enforcing Normalcy: Disability, Deafness, and the Body. New York: Verso, 1995.Google Scholar
Davis, Miles. The Miles Davis/Tadd Dameron Quintet: In Paris Festival International de Jazz: May 1949. New York: Columbia/Legacy, 2009.Google Scholar
Delaunay, Charles. “The Critic’s Role.” Accordion Times and Musical Express 55 (October 1947), 3.Google Scholar
Derrida, Jacques. Archive Fever: A Freudian Impression. Translated by Prenowitz, Eric. Chicago: University of Chicago Press, 1996.Google Scholar
Derrida, Jacques. “The Law of Genre.” Translated by Ronell, Avital. Glyph 7 (1980): 5581.Google Scholar
Derrida, Jacques. Margins of Philosophy. Translated by Bass, Alan. Brighton, UK: Harvester, 1982, 128.Google Scholar
Desani, G. V. All about H. Hatterr. 1972. New York: New York Review of Books, 2007.Google Scholar
Diehm, Jan, and Thomas, Amber. “Someone Clever once said Women were not Allowed Pockets.” The Pudding (August 2018). pudding.cool/2018/08/pockets/#step-2.Google Scholar
Dimock, Wai Chee, and Buell, Lawrence, eds. Shades of the Planet: American Literature as World Literature. Princeton: Princeton University Press, 2007.Google Scholar
Dobrenko, Evgeny. Political Economy of Socialist Realism. New Haven, CT: Yale University Press, 2007.Google Scholar
Dobrenko, Evgeny. “When Comintern and Cominform Aesthetics Meet: Socialist Realism in Eastern Europe, 1956 and Beyond.” In Comintern Aesthetics, edited by Glaser, Amelia and Lee, Steven. Toronto: University of Toronto Press, 2020.Google Scholar
Dolmage, Jay. Disabled upon Arrival: Eugenics, Immigration, and the Construction of Race and Disability. Columbus: Ohio State University Press, 2018.Google Scholar
Domestico, Anthony. Poetry and Theology in the Modernist Period. Baltimore: Johns Hopkins University Press, 2017.Google Scholar
Doyle, Laura. Bordering on the Body: The Racial Matrix of Modern Fiction and Culture. New York: Oxford University Press, 1994.Google Scholar
Doyle, Laura, and Winkiel, Laura. Geomodernisms. Bloomington: Indiana University Press, 2005.Google Scholar
Dressler, Markus, and Mandair, Arvind-Pal S., eds. Secularism and Religion-Making. Oxford: Oxford University Press, 2011.Google Scholar
Duffy, Enda. The Speed Handbook: Velocity, Pleasure, Modernism. Durham, NC: Duke University Press, 2009.Google Scholar
DuPlessis, Rachel Blau. “‘HOO, HOO, HOO’: Some Episodes in the Construction of Modern Whiteness.” American Literature 67.4 (1995): 667700.Google Scholar
Dussel, Enrique. “Beyond Eurocentrism: The World-System and the Limits of Modernity.” 1998. Translated by Mendieta, Eduardo. In The Cultures of Globalization, edited by Jameson, Fredric and Miyoshi, Masao, 331. Durham, NC: Duke University Press, 2001.Google Scholar
Dussel, Enrique. “Eurocentrism and Modernity (Introduction to the Frankfurt Lectures).” boundary 2 20.3 (Fall 1993): 6576.Google Scholar
Dussel, Enrique. “Europa, mundialidad y Eurocentrismo.” In La colonialidad del saber: eurocentrismo y ciencias sociales. Perspectivas latinoamericanas, edited by Landfer, Edgardo, 4152. Buenos Aires: CLACSO, 2000.Google Scholar
Dussel, Enrique. “World-System and ‘Trans’-Modernity. Translated by Fornazzari, Alessandro. Nepantla: Views from the South 3.2 (2002): 221–44.Google Scholar
Dydo, Ulla, with Rice, William. Gertrude Stein: The Language That Rises, 1923–1934. Evanston, IL: Northwestern University Press, 2008.Google Scholar
Eagleton, Terry. Exiles and Émigrés: Studies in Modern Literature. New York: Schocken, 1970.Google Scholar
Edmunds, Susan. Grotesque Relations: Modernist Domestic Fiction and the U.S. Welfare State. New York: Oxford University Press, 2008.CrossRefGoogle Scholar
Eichhorn, Kate. The Archival Turn in Feminism: Outrage in Order. Philadelphia: Temple University Press, 2013.Google Scholar
Elcott, Noam M. Artificial Darkness: An Obscure History of Modern Art and Media. Chicago: University of Chicago Press, 2016.Google Scholar
Elias, Amy J., and Moraru, Christian, eds. The Planetary Turn: Relationality and Geoaesthetics in the Twenty-First Century. Evanston, IL: Northwestern University Press, 2015.Google Scholar
Ellison, Ralph. Invisible Man. New York: Random House, 1972.Google Scholar
Ellmann, Richard. James Joyce. Rev. ed. New York: Oxford University Press, 1982.Google Scholar
English, Darby. How to See a Work of Art in Total Darkness. Cambridge, MA: MIT Press, 2007.Google Scholar
English, Daylanne K. Unnatural Selections: Eugenics in American Modernism and the Harlem Renaissance. Chapel Hill: University of North Carolina Press, 2004.Google Scholar
English, Daylanne K.. “W. E. B. Du Bois’s Family Crisis.” American Literature 72.2 (2000): 291319.Google Scholar
Erevelles, Nirmala. Disability and Difference in Global Contexts: Enabling A Transformative Body Politic. New York: Palgrave Macmillan, 2011.Google Scholar
Ertürk, Nergis. Grammatology and Literary Modernity in Turkey. Oxford: Oxford University Press, 2011.Google Scholar
Eysteinsson, Astradur. The Concept of Modernism. Ithaca, NY: Cornell University Press, 1990.Google Scholar
Falk, Julia S.Words without Grammar: Linguists and the International Auxiliary Language Movement in the United States.” Language and Communication 15.3 (1995): 241–59.Google Scholar
Fanon, Frantz. Black Skin, White Masks. 1952. Translated by Philcox, Richard. New York: Grove Press, 1967.Google Scholar
Farge, Arlette. The Allure of the Archives. New Haven, CT: Yale University Press, 2013.Google Scholar
Feinsod, Harris. The Poetry of the Americas. Oxford: Oxford University Press, 2017.CrossRefGoogle Scholar
Felch, Susan M., ed. The Cambridge Companion to Religion and Literature. Cambridge: Cambridge University Press, 2016.Google Scholar
Felski, Rita. The Gender of Modernity. Cambridge, MA: Harvard University Press, 1995.Google Scholar
Felski, Rita. The Limits of Critique. Chicago: University of Chicago Press, 2015.CrossRefGoogle Scholar
Fernald, Anne E.Women’s Fiction, New Modernist Studies, and Feminism.” Modern Fiction Studies 59.2 (2013): 229–40.Google Scholar
Ferretter, Luke. The Glyph and the Gramophone: D. H. Lawrence’s Religion. London: Bloomsbury Academic Press, 2013.Google Scholar
Figlerowicz, Marta. Spaces of Feeling: Affect and Awareness in Modernist Literature. Ithaca, NY: Cornell University Press, 2017.Google Scholar
Fitzgerald, F. Scott. The Great Gatsby. New York: Scribner, 2004.Google Scholar
Fitzpatrick, Sheila. The Cultural Front: Power and Culture in Revolutionary Russia. Ithaca, NY: Cornell University Press, 1992.Google Scholar
Flatley, Jonathan. Affective Mapping: Melancholia and the Politics of Modernism. Cambridge, MA: Harvard University Press, 2008.Google Scholar
Flatley, Jonathan. “‘Beaten, but Unbeatable’: On Langston Hughes’s Black Leninism.” In Comintern Aesthetics, edited by Glaser, Amelia and Lee, Steven. Toronto: University of Toronto Press, 2020.Google Scholar
Fleissner, Robert S.H. G. Wells and Ralph Ellison: Need the Effect of One Invisible Man on Another Be Itself Invisible?Extrapolation 33.4 (1992): 346–50.Google Scholar
Forster, E. M. A Passage to India. 1924. New York: Harvest, 1952.Google Scholar
Foster, Hal. “An Archival Impulse.” October 110 (2004): 322.Google Scholar
Foster, Hal. “The ‘Primitive’ Unconscious of Modern Art.” October 34 (1985): 4570.Google Scholar
Foucault, Michel. The Archaeology of Knowledge. Oxford: Routledge, 2008.Google Scholar
Foucault, Michel. “Fantasia of the Library.” In Language, Counter-Memory, Practice. Translated by Bouchard, Donald F., 87111. Ithaca, NY: Cornell University Press, 1977.Google Scholar
Foucault, Michel. The Order of Things: An Archaeology of the Human Sciences. London: Taylor and Francis, 2001.Google Scholar
Fox, Ann. “A Different Integration: Race and Disability in Early-Twentieth-Century African American Drama by Women.” Legacy: A Journal of American Women Writers 30.1 (2013): 151–71.Google Scholar
Franks, Matt. “Mental Inversion, Modernist Aesthetics, and Disability Exceptionalism in Olive Moore’s ‘Spleen.’” In “Disability and Generative Form.” Special issue, Journal of Modern Literature 38.1 (2014): 107–27.Google Scholar
Franks, Matt. “Serving on the Eugenic Homefront: Virginia Woolf, Race, and Disability.” Feminist Formations, 29.1 (2017): 124.Google Scholar
Freed-Thall, Hannah. “Speculative Modernism: Proust and the Stock Market.” Modernist Cultures 12.2 (2017): 153–72.Google Scholar
Freed-Thall, Hannah. Spoiled Distinctions: Aesthetics and the Ordinary in French Modernism. New York: Oxford University Press, 2015.Google Scholar
Fried, Michael. What Was Literary Impressionism? Cambridge, MA: Harvard University Press, 2018.Google Scholar
Friedman, Susan Stanford. Afterword to Disciplining Modernism, edited by Caughie, Pamela, 259–63. Houndmills: Palgrave, 2009.Google Scholar
Friedman, Susan Stanford. “Definitional Excursions: The Meanings of Modern/Modernity/Modernism.” In Disciplining Modernism, edited by Caughie, Pamela, 1132. Houndmills: Palgrave, 2009.Google Scholar
Friedman, Susan Stanford. “Definitional Excursions: The Meanings of Modern/Modernity/Modernism.” Modernism/modernity 8.3 (2001): 493513.Google Scholar
Friedman, Susan Stanford. Planetary Modernisms: Provocations on Modernity across Time. New York: Columbia University Press, 2015.Google Scholar
Friedman, Susan Stanford. “World Modernisms, World Literature, and Comparativity.” In The Oxford Handbook of Global Modernisms, edited by Wollaeger, Mark with Eatough, Matt, 499525. Oxford: Oxford University Press, 2012.Google Scholar
Frost, Laura. The Problem with Pleasure: Modernism and Its Discontents. New York: Columbia University Press, 2013.Google Scholar
Galvin, Mary E. Queer Poetics: Five Modernist Women Writers. Westport, CT: Greenwood Press, 1999.Google Scholar
Gaonkar, Dilip Parameshwar, ed. Alternative Modernities. Durham, NC: Duke University Press, 2001.Google Scholar
Gaonkar, Dilip Parameshwar, ed. “Alternative Modernities.” Special issue, Public Culture 11.1 (1999).Google Scholar
Garland-Thomson, Rosemarie. Extraordinary Bodies: Figuring Physical Disability in American Culture and Literature. New York: Columbia University Press, 1997.Google Scholar
Garrity, Jane. “Modernist Women’s Writing: Beyond the Threshold of Obsolescence.” Literature Compass 10.1 (2013): 1529.Google Scholar
Garvía, Roberto. Esperanto and Its Rivals. Philadelphia: University of Pennsylvania Press, 2015.Google Scholar
Ghosh, Amitav. The Great Derangement: Climate Change and the Unthinkable. Chicago: University of Chicago Press, 2016.Google Scholar
Gibson, Matthew, and Minn, Neil, eds. Yeats, Philosophy, and the Occult. Clemson, SC: Clemson University Press, 2017.Google Scholar
Giddens, Anthony, and Pierson, Christopher. Conversations with Anthony Giddens: Making Sense of Modernity. Stanford: Stanford University Press, 1998.Google Scholar
Gilman, Charlotte Perkins. Herland. London: The Women’s Press, 2001.Google Scholar
Gilman, Charlotte Perkins. With Her in Ourland. Rookhope, UK: Aziloth Books, 2015.Google Scholar
Gilroy, Paul. The Black Atlantic: Modernity and Double-Consciousness. Cambridge, MA: Harvard University Press, 1993.Google Scholar
Goble, Mark. Beautiful Circuits: Modernism and the Mediated Life. New York: Columbia University Press, 2010.Google Scholar
Gold, Michael. Change the World! New York: International Publishers, 1936.Google Scholar
Goldman, Emma. Anarchism and Other Essays. Minneapolis: Filiquarian Publishing, 2005.Google Scholar
Goldstone, Andrew. “Modernist Studies without Modernism.” Open Science Framework. doi:10.17605/OSF.IO/FRCYS, https://osf.io/wrhj2.Google Scholar
Gollaher, David L. Circumcision: A History of the World’s Most Controversial Surgery. New York: Basic Books, 2000.Google Scholar
Gómez Carrillo, Enrique. De Marsella a Tokio: sensaciones de Egipto, la India, la China y el Japón. Paris: Casa Editorial Garnier Hermanos, 1900.Google Scholar
Gooding, Francis. “At the Riverbank: Sediments and Sentimentality in ‘The Archive.’” Critical Quarterly 58.3 (2016): 4760.Google Scholar
Goody, Alex. “Gender, Authority, and the Speaking Subject, or: Who Is Mina Loy?” How 2: In Conference. asu.edu/pipercwcenter/how2journal/archive/online_archive/v1_5_2001/current/in-conference/mina-loy/goody.html.Google Scholar
Goody, Alex. “Ladies of Fashion/Modern(ist) Women: Mina Loy and Djuna Barnes.” Women: A Cultural Review 10.3 (1999): 266–82.Google Scholar
Gordin, Michael D. Scientific Babel. Chicago: University of Chicago Press, 2015.Google Scholar
Gorky, Maxim. “Soviet Literature.” In Problems of Soviet Literature: Reports and Speeches at the First Soviet Writers’ Congress, edited by Scott, H. G.. London: Martin Lawrence, 1934.Google Scholar
Gottfried, Roy K. Joyce’s Misbelief. Gainesville: University of Florida Press, 2008.Google Scholar
Gravendyk, Hillary. “Chronic Poetics.” In “Disability and Generative Form.” Special issue, Journal of Modern Literature, 38.1 (2014): 119.Google Scholar
Griffiths, Matthew. The New Poetics of Climate Change: Modernist Aesthetics for a Warming World. London: Bloomsbury, 2017.Google Scholar
Groeser, Caroline. Picturing the New Negro: Harlem Renaissance Print Culture and Modern Black Identity. Lawrence: University of Kansas Press, 2007.Google Scholar
Groom, Amelia. “This Is So Contemporary.” In Time: Documents of Contemporary Art, edited by Groom, Amelia, 4548. Cambridge, MA: MIT Press, 2013.Google Scholar
Groussac, Paul. “Boletín Bibliográfico: Los raros, por Rubén Darío.” La Biblioteca 1.6 (November 1896): 474–80.Google Scholar
Gunn, Thom. The Man with Night Sweats. London: Faber, 1992.Google Scholar
Hall, David D., ed. Lived Religion in America: Toward a Theory of Practice. Princeton: Princeton University Press, 1997.Google Scholar
Halliday, Sam. Sonic Modernity: Representing Sound in Literature, Culture and the Arts. Edinburgh: Edinburgh University Press, 2013.Google Scholar
Hammill, Faye, and Hussey, Mark. Modernism’s Print Cultures. London: Bloomsbury, 2016.Google Scholar
Hancock, Tim. “‘You couldn’t make it up’: The Love of ‘Bare Facts’ in Mina Loy’s Italian Poems.” English: Journal of the English Association 54.10 (2005): 175–94.Google Scholar
Hansen, Miriam. Babel and Babylon. Cambridge, MA: Harvard University Press, 1991.Google Scholar
Hansen, Miriam. “The Mass Production of the Senses: Classical Cinema as Vernacular Modernism.” In Disciplining Modernism, edited by Caughie, Pamela, 242–58. Houndmills: Palgrave, 2009.Google Scholar
Hansen, Miriam. “The Mass Production of the Senses: Classical Cinema as Vernacular Modernism.” Modernism/modernity 6.2 (1999): 5977.Google Scholar
Harries, Lynne. “The Northern Debutante: A Memoir of Anna Mendelssohn.” Master’s thesis, University of East Anglia, 2013. SxMs109/1/A/1. Anna Mendelssohn Archive. University of Sussex Special Collections, Falmer, UK.Google Scholar
Hartman, Saidiya. Wayward Lives, Beautiful Experiments: Intimate Histories of Social Upheaval. New York: W. W. Norton, 2019.Google Scholar
Hassan, Ihab. The Postmodern Turn: Essays in Postmodern Theory and Culture. Columbus: Ohio State University Press, 1987.Google Scholar
Hauser, Kitty. Bloody Old Britain: O. G. S. Crawford and the Archaeology of Modern Life. London: Granta, 2008.Google Scholar
Hauser, Kitty. Shadow Sites: Photography, Archaeology, & the British Landscape 1927–1955. Oxford: Oxford University Press, 2007.Google Scholar
Hayden, Sarah. Curious Disciplines: Mina Loy and Avant-Garde Artisthood. Albuquerque: University of New Mexico Press, 2018.Google Scholar
Hayot, Eric, and Walkowitz, Rebecca. A New Vocabulary for Global Modernism. New York: Columbia University Press, 2016.Google Scholar
Hayter, Irena. “Figures of the Visual: Japanese Modernism, Technology, Vitalism.” positions 25.2 (2017): 293322.Google Scholar
Doolittle, H.D.). “Autobiographical Notes.” Unpublished MSS. Beinecke Rare Book and Manuscript Library, Yale University.Google Scholar
(Doolittle, Hilda). Trilogy. Edited by Barnstone, Aliko. New York: New Directions, 1998.Google Scholar
Hegel, G. W. F. The Philosophy of History. Translated by Sibree, J.. Kitchener, ON: Batoche Books, 2001.Google Scholar
Heller, Scott. “New Editor Steps into Feud at ‘Modernism/modernity.’” Chronicle of Higher Education online, August 11, 2000.Google Scholar
Heller, Scott. “New Life for Modernism.” Chronicle of Higher Education online, November 5, 1999.Google Scholar
Henry, Holly. Virginia Woolf and the Discourse of Science: The Aesthetics of Astronomy. Cambridge: Cambridge University Press, 2003.Google Scholar
Higginson, Pim. The Generation of Postmemory: Writing and Visual Culture after the Holocaust. New York: Columbia University Press, 2007.Google Scholar
Higginson, Pim. Scoring Race: Jazz, Fiction, and Francophone Africa. Rochester: James Currey, 2017.Google Scholar
Hilliard, Christopher. “Leavis, Richards, and the Duplicators.” In The Critic as Amateur, edited by Majumdar, Saikat and Vadde, Aarthi. New York: Bloomsbury Academic Press, 2019.Google Scholar
Hindrichs, Cheryl. “‘A Vision of Greyness’: The Liminal Vantage of Illness in ‘Heart of Darkness.’” Modern Fiction Studies 65.1 (Spring 2019): 177206.Google Scholar
Hirsch, Marianne. “Feminist Archives of Possibility.” Differences: A Journal of Feminist Cultural Studies 29.1 (2018): 173–88.Google Scholar
Hirsch, Marianne. The Generation of Postmemory: Writing and Visual Culture after the Holocaust. New York: Columbia University Press, 2012.Google Scholar
Hirsch, Marianne. “A History of Pockets.” Victoria and Albert Museum website. vam.ac.uk/content/articles/a/history-of-pockets/.Google Scholar
Hobson, Suzanne. Angels of Modernism: Religion, Culture, Aesthetics, 1910–1960. New York: Palgrave Macmillan, 2011.Google Scholar
Hollis, Catherine W. “Clarissa’s Glacial Skepticism: John Tyndall and ‘Deep Time’ in ‘Mrs. Dalloway.’” In Interdisciplinary/ Multidisciplinary Woolf: Selected Papers from the Twenty-Second Annual International Conference on Virginia Woolf, edited by Martin, Ann and Holland, Kathryn, 132–37. Clemson, SC: Clemson University Press, 2013.Google Scholar
Holm, David. Art and Ideology in Revolutionary China. New York: Oxford University Press, 1991.Google Scholar
Hornby, Louise. “Downwrong: The Pose of Tiredness.” Modern Fiction Studies 65.1 (Spring 2019): 207–27.Google Scholar
Hsy, Jonathan. “Disability.” In The Cambridge Companion to the Body in Literature, edited by Hillman, David and Maude, Ulrika, 2440. New York: Cambridge University Press, 2015.Google Scholar
Hughes, Derek. Culture & Sacrifice: Ritual Death in Literature & Opera. Cambridge: Cambridge University Press, 2007.Google Scholar
Hughes, Langston. “The Negro Artist and the Racial Mountain.” Nation (June 23, 1926): 692–94.Google Scholar
Hurston, Zora Neale. “How It Feels to Be Colored Me.” In I Love Myself When I Am Laughing, … And Then Again When I’m Looking Mean and Impressive: A Zora Neale Hurston Reader, edited by Walker, Alice, 152–55. New York: Feminist Press of the City of New York, 1979.Google Scholar
Hutchinson, George. The Harlem Renaissance in Black and White. Cambridge, MA: Harvard University Press, 1995.Google Scholar
Huyssen, Andreas. After the Great Divide: Modernism, Mass Culture, Postmodernism. Bloomington: Indiana University Press, 1986.Google Scholar
Íñigo Madrigal, Luis, ed. Historia de la literatura hispanoamericana. Vol. 2. Madrid: Cátedra, 1987.Google Scholar
Israel, Nico. “Esperantic Modernism: Joyce, Universal Language, and Political Gesture.” Modernism/modernity 24.1 (2017): 121.Google Scholar
Jacobsen, Janet R., and Pellegrini, Ann, eds. Secularisms. Durham, NC: Duke University Press, 2008.Google Scholar
Jaffe, Aaron. “Introduction: Who’s Afraid of the Inhuman Woolf?” In “Modernist Inhumanisms.” Special issue, Modernism/modernity 23 (2016): 491513.Google Scholar
Jakoski, Helen. “Mina Loy Outsider Artist.” Journal of Modern Literature 18.4 (1993): 349–68.Google Scholar
James, David. Discrepant Solace: Contemporary Literature and the Work of Consolation. Oxford: Oxford University Press, 2019.Google Scholar
James, Henry. Essays on Literature, American Writers, English Writers. Edited by Edel, Leon and Wilson, Mark. New York: Library of America, 1984.Google Scholar
James, Henry. Hawthorne. Ithaca, NY: Cornell University Press, 1997.Google Scholar
Jameson, Fredric.The Cultural Turn: Selected Writings on the Postmodern, 1983–1998. London: Verso, 1998.Google Scholar
Jameson, Fredric. Fables of Aggression: Wyndham Lewis, the Modernist as Fascist. Berkeley: University of California Press, 1979.Google Scholar
Jameson, Fredric. The Political Unconscious: Narrative as a Socially Symbolic Act. Ithaca, NY: Cornell University Press, 1981.Google Scholar
Jameson, Fredric. The Political Unconscious: Narrative as a Socially Symbolic Act. London: Methuen, 1981.Google Scholar
Jameson, Fredric. “Reflections in Conclusion.” In Aesthetics and Politics, edited by Livingstone, Rodney, Anderson, Perry, and Mulhern, Francis, 196213. London: Verso, 1977.Google Scholar
Jameson, Fredric. The Seeds of Time. New York: Columbia University Press, 1994.Google Scholar
Jameson, Fredric. A Singular Modernity. London: Verso, 2002.Google Scholar
Jameson, Storm. A Day Off: Two Novels and Some Short Stories. London: Macmillan, 1959.Google Scholar
Jameson, Storm. A Day Off. London: Remploy, 1980.Google Scholar
Jameson, Storm. “Documents.” Fact 4 (July 1937): 918.Google Scholar
Jespersen, Otto. An International Language. New York: W. W. Norton, 1929.Google Scholar
Jevons, William Stanley. Theory of Political Economy. 2nd ed. London: Macmillan, 1879.Google Scholar
Johnson, Keith Leslie. “The Extinction Romance.” In “Modernist Inhumanisms.” Special issue, Modernism/modernity 23 (2016): 539–53.Google Scholar
Johnson-Roullier, Cyraina. “Weak Modernism and the Epistemology of Race + Gender.” Modernism/modernity Print Plus 4.1 (April 2, 2019).Google Scholar
Joyce, James. Dubliners. New York: Penguin, 1993.Google Scholar
Joyce, James. Ulysses: The Corrected Text. Edited by Gabler, Hans Walter with Steppe, Wolfhard and Melchior, Claus. New York: Vintage Books, 1986.Google Scholar
Kafer, Alison. Feminist, Queer, Crip. Bloomington: Indiana University Press, 2013.Google Scholar
Kalinak, Kathryn. Settling the Score: Music and the Classical Hollywood Film. Madison: University of Wisconsin Press, 1992.Google Scholar
Kant, Immanuel. Political Writings. Edited by Reiss, Hans. Translated by Nisbet, H. B.. Cambridge: Cambridge University Press, 1991.Google Scholar
Kaplan, Carla, ed. Zora Neale Hurston: A Life in Letters. New York: Anchor, 2003.Google Scholar
Kaufman, Michael W.The Religious, the Secular, and Literary Studies.” New Literary History 38.4 (Autumn 2007): 607–27.Google Scholar
Kearns, Cleo McNelly. T. S. Eliot and Indic Traditions: A Study in Poetry and Belief. Cambridge: Cambridge University Press, 1987.Google Scholar
Kempf, Christopher. “‘Addicted a Little to the Lubric’: Spectacle, Speculation, and the Language of Flow in ‘Ulysses.’” Modernism/modernity 24.1 (January 2017): 2343.Google Scholar
Kennedy-Epstein, Rowena. “The Spirit of Revolt: Women Writers, Archives and the Cold War.” Modernism/modernity Print Plus 2.2 (August 7, 2017). https://doi.org/10.26597/mod.0025.Google Scholar
Kermode, Frank. Romantic Image. 1957. New York: Vintage, 1964.Google Scholar
Kiaer, Christina. “Lyrical Socialist Realism.” October 147 (Winter 2014): 5677.Google Scholar
Kim, Eunjung. Curative Violence: Rehabilitating Disability, Gender, and Sexuality in Modern Korea. Durham, NC: Duke University Press, 2017.Google Scholar
Kirsch, Arthur. Auden and Christianity. New Haven, CT: Yale University Press, 2005.Google Scholar
Koneke, Rodney. Empires of the Mind: I. A. Richards and Basic English in China, 1929–1979. Stanford: Stanford University Press, 2003.Google Scholar
Kouidis, Virginia M. Mina Loy: Modernist American Poet. Baton Rouge: Louisiana State University Press, 1980.Google Scholar
Kramnick, Jonathan. “What We Hire in Now: English by the Grim Numbers.” Chronicle of Higher Education online, December 9, 2018. www-chronicle-com.proxy1.library.jhu.edu/article/What-We-Hire-in-Now-English/245255.Google Scholar
Lacoue-Labarthe, Philippe. “The Horror of the West.” In Conrad’s Heart of Darkness and Contemporary Thought: Revisiting the Horror with Lacoue-Labarthe, edited by Lawtoo, Nidesh, 92101. New York: Bloomsbury Academic, 2012.Google Scholar
Laity, Cassandra. “Editor’s Introduction: Toward Feminist Modernisms.” Feminist Modernist Studies 1.1–2 (2018): 17.Google Scholar
Lane, Ann J. Introduction to Herland, by Charlotte Perkins Gilman, ixxxix. London: The Women’s Press, 1979.Google Scholar
Lanfranchi, Sania Sharawi. Casting Off the Veil: The Life of Huda Shaarawi, Egypt’s First Feminist. London: I. B. Tauris, 2012.Google Scholar
Latham, Sean, and Rogers, Gayle. Modernism: Evolution of an Idea. London: Bloomsbury, 2015.Google Scholar
Lazarus, Neil. The Postcolonial Unconscious. Cambridge: Cambridge University Press, 2011.Google Scholar
Lee, Steven. The Ethnic Avant-Garde: Minority Cultures and World Literature. New York: Columbia University Press, 2015.Google Scholar
Leitch, Vincent B. American Literary Criticism from the Thirties to the Eighties. New York: Columbia University Press, 1988.Google Scholar
Lennon, Brian. Passwords. Cambridge, MA: Harvard University Press, 2018.Google Scholar
Levy, Jonathan. Freaks of Fortune: The Emerging World of Capitalism and Risk in America. Cambridge, MA: Harvard University Press, 2012.Google Scholar
Levy, Lital. Poetic Trespass. Princeton: Princeton University Press, 2014.Google Scholar
Lewis, Pericles. Religious Experience in the Modernist Novel. Cambridge: Cambridge University Press, 2010.Google Scholar
Lewis, Wyndham. The Complete Wild Body. Edited by Lafourcade, Bernard. Santa Barbara: Black Sparrow Press, 1982.Google Scholar
Lewis, Wyndham. “Long Live the Vortex!Blast 1 (1914).Google Scholar
Lewis, Wyndham. Men without Art. Edited by Cooney, Seamus. Santa Barbara: Black Sparrow, 1987.Google Scholar
Lewis, Wyndham. “Satire and Fiction.” In Enemy Pamphlets No. 1. London: The Arthur Press, n.d.Google Scholar
Lewis, Wyndham. Tarr. Edited by Klein, Scott. Oxford: Oxford University Press, 2010.Google Scholar
Lewis, Wyndham. Time and Western Man. Edited by Edwards, Paul. Santa Barbara: Black Sparrow Press, 1993.Google Scholar
Lewis, Wyndham. “Vortices and Notes.” Blast 1 (1914).Google Scholar
Lezra, Jacques. Wild Materialism: The Ethic of Terror and the Modern Republic. New York: Fordham University Press, 2010.Google Scholar
Ligon, Glenn. Yourself in the World: Selected Writings and Interviews, edited by Rothkopf, Scott. New Haven, CT: Yale University Press, 2011.Google Scholar
Lincoln, Bruce. Holy Terror: Thinking about Religion after September 11. Chicago: University of Chicago Press, 2009.Google Scholar
Lincoln, Sarah. “‘Petro-Magic Realism’: Ben Okri’s Inflationary Modernism.” In The Oxford Handbook of Global Modernisms, edited by Wollaeger, Mark with Eatough, Matt, 249–66. New York: Oxford University Press, 2012.Google Scholar
Linett, Maren. Bodies of Modernism. Ann Arbor: University of Michigan Press, 2017.Google Scholar
Linett, Maren. “Modes of Dislocation: Jewishness and Deafness in Elizabeth Bowen.” Studies in the Novel 45.2 (Summer 2013): 259–78.Google Scholar
Linton, Simi. Claiming Disability: Knowledge and Identity. New York: New York University Press, 1998.Google Scholar
Liu, Kang. Aesthetics and Marxism: Chinese Aesthetic Marxists and Their Western Contemporaries. Durham, NC: Duke University Press, 2000.Google Scholar
Liu, Lydia. The Freudian Robot. Chicago: University of Chicago Press, 2010.Google Scholar
Love, Heather. Feeling Backward: Loss and the Politics of Queer History. Cambridge, MA: Harvard University Press, 2007.Google Scholar
Loy, Mina. “Alda’s Beauty, Autograph manuscript, 1916.” YCAL MSS 778, Box 1. Carolyn Burke Collection on Mina Loy and Lee Miller. Beinecke Rare Book and Manuscript Library, Yale University.Google Scholar
Loy, Mina. The Lost Lunar Baedeker: Poems of Mina Loy, edited by Conover, Roger. Manchester: Carcanet, 1997.Google Scholar
Loy, Mina. “‘Feminist Manifesto’, holograph manuscript, corrected / n.d.” 1914. YCAL MSS 196, Box 62, Folder 1568. Mabel Dodge Luhan Papers. Beinecke Rare Book and Manuscript Library, Yale University.Google Scholar
Loy, Mina. Stories and Essays of Mina Loy. Edited by Crangle, Sara. McLean, IL: Dalkey Archive Press, 2011.Google Scholar
Loy, Mina. Undated and dated letters. YCAL MSS 196, Box 24, Folders 664 and 665. Mabel Dodge Luhan Papers. Beinecke Rare Book and Manuscript Library, Yale University.Google Scholar
Lyon, Janet. Introduction to “Disability and Generative Forms.” Special issue, Journal of Modern Literature 38.1 (2014): vviii.Google Scholar
Lyon, Janet. Manifestoes: Provocations of the Modern. Ithaca, NY: Cornell University Press, 1999.Google Scholar
Lyon, Janet. “On the Asylum Road with Woolf and Mew.” Modernism/modernity 18.3 (September 2011): 551–74.Google Scholar
MacKay, Marina. Modernism, War, and Violence. London: Bloomsbury, 2017.Google Scholar
Malle, Louis dir. Ascenceur pour l’échafaud. 1958. The Criterion Collection. DVD.Google Scholar
Mao, Douglas, and Walkowitz, Rebecca L., eds. Bad Modernisms. Durham, NC: Duke University Press, 2006.Google Scholar
Mao, Douglas, and Walkowitz, Rebecca L., “The New Modernist Studies.” PMLA 123.3 (2008): 737–48.Google Scholar
Mao, Zedong. Mao Zedong’s “Talks at the Yan’an Conference on Literature and Art.” Translated and edited by McDougall, Bonnie. Ann Arbor: University of Michigan Center for Chinese Studies, 1980.Google Scholar
Marcus, Jane. Introduction to New Feminist Essays on Virginia Woolf, ed. Marcus, Jane. Lincoln: University of Nebraska Press, 1981.Google Scholar
Marsh, Nicky. “The Cosmopolitan Coin: What Modernists Make of Money.” Modernism/modernity 24.3 (September 2017): 485505.Google Scholar
Marshik, Celia, and Pease, Allison. Modernism, Sex, and Gender. London: Bloomsbury, 2018.Google Scholar
Martin, Craig. Critical Introduction to the Study of Religion. New York: Routledge, 2014.Google Scholar
Massumi, Brian. “The Autonomy of Affect.” Cultural Critique 31 (Autumn 1995): 83109.Google Scholar
Masuzawa, Tomoko. The Invention of Religions: Or, How European Universalism Was Preserved in the Language of Pluralism. Chicago: University of Chicago Press, 2005.Google Scholar
Matz, Jesse. “Modernist Time Ecology.” Modernist Cultures 6.2 (2011): 245–68.Google Scholar
Matz, Jesse. “Pseudo-Impressionism?” In The Legacies of Modernism: Historicising Postwar and Contemporary Fiction, edited by James, David, 114–32. Cambridge: Cambridge University Press, 2012.Google Scholar
McEwan, Ian. Atonement. London: Cape, 2001.Google Scholar
McEwan, Ian. Interview by Zadie Smith. The Believer 26 (August 2005): 4763.Google Scholar
McKible, Adam. “‘Life is real and life is earnest’: Mike Gold, Claude McKay, and the Baroness Elsa von Freytag-Loringhoven.” American Periodicals 15.1(2005): 5673.Google Scholar
McRuer, Robert. Crip Theory: Cultural Signs of Queerness and Disability. New York: New York University Press, 2006.Google Scholar
Mejías-López, Alejandro. The Inverted Conquest: The Myth of Modernity and the Transatlantic Onset of Modernism. Nashville, TN: Vanderbilt University Press, 2010.Google Scholar
Meixner, Laura. “‘Gambling with Bread’: Money, Speculation, and the Marketplace.” Modernism/modernity 17.1 (January 2010): 171–99.Google Scholar
Melville, Jean-Pierre dir. Deux hommes dans Manhattan. 1959. Sony Pictures. DVD.Google Scholar
Mendelssohn, Anna. Implacable Art. Cambridge: Folio/Equipage, 2000.Google Scholar
Mendelssohn, Anna. “The wrong room.” In Vanishing Points: New Modernist Poems, edited by Mengham, Rod and Kinsella, John. Cambridge: Salt Publishing, 2004.Google Scholar
Mendelssohn, Anna (as Grace Lake). Author biography. constant red/mingled damask 1 (1986).Google Scholar
Mendelssohn, Anna. Correspondence with Andrew Duncan. SxMs109/3/A/1/12. Anna Mendelssohn Archive. University of Sussex Special Collections, Falmer, UK.Google Scholar
Mendelssohn, Anna. Correspondence with Peter Riley. SxMs109/3/A/1/52. Anna Mendelssohn Archive. University of Sussex Special Collections, Falmer, UK.Google Scholar
Mendelssohn, Anna. The Day the Music Died. Cambridge: Equipage, 1993.Google Scholar
Mendelssohn, Anna. Inscape 5 submission, untitled. 1999. SxMs109/5/A/30. Anna Mendelssohn Archive. University of Sussex Special Collections, Falmer, UK.Google Scholar
Mendelssohn, Anna. “London, 1971.” In Conductors of Chaos, edited by Sinclair, Iain, 185–86. London: Picador, 1996.Google Scholar
Mendelssohn, Anna. MAMA. 1985. SxMs109/5/B/2/80. Anna Mendelssohn Archive. University of Sussex Special Collections, Falmer, UK.Google Scholar
Mendelssohn, Anna. Manuscript drafts of some of the poems. SxMs109/5/A/23/1. Anna Mendelssohn Archive. University of Sussex Special Collections, Falmer, UK.Google Scholar
Mendelssohn, Anna. Poem beginning “to have some stupid bloke laughing and giggling at you.” constant red/mingled damask 1 (1986).Google Scholar
Mendelssohn, Anna. “Rose-gazing.” In Poets on Writing, edited by Riley, Denise. London: Palgrave Macmillan, 2002.Google Scholar
Mendelssohn, Anna. “Silk & Wild Tulips.” In Out of Everywhere: Linguistically Innovative Poetry by Women in North America & the UK, edited by O’Sullivan, Maggie. St. Leonard’s On Sea, UK: Reality Street Editions, 2006.Google Scholar
Mendelssohn, Anna. Spinsters and Mistresses of Art. Unpublished MSS. c. 1991–1993. SxMs109/5/A/12. Anna Mendelssohn Archive. University of Sussex Special Collections, Falmer UK.Google Scholar
Mendelssohn, Anna (as Grace Lake). Tondo Aquatique. Cambridge: Equipage, 1997.Google Scholar
Mendelssohn, Anna. Two secs.; typescript draft. c. 1993. SxMs109/5/A/15/1. Anna Mendelssohn Archive. University of Sussex Special Collections, Falmer, UK.Google Scholar
Mendelssohn, Anna. Untitled typescript beginning, “what a poem.” Mid-1980s. SxMs109/1/B/1/37. Anna Mendelssohn Archive. University of Sussex Special Collections, Falmer, UK.Google Scholar
Mernissi, Fatima. Beyond the Veil: Male-Female Dynamics in a Modern Muslim Society. London: John Wiley and Sons, 1975.Google Scholar
Mernissi, Fatima. The Veil and the Male Elite: A Feminist Interpretation of Women’s Rights in Islam. Translated by Jo Lakeland, Mary. New York: Basic Books, 1991.Google Scholar
Michaels, Walter Benn. The Gold Standard and the Logic of Naturalism. Berkeley: University of California Press, 1987.Google Scholar
Michaels, Walter Benn. Our America: Nativism, Modernism, and Pluralism. Durham, NC: Duke University Press, 1995.Google Scholar
Mickalites, Cary James. Modernism and Market Fantasy: British Fictions of Capital, 1910–1939. New York: Palgrave Macmillan, 2012.Google Scholar
Miller, J. Hillis. “‘Heart of Darkness’ Revisited,” in Conrad’s “Heart of Darkness” and Contemporary Thought: Revisiting the Horror with Lacoue-Labarthe, edited by Lawtoo, Nidesh, 4051. New York: Bloomsbury Academic, 2012.Google Scholar
Miller, J. Hillis. “The Triumph of Theory, the Resistance to Reading, and the Question of the Material Base.” PMLA 102.3 (1987): 281–91.Google Scholar
Miller, Joshua. Accented America. Oxford: Oxford University Press, 2011.Google Scholar
Mitchell, David, and Snyder, Sharon. “The Eugenic Atlantic: Race, Disability, and the Making of an International Eugenic Science, 1800–1945.” Disability & Society 18.7 (2003): 843–64.Google Scholar
Mitchell, David, and Snyder, Sharon. Narrative Prosthesis. Ann Arbor: University of Michigan Press, 2001.Google Scholar
Mitchell, David, with Snyder, Sharon. The Biopolitics of Disability: Neoliberalism, Ablenationalism, and Peripheral Embodiment. Ann Arbor: University of Michigan Press, 2015.Google Scholar
Moi, Toril. Revolution of the Ordinary: Literary Studies after Wittgenstein, Austin, and Cavell. Chicago: University of Chicago Press, 2017.Google Scholar
Monnier, Adrienne. The Very Rich Hours of Adrienne Monnier. Edited and translated by McDougall, Richard. Lincoln: University of Nebraska Press, 1996.Google Scholar
Morrisson, Mark S. Modern Alchemy: Occultism and the Emergence of Atomic Theory. Oxford: Oxford University Press, 2007.Google Scholar
Morrisson, Mark S.. Modernism, Science, and Technology. London: Bloomsbury, 2016.Google Scholar
Mouëllic, Gilles. “Le jazz au rendez-vous du cinéma: des Hot Clubs à la Nouvelle Vague.” Revue française d’études américaines (2001): 97–110.Google Scholar
Mouëllic, Gilles. “Le jazz à la télévision française dans les années 1950: du didactisme des premières représentations aux expérimentations de Jean-Christophe Averty.” Cinémas 26.2–3 (2016): 5171.Google Scholar
Mufti, Aamir R., ed. “Antinomies of the Postsecular.” Special issue, boundary2 40.1 (2013).Google Scholar
Mulhern, Francis. “Culture and Society, Then and Now.” New Left Review 55 (2009): 3145.Google Scholar
Müller, Oliver. “Being Seen: An Exploration of a Core Phenomenon of Human Existence and Its Normative Dimensions.” Human Studies 40.1 (2017): 365–80. Online.Google Scholar
Murray, David. Matter, Magic, and Spirit: Representing Indian and African American Belief. Philadelphia: University of Pennsylvania Press, 2007.Google Scholar
Myerson, Julie. Review of Outline, by Rachel Cusk. The Guardian online, September 7, 2014. www.theguardian.com/books/2014/sep/07/outline-review-rachel-cusk-daring-greek-chorus.Google Scholar
Myhrvold, Nathan. Modernist Cuisine: The Art and Science of Cooking. 6 vols. Bellevue, WA: The Cooking Lab, 2011.Google Scholar
Nadell, Martha Jane. Enter the New Negroes: Images of Race in American Culture. Cambridge, MA: Harvard University Press, 2004.Google Scholar
Naremore, James. “A Season in Hell or the Snows of Yesteryear?” In A Panorama of American Film Noir 1941–1953, by Borde, Raymond and Chaumeton, Etienne, translated by Hammond, Paul. San Francisco: City Lights Books, 2002.Google Scholar
Nestle, Joan. “The Will to Remember: The Lesbian Herstory Archives of New York.” Feminist Review 34 (1990): 8694.Google Scholar
Ngai, Sianne. Ugly Feelings. Cambridge, MA: Harvard University Press, 2005.Google Scholar
Nielsen, Aldon L. Reading Race: White American Poets and the Racial Discourse in the Twentieth Century. Athens: University of Georgia Press, 1988.Google Scholar
Nielsen, Aldon L.. Writing between the Lines: Race and Intertextuality. Athens: University of Georgia Press, 1994.Google Scholar
Nielsen, Kim. A Disability History of the United States. Boston: Beacon Press, 2012.Google Scholar
Nietszche, Friedrich. The Portable Nietszche. Edited and translated by Kaufmann, William. London: Penguin, 1982.Google Scholar
Nixon, Rob. Slow Violence and the Environmentalism of the Poor. Cambridge, MA: Harvard University Press, 2013.Google Scholar
Nongbri, Brent. Before Religion: A History of a Modern Concept. New Haven, CT: Yale University Press, 2013.Google Scholar
North, Joseph. Literary Criticism: A Concise Political History. Cambridge, MA: Harvard University Press, 2017.Google Scholar
North, Michael. The Dialect of Modernism: Race, Language, and Twentieth-Century Literature. New York: Oxford University Press, 1994.Google Scholar
North, Michael. Machine-Age Comedy. New York: Oxford University Press, 2009.Google Scholar
North, Michael. Novelty: A History of the New. Chicago: University of Chicago Press, 2013.Google Scholar
Nugent, Richard Bruce. “Smoke, Lilies, and Jade.” Fire!!: A Quarterly Devoted to the Younger Negro Artists, edited by Thurman, Wallace (November 1926): 33–39.Google Scholar
Ogden, C. K. Debabelization. London: Kegan Paul, 1931.Google Scholar
Ogden, C. K.. Preface to Tales Told of Shem and Shaun, by James Joyce. Paris: Black Sun Press, 1929.Google Scholar
Ogden, C. K., and Richards, I. A.. The Meaning of Meaning. 1923. London: Harcourt Brace, 1956.Google Scholar
Orwell, George. Nineteen Eighty-Four. London: Penguin, 2003.Google Scholar
Pals, Daniel L. Eight Theories of Religion. 2nd ed. New York: Oxford University Press, 2006.Google Scholar
Panassié, Hugues. “Be-Bop in Perspective.” Accordion Times and Musical Express 41 (July 1947): 3.Google Scholar
Panassié, Hugues. “Un festival du jazz à la Salle Pleyel.” Présence Africaine 7 (1949): 325.Google Scholar
Park, Josephine. Apparitions of Asia. New York: Oxford University Press, 2008.Google Scholar
Parrish, Susan Scott. The Flood Year 1927: A Cultural History. Princeton: Princeton University Press, 2017.Google Scholar
Parsons, Cóilín. “Planetary Parallax: Ulysses, the Stars and South Africa.” Modernism/modernity 24.1 (2017): 6785.Google Scholar
Paz, Octavio. “El caracol y la sirena.” Revista de la Universidad de México 4 (December 1964): 415.Google Scholar
Paz, Octavio. Pervyi vsesoiuznyi s”ezd sovetskikh pisatelei, 1934: stenograficheskii otchet [The First All-Union Congress of Soviet Writers, 1934: Stenographic Record]. Moscow: Sovetskii pisatel’, 1990.Google Scholar
Peters, John Durham. Speaking into the Air. Chicago: University of Chicago Press, 1999.Google Scholar
Petrov, Petre. Automatic for the Masses: The Death of the Author and the Birth of Socialist Realism. Toronto: University of Toronto Press, 2015.Google Scholar
Petrov, Petre. “The Industry of Truing: Socialist Realism, Reality, Realization.” Slavic Review 70.4 (Winter 2011): 873–92.Google Scholar
Phelan, Peggy. Unmarked: The Politics of Performance. London: Routledge, 1993.Google Scholar
Pinkney, Tony. Introduction to The Politics of Modernism, by Raymond Williams. London: Verso, 1989.Google Scholar
Pippin, Robert. Modernism as a Philosophical Problem. Oxford: Basil Blackwell, 1991.Google Scholar
Pollock, Griselda. Encounters in the Virtual Feminist Museum: Time, Space, and the Archive. Abingdon, UK: Routledge, 2007.Google Scholar
Pound, Ezra. The Literary Essays of Ezra Pound. Norfolk, CT: New Directions, 1954.Google Scholar
Pound, Ezra. “Ogden and Debabelization.” The New English Weekly 6.4 (1935): 410–11.Google Scholar
Power, Colum. James Joyce’s Catholic Categories. Belmont, NC: Wiseblood Books, 2016.Google Scholar
Powers, Richard. The Overstory. London: Heinemann, 2018.Google Scholar
Pozorski, Aimee L.Eugenicist Mistress and Ethnic Mother: Mina Loy and Futurism, 1913–1917.” Melus 30.3 (2005): 4171.Google Scholar
Pressman, Jessica. Digital Modernism. Oxford: Oxford University Press, 2014.Google Scholar
Puchner, Martin. “The New Modernist Studies: A Response.” Minnesota Review 79 (2012): 9196.Google Scholar
Puchner, Martin. Poetry of the Revolution: Marx, Manifestos, and the Avant-Gardes. Princeton: Princeton University Press, 2005.Google Scholar
Puchner, Martin. The Written World: The Power of Stories to Shape People, History, Civilization. New York: Random House, 2017.Google Scholar
Pulsifer, Rebecah. “Contemplating the Idiot in Virginia Woolf’s Between the Acts.” Journal of Modern Literature 42.2 (2018): 94112.Google Scholar
Puskar, Jason. Accident Society: Fiction, Collectivity, and the Production of Chance. Stanford: Stanford University Press, 2012.Google Scholar
Quayson, Ato. Aesthetic Nervousness: Disability and the Crisis of Representation. New York: Columbia University Press, 2007.Google Scholar
Quigley, Megan. Modernist Fiction and Vagueness. Cambridge: Cambridge University Press, 2015.Google Scholar
Radek, Karl. “Contemporary World Literature and the Tasks of Proletarian Art.” In Problems of Soviet Literature, edited by Scott, H. G.. London: Martin Lawrence, 1934.Google Scholar
Rainey, Lawrence. “The Creation of the Avant-Garde: F. T. Marinetti and Ezra Pound.” Modernism/modernity 1.3 (1994): 195212.Google Scholar
Rainey, Lawrence. Institutions of Modernism: Literary Elites and Public Culture. New Haven, CT: Yale University Press, 1998.Google Scholar
Rainey, Lawrence, and von Hallberg, Robert. “Editorial/Introduction.” Modernism/modernity 1.1 (1994): 13.Google Scholar
Raley, Rita. “Machine Translation and Global English.” Yale Journal of Criticism 16.2 (2003): 291313.Google Scholar
Rancière, Jacques. The Lost Thread: The Democracy of Modern Fiction. Translated by Corcoran, Steven. London: Bloomsbury, 2016.Google Scholar
Rankine, Claudia. Citizen: An American Lyric. Minneapolis, MN: Graywolf Press, 2014.Google Scholar
Rankine, Claudia. “How Art Teaches a Poet to See.” The International Festival of Arts and Ideas, New Haven, CT, June 2015. Accessed April 26, 2020. www.artidea.org/video-podcast/2100.Google Scholar
Ratti, Manav. The Postsecular Imagination: Postcolonialism, Religion, and Literature. London: Routledge, 2013.Google Scholar
Reese, Sam, and Kingston-Reese, Alexandra. “Teju Cole and Ralph Ellison’s Aesthetics of Invisibility.” Mosaic: An Interdisciplinary Critical Journal 50.4 (2017): 103–19.Google Scholar
Reese, Sam, and Kingston-Reese, Alexandra. “Un festival du jazz à la Salle Pleyel.” Présence Africaine 7 (1949): 325–27.Google Scholar
Reizbaum, Marilyn. James Joyce’s Judaic Other. Stanford: Stanford University Press, 1999.Google Scholar
Reizbaum, Marilyn. “Responses to the Special Issue on Weak Theory.” Modernism/modernity Print Plus 3.4–4.2 (February 7, 2019 – August 5, 2019). https://modernismmodernity.org.Google Scholar
Retman, Sonnet H.Black No More: George Schuyler and Racial Capitalism.” PMLA 123.5 (October 2008): 1448–64.Google Scholar
Richardson, Sean, and Rada, Michelle, Argyrides, Patty, and Peters, Meindert. “Conference Review: MSA 2018.” Modernist Review. Online.Google Scholar
Robbins, Bruce. Review of Planetary Modernisms: Provocations on Modernity across Time, by Susan Stanford Friedman. Interventions 18.5 (2016): 746–48.Google Scholar
Roberts, Adam. Fredric Jameson. New York: Routledge, 2000.Google Scholar
Roberts, Ryan, ed. Conversations with Ian McEwan. Jackson: University Press of Mississippi, 2010.Google Scholar
Robinson, Matthew. The Astral H.D.: Occult and Religious Sources and Contexts for H.D.’s Poetry and Prose. New York: Bloomsbury Academic Press, 2016.Google Scholar
Rodas, Julia. Autistic Disturbances: Theorizing Autism Poetics from the DSM to Robinson Crusoe. Ann Arbor: University of Michigan Press, 2018.Google Scholar
Rogers, Charlotte. Jungle Fever: Exploring Madness and Medicine in Twentieth-Century Tropical Narratives. Nashville: Vanderbilt University Press, 2012.Google Scholar
Rogers, Gayle. Incomparable Empires. New York: Columbia University Press, 2016.Google Scholar
Roof, Judith. What Gender Is, What Gender Does. Minneapolis: University of Minnesota Press, 2016.Google Scholar
Rosà, Rosa. “Women of the Near Future [2].” In Futurism: An Anthology, edited by Rainey, Lawrence, Poggi, Christine, and Wittman, Laura, 244–46. New Haven, CT: Yale University Press, 2009.Google Scholar
Ross, Kristin. Fast Cars Clean Bodies: Decolonization and the Reordering of French Culture. Cambridge, MA: MIT Press, 1995.Google Scholar
Ross, Stephen. “Uncanny Modernism, or Analysis Interminable.” In Disciplining Modernism, edited by Caughie, Pamela, 3352. Houndmills: Palgrave, 2009.Google Scholar
Ruby, Tabassum. “Listening to the Voices of Hijab.” Women’s Studies International Forum 29 (2008): 5466.Google Scholar
Rudrum, David, and Stavris, Nicholas, eds. Supplanting the Postmodern. New York: Bloomsbury, 2015.Google Scholar
Russell, Bertrand. The Autobiography of Bertrand Russell. 1967. London: Routledge, 1998.Google Scholar
Ryan, Derek. Virginia Woolf and the Materiality of Theory: Sex, Animal, Life. Edinburgh: University of Edinburgh Press, 2013.Google Scholar
Saint-Amour, Paul. Tense Future: Modernism, Total War, Encyclopedic Form. New York: Oxford University Press, 2015.Google Scholar
Saint-Amour, Paul. “Weak Theory, Weak Modernism.” In “Weak Theory.” Special issue, Modernism/modernity 25.3 (2018): 437–59.Google Scholar
Saint-Point, Valentine de. “Manifesto of the Futurist Woman (Response to F. T. Marinetti).” In Futurism: An Anthology, edited by Rainey, Lawrence, Poggi, Christine, and Wittman, Laura, 109–12. New Haven, CT: Yale University Press, 2009.Google Scholar
Samuels, Ellen. Fantasies of Identification: Disability, Gender, Race. New York: New York University Press, 2014.Google Scholar
Sanchez, Rebecca. Deafening Modernism: Embodied Language and Visual Poetics in American Literature. New York: New York University Press, 2015.Google Scholar
Sarker, Sonita. “On Remaining Minor in Modernisms: The Future of Women’s Literature.” Literature Compass 10.1 (2013): 814.Google Scholar
Schachter, Allison. Diasporic Modernisms. Oxford: Oxford University Press, 2011.Google Scholar
Schaeffer, Jean-Marie. Art of the Modern Age: Philosophy of Art from Kant to Heidegger. Translated by Rendall, Steven. Princeton: Princeton University Press, 2000.Google Scholar
Schild, Kathryn. “Between Moscow and Baku: National Literatures at the 1934 Congress of Soviet Writers.” PhD diss., University of California, Berkeley, 2010.Google Scholar
Schoenbach, Lisi. Pragmatic Modernism. Oxford: Oxford University Press, 2011.Google Scholar
Schotter, Jesse. “Verbivocovisuals: James Joyce and the Problem of Babel.” James Joyce Quarterly 48.1 (2010): 89109.Google Scholar
Schulman, Iván. “Modernismo/modernidad: teoría y poiesis.” In Historia de la literatura hispanoamericana. Vol. II, edited by Íñigo Madrigal, Luis. Madrid: Cátedra, 1987.Google Scholar
Schuster, Joshua. The Ecology of Modernism: American Environments and Avant-Garde Poetics. Tuscaloosa: University of Alabama Press, 2015.Google Scholar
Schuyler, George. Black No More: Being an Account of the Strange and Wonderful Workings of Science in the Land of the Free, A.D. 1933–1940. Boston: Northeastern University Press, 1989.Google Scholar
Schwartz, Christa A. B. Gay Voices of the Harlem Renaissance. Bloomington: Indiana University Press, 2003.Google Scholar
Scott, Bonnie Kime. “Modernism and Gender.” In A Companion to Modernist Literature and Culture, edited by Bradshaw, David and Dettmar, Kevin, 535–42. Oxford: Blackwell, 2008.Google Scholar
Scott, . Introduction to The Gender of Modernism: A Critical Anthology, edited by Scott, Bonnie Kime, 118. Bloomington: Indiana University Press, 1990.Google Scholar
Sedgwick, Eve Kosofsky. Touching Feeling: Affect, Pedagogy, Performativity. Durham, NC: Duke University Press, 2002.Google Scholar
See, Sam. “The Comedy of Nature: Darwinian Feminism in Virginia Woolf’s Between the Acts.” Modernism/modernity 17 (2010): 639–67.Google Scholar
Sekula, Allan. “The Body and the Archive.” October 39 (1986): 363.Google Scholar
Servitje, Lorenzo. “‘Triumphant Health’: Joseph Conrad and Tropical Medicine.” Literature and Medicine 34.1 (Spring 2016): 132–57.Google Scholar
Seshagiri, Urmila. “Introduction: Mind the Gap! Modernism and Feminist Praxis.” Modernism/modernity Print Plus 2.2 (August 7, 2017). https://doi.org/10.26597/mod.0022.Google Scholar
Seshagiri, Urmila. Race and the Modernist Imagination. Ithaca, NY: Cornell University Press, 2010.Google Scholar
Shaarawi, Huda. Harem Years: The Memoirs of an Egyptian Feminist. Translated by Badran, Margot. New York: Feminist Press, 1986.Google Scholar
Sharma, Meara. “Claudia Rankine on Blackness as the Second Person.” Guernica (November 17, 2014). Accessed May 19, 2019. https://www.guernicamag.com/blackness-as-the-second-person/.Google Scholar
Sharp, Jane. Russian Modernism between East and West. New York: Cambridge University Press, 2006.Google Scholar
Sherrard-Johnson, Cherene. Portraits of the New Negro Woman: Visual and Literary Culture of the Harlem Renaissance. New Brunswick, NJ: Rutgers University Press, 2007.Google Scholar
Shenton, Herbert N., Sapir, Edward, and Jespersen, Otto. International Communication: A Symposium on the Language Problem. London: Kegan Paul, 1931.Google Scholar
Shepherd, Elizabeth. “Hidden Voices in the Archives: Pioneering Women Archivists in Early 20th-Century England.” In Engaging with Records and Archives: Histories and Theories, edited by Foscarini, Fiorella, MacNeil, Heather, Mak, Bonnie, and Oliver, Gillian. London: Facet, 2016.Google Scholar
Sherry, Vincent. Modernism and the Reinvention of Decadence. Cambridge: Cambridge University Press, 2014.Google Scholar
Shih, Shu-mei. The Lure of the Modern: Writing Modernism in Semicolonial China, 1917–1937. Berkeley: University of California Press, 2001.Google Scholar
Siebers, Tobin. Disability Aesthetics. Ann Arbor: University of Michigan Press, 2010.Google Scholar
Siebers, Tobin. Disability Theory. Ann Arbor: University of Michigan Press, 2008.Google Scholar
Simmons, K. Merinda, and Crank, James A.. Race and New Modernisms. London: Bloomsbury, 2019.Google Scholar
Singh, Amardeep. Literary Secularism: Religion and Modernity in Twentieth-Century Fiction. Newcastle: Cambridge Scholars Press, 2006.Google Scholar
Siskind, Mariano. Cosmopolitan Desires: Global Modernity and World Literature in Latin America. Evanston, IL: Northwestern University Press, 2014.Google Scholar
Slezkine, Yuri. “The USSR as a Communal Apartment, or How a Socialist State Promoted Ethnic Particularism.” Slavic Review 53.2 (Summer 1994): 414–52.Google Scholar
Snyder, Sharon L., and Mitchell, David T.. Cultural Locations of Disability. Chicago: University of Chicago Press, 2006.Google Scholar
Soud, W. David. Divine Cosmographies: God, History, and Poeisis in W. B. Yeats, David Jones, and T. S. Eliot. Oxford: Oxford University Press, 2016.Google Scholar
Spivak, Gayatri. “Can the Subaltern Speak?” In Colonial Discourse and Post-Colonial Theory: A Reader, edited by Williams, Patrick and Chrisman, Laura. New York: Columbia University Press, 1994.Google Scholar
Spivak, Gayatri. A Critique of Postcolonial Reason: Toward a History of the Vanishing Present. Cambridge, MA: Harvard University Press, 1999.Google Scholar
Spivak, Gayatri. Death of a Discipline. New York: Columbia University Press, 2003.Google Scholar
Spivak, Gayatri. “‘Planetarity’ (Box 4, WELT),” Paragraph 38.2 (2015): 290–92.Google Scholar
Spoo, Robert. Modernism and the Law. London: Bloomsbury, 2018.Google Scholar
Spurling, Hilary. Ivy: The Life of Ivy Compton-Burnett. London: Faber and Faber, 2009.Google Scholar
Spurr, Barry. Anglo-Catholic in Religion”: T. S. Eliot and Christianity. Cambridge: Lutterworth Press, 2010.Google Scholar
Stäheli, Urs. Spectacular Speculation: Thrills, the Economy, and Popular Discourse. Translated by Savoth, Eric. Stanford: Stanford University Press, 2013.Google Scholar
Steedman, Carolyn. Dust. Manchester: Manchester University Press, 2001.Google Scholar
Steven, Mark. Red Modernism. Baltimore: Johns Hopkins University Press, 2017.Google Scholar
Stewart, Kathleen. “Precarity’s Forms.” Cultural Anthropology 27.3 (2012): 518–25.Google Scholar
Stoler, Ann Laura. Along the Archival Grain: Epistemic Anxieties and Colonial Common Sense. Princeton: Princeton University Press, 2009.Google Scholar
Stovall, Tyler. “Murder in Montmartre: Race, Sex, and Crime in Jazz Age Paris.” In Minor Transnationalism, edited by Lionnet, Françoise and Shih, Shu-Mei. Durham, NC: Duke University Press, 2005.Google Scholar
Strenski, Ivan, ed. Thinking about Religion: A Reader. Oxford: Blackwell, 2006.Google Scholar
Sue, Derald Wing. “Microaggressions, Marginality, and Oppression: An Introduction.” In Microaggressions and Marginality: Manifestation, Dynamics, and Impact, edited by Wing Sue, Derald, 324. Hoboken, NJ: Wiley and Sons, 2010.Google Scholar
Sultzbach, Kelly. Ecocriticism in the Modernist Imagination: Forster, Woolf, and Auden. Cambridge: Cambridge University Press, 2016.Google Scholar
Surette, Leon. The Birth of Modernism: The Occult in Pound, Eliot, and Yeats. Buffalo, NY: McGill-Queen’s University Press, 1993.Google Scholar
Surette, Leon, and Tryphonopoulos, Demetres P., eds. Literary Modernism and the Occult Tradition. Orono, ME: National Poetry Foundation, 1996.Google Scholar
Szalay, Michael. New Deal Modernism: American Literature and the Invention of the Welfare State. Durham, NC: Duke University Press, 2000.Google Scholar
Szendy, Peter. All Ears: The Aesthetics of Espionage. Translated by Végső, Roland. New York: Fordham University Press, 2017.Google Scholar
Tagore, Rabindranath. Gora. 1909. Translated by Mukherjee, Sujit. New Delhi: Sahitya Akademi, 1997.Google Scholar
Tang, Xiaobing. Origins of the Chinese Avant-Garde. Berkeley: University of California Press, 2008.Google Scholar
Tannenbaum, Judith. Glenn Ligon: un/becoming. Philadelphia: Institute of Contemporary Art, University of Pennsylvania, 1997.Google Scholar
Taylor, Charles. A Secular Age. Cambridge, MA: Harvard University Press, 2007.Google Scholar
Taylor, Julie, ed. Modernism and Affect. Edinburgh: Edinburgh University Press, 2015.Google Scholar
Taylor, Lucien. “Créolité Bites: A Conversation with Patrick Chamoiseau, Raphael Confiänt, and Jean Bernabé.” Transition 74 (1997): 124–61.Google Scholar
Tenen, Dennis. Plain Text. Stanford: Stanford University Press, 2017.Google Scholar
Terada, Rei. Feeling in Theory: Emotion after the “Death of the Subject. Cambridge, MA: Harvard University Press, 2001.Google Scholar
Thaggert, Miriam. Images of Black Modernism: Verbal and Visual Strategies of the Harlem Renaissance. Amherst: University of Massachusetts Press, 2010.Google Scholar
Torgovnik, Marianna. Gone Primitive: Savage Intellects, Modern Lives. Chicago: University of Chicago Press, 1990.Google Scholar
Tournès, Ludovic. Du phonographe au MP3: Une histoire de la musique enregistrée XIXe–XXIe siècles. Paris: Autrement, Mémoires/culture, 2008.Google Scholar
Tournès, Ludovic. “La popularisation du jazz en France (1948–1960): les prodromes d’une massification des pratiques musicales.” Revue historique 617 (2000): 109–30.Google Scholar
Tran, Ben. Post-Mandarin: Masculinity and Aesthetic Modernity in Colonial Vietnam. New York: Fordham University Press, 2017.Google Scholar
Tratner, Michael. Deficits and Desires: Economics and Sexuality in Twentieth-Century Literature. Stanford: Stanford University Press, 2001.Google Scholar
Tung, Charles M.Baddest Modernism: The Scales and Lines of Inhuman Time.” In “Modernist Inhumanisms.” Special issue, Modernism/modernity 23 (2016): 515–38.Google Scholar
Tweed, Thomas A. Crossing and Dwelling: A Theory of Religion. Oxford: Blackwell, 2006.Google Scholar
Tyerman, Edward. “Resignifying ‘The Red Poppy’: Internationalism and Symbolic Power in the Sino-Soviet Encounter.” SEEJ 61.3 (2017): 445–66.Google Scholar
Tzara, Tristan. “Seven Dada Manifestoes.” In The Dada Painters and Poets: An Anthology, edited by Motherwell, Robert, 7587. New York: Wittenborn, Schultz, 1951.Google Scholar
Ugarte, Manuel. El porvenir de la América Latina/The Future of Latin America. Valencia: Sempere, 1911.Google Scholar
Umansky, Lauri. Motherhood Reconceived: Feminism and the Legacies of the Sixties. New York: New York University Press, 1996.Google Scholar
[Unsigned.] “Caistor Next Norwich: The Roman Town: Disclosures in Air Photograph.” Times (March 4, 1929): 13.Google Scholar
[Unsigned.] “Seen from the Air.” Times (March 4, 1929): 17.Google Scholar
Unsigned editorial. “Modernism and Politics Play Havoc with Art.” Part II. The Art World 1.3 (December 1916): 152–55.Google Scholar
V21 Collective.“Manifesto of the V21 Collective.” V21 Collective website. Accessed April 29, 2020. http://v21collective.org/manifesto-of-the-v21-collective-ten-theses/.Google Scholar
Vadde, Aarthi. Chimeras of Form. New York: Columbia University Press, 2016.Google Scholar
Vadde, Aarthi. “Scalability.” Modernism/modernity Print Plus 2.4 (January 2, 2018). https://doi.org/10.26597/mod.0035.Google Scholar
Valente, Joseph. “The Accidental Autist: Neurosensory Disorder in The Secret Agent.” In “Disability and Generative Form.” Special issue, Journal of Modern Literature 38.1 (2014): 2037.Google Scholar
Valente, Joseph. “Other Possibilities, Other Drives: Queer, Counterfactual ‘Life’ in Truman Capote’s Other Voices, Other Rooms.” MFS: Modern Fiction Studies 59.3 (2013): 526–46.Google Scholar
Vásquez, Manuel A. More Than Belief: A Materialist Theory of Religion. Oxford: Oxford University Press, 2013.Google Scholar
Vetter, Lara A. Modernist Writings and Religio-Scientific Discourse: H.D., Loy, and Toomer. New York: Palgrave Macmillan, 2010.Google Scholar
Vincendeau, Ginette. “Jean-Pierre Melville’s ‘Deux hommes dans Manhattan’ (1959): The French Resistance Comes to New York.” Liner notes to Two Men in Manhattan. Port Washington, NY: Cohen Media Group, 2013. DVD.Google Scholar
Viswanathan, Gauri. “The Great Game: The Geopolitics of Secret Knowledge.” In Locating Transnational Ideals, edited by Goebel, William and Schabio, Saskia, 191205. London: Routledge, 2010.Google Scholar
Viswanathan, Gauri. “‘Have Animals Souls?’ Theosophy and the Suffering Body.” PMLA 126.2 (March 2011): 440–47.Google Scholar
Viswanathan, Gauri. Outside the Fold: Conversion, Modernity, and Belief. Princeton: Princeton University Press, 1998.Google Scholar
Viswanathan, Gauri. “Secularism in the Framework of Heterodoxy.” PMLA 123.2 (March 2008): 966–76.Google Scholar
Waggoner, Jess. “‘My Most Humiliating Jim Crow Experience’: Afro-Modernist Critiques of Eugenics and Medical Segregation.” Modernism/modernity 24.3 (2017): 507–25.Google Scholar
Waggoner, Jess. “‘The Seriously Injured of Our Civic Life’: Imagining Disabled Collectivity in Depression-Era Crip Modernisms,” Modern Fiction Studies 65.1 (Spring 2019), 89110.Google Scholar
Watanabe, Nancy Ann. African Heartbeat: Transatlantic Literary and Cultural Dynamics. Lanham: Hamilton Books, 2018.Google Scholar
Waugh, Patricia. “Postmodernism.” In The Cambridge History of Literary Criticism: Twentieth-Century Historical, Philosophical, and Psychological Perspectives. Edited by Knellwolf, Christa and Norris, Christopher. Cambridge: Cambridge University Press, 2013.Google Scholar
Weheliye, Alexander. Phonographies: Grooves in Sonic Afro-Modernity. Durham, NC: Duke University Press, 2005.Google Scholar
Weinstein, Philip. “Postmodern Intimations: Musing on Invisibility: William Faulkner, Richard Wright, Ralph Ellison.” In Faulkner and Postmodernism, edited by Duvall, John N. and Abadie, Ann J., 3246. Jackson: University Press of Mississippi, 2002.Google Scholar
Wellek, René. “The New Criticism: Pro and Contra,” Critical Inquiry 4 (1978): 611–24.Google Scholar
Wells, H. G. The Invisible Man. Oxford: Oxford University Press, 2017.Google Scholar
Wells, H. G.. The Shape of Things to Come. 1933. New York: Penguin Classics, 2006.Google Scholar
Wheeler, R. E. M.Caistor, and a Comment.” Antiquity 10.3 (1929): 182–87.Google Scholar
Whittier-Ferguson, John. Framing Pieces: Designs of the Gloss in Joyce, Woolf, and Pound. New York: Oxford University Press, 1996.Google Scholar
Whittington, Ian. “Radio Studies and 20th Century Literature: Ethics, Aesthetics, and Remediation.” Literature Compass 11.9 (2014): 634–48.Google Scholar
Whitworth, Michael. Reading Modernist Poetry. Hoboken, NJ: Wiley-Blackwell, 2010.Google Scholar
Wicke, Jennifer. “Appreciation, Depreciation: Modernism’s Speculative Bubble.” Modernism/modernity 8.3 (September 2001): 389403.Google Scholar
Wicke, Jennifer. “Hugh Kenner’s Pound of Flesh.” Modernism/modernity 12 (2005): 493–97.Google Scholar
Wiener, Norbert. Cybernetics: Control or Communication in the Animal and the Machine. Cambridge, MA: MIT Press, 1948.Google Scholar
Wilcox, Melissa, ed. Religion in Today’s World: Global Issues, Sociological Perspectives. London: Routledge, 2013.Google Scholar
Williams, Raymond. 1958. Culture and Society: 1780–1950. New York: Columbia University Press, 1983.Google Scholar
Willmott, Glenn. Modernist Goods: Primitivism, the Market, and the Gift. Toronto: University of Toronto Press, 2008.Google Scholar
Wilson, Edmund. “The Poetry of Drouth.” The Dial 73 (December 1922): 611–16.Google Scholar
Wilson, Woodrow. “On Being Human.” The Atlantic 80 (September 1897): 320–29.Google Scholar
Wollaeger, Mark, with Eatough, Matt, eds. The Oxford Handbook of Global Modernisms. Oxford: Oxford University Press, 2013.Google Scholar
Woolf, Virginia. A Change of Perspective: The Letters of Virginia Woolf. Vol. 3, 1923–1928. Edited by Nicolson, Nigel. London: Hogarth, 1977.Google Scholar
Woolf, Virginia. Between the Acts. New York: Harcourt, 2008.Google Scholar
Woolf, Virginia. The Diary of Virginia Woolf. Vol. 3, 1925–1930. Edited by Bell, Anne Oliver. London: Hogarth, 1980.Google Scholar
Woolf, Virginia. The Diary of Virginia Woolf. Vol. 4, 1931–1935. Edited by Bell, Anne Olivier. London: Penguin, 1983.Google Scholar
Woolf, Virginia. The Essays of Virginia Woolf. Vol. 4, 1925–1928. Edited by McNeillie, Andrew, 317–29. London: Hogarth, 1994.Google Scholar
Woolf, Virginia. The Moment and Other Essays. Edited by Woolf, Leonard. New York: Harcourt, Brace, 1948.Google Scholar
Woolf, Virginia. Moments of Being. Edited by Schulkind, Jeanne. London: Grafton, 1989.Google Scholar
Woolf, Virginia. Mrs. Dalloway. New York: Harcourt, 2005.Google Scholar
Woolf, Virginia. To the Lighthouse. New York: Harcourt, 2005.Google Scholar
Woolf, Virginia. To the Lighthouse. Edited by Drabble, Margaret. Oxford: Oxford University Press, 1992.Google Scholar
Woolf, Virginia. The Voyage Out. Edited by Wheare, Jane. London: Penguin, 1992.Google Scholar
Woolf, Virginia. The Years. Edited by McNees, Eleanor. New York: Harcourt, 2008.Google Scholar
Wright, T. R. D. H. Lawrence and the Bible. Cambridge: Cambridge University Press, 2000.Google Scholar
Yao, Steven. Foreign Accents. New York: Oxford University Press, 2010.Google Scholar
Yao, Steven. “Xi Jinping’s Talks at the Beijing Forum on Literature and Art.” 2014. Accessed December 3, 2018. https://chinacopyrightandmedia.wordpress.com/2014/10/16/xi-jinpings-talks-at-the-beijing-forum-on-literature-and-art/.Google Scholar
Yeats, W. B. The Collected Poems of W. B. Yeats. Edited by Finneran, Richard J.. New York: Scribner, 1996.Google Scholar
Young, James O. Black Writers of the Thirties. Baton Rouge: Louisiana State University Press, 1973.Google Scholar
Young, John. “African American Magazine Modernism.” In African American Literature in Transition, 1920–30, edited by Thaggert, Miriam and Farebrother, Rachel. New York: Cambridge University Press, forthcoming.Google Scholar
Yurchak, Alexei. Everything Was Forever, Until It Was No More: The Last Soviet Generation. Princeton: Princeton University Press, 2006.Google Scholar
Zack, Naomi. Inclusive Feminism: A Third Wave Theory of Women’s Commonality. Lanham, MD: Roman & Littlefield, 2005.Google Scholar
Zakaria, Rafia. Veil. London: Bloomsbury Academic Press, 2017.Google Scholar
Zambra, Alejandro. Not to Read. Translated by McDowell, Megan. London: Fitzcarraldo Editions, 2018.Google Scholar
Zhdanov, A. A.Soviet Literature – The Richest in Ideas, the Most Advanced Literature.” In Problems of Soviet Literature, edited by Scott, H. G.. London: Martin Lawrence, 1934.Google Scholar
Zheng, Bo. “Workers of the World, Unite!” In Comintern Aesthetics, edited by Glaser, Amelia and Lee, Steven. Toronto: University of Toronto Press, 2020.Google Scholar
Zwerdling, Alex. Virginia Woolf and the Real World. Berkeley: University of California Press, 1986.Google Scholar

Save book to Kindle

To save this book to your Kindle, first ensure [email protected] is added to your Approved Personal Document E-mail List under your Personal Document Settings on the Manage Your Content and Devices page of your Amazon account. Then enter the ‘name’ part of your Kindle email address below. Find out more about saving to your Kindle.

Note you can select to save to either the @free.kindle.com or @kindle.com variations. ‘@free.kindle.com’ emails are free but can only be saved to your device when it is connected to wi-fi. ‘@kindle.com’ emails can be delivered even when you are not connected to wi-fi, but note that service fees apply.

Find out more about the Kindle Personal Document Service.

  • Bibliography
  • Edited by Douglas Mao, The Johns Hopkins University
  • Book: The New Modernist Studies
  • Online publication: 21 January 2021
  • Chapter DOI: https://doi.org/10.1017/9781108765428.018
Available formats
×

Save book to Dropbox

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Dropbox.

  • Bibliography
  • Edited by Douglas Mao, The Johns Hopkins University
  • Book: The New Modernist Studies
  • Online publication: 21 January 2021
  • Chapter DOI: https://doi.org/10.1017/9781108765428.018
Available formats
×

Save book to Google Drive

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Google Drive.

  • Bibliography
  • Edited by Douglas Mao, The Johns Hopkins University
  • Book: The New Modernist Studies
  • Online publication: 21 January 2021
  • Chapter DOI: https://doi.org/10.1017/9781108765428.018
Available formats
×